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Polish Americans. Juvenile fiction.
Survival. Fiction.
Orphan trains. Fiction.
Orphans. Fiction.
Polish Americans. Fiction.
West (U.S.). History. 19th century. Fiction.
As in Cushman's Newbery winner, The Midwife's Apprentice (1995), the hero of this lively historical novel is a mean orphan, desperate for home, and her adult mentor is both as tough and as needy as the orphan child. Here the setting is the U.S. in 1881 on the orphan train going west from Chicago to California; but the story of the wild, lonely pauper kids is like something out of Dickens, especially when they remember their desperate lives in the streets and orphanages of the city they left behind. Twelve-year-old Rodzina's first-person account of the uproar on the journey makes the dramatic history immediate. She's terrified of being given away as a slave to strangers. Indeed, as the train stops at various frontier towns along the way, she sees kids brutally exploited for their labor, and she herself escapes a nightmare forced marriage. But she also sees successful mail-order couples, and some kids do find homes with loving families. A natural for American history or social studies classes, this is especially interesting as a women's history title, with Rodzina portrayed as an unromantic protagonist, big, angry, and tough. The boss of the orphan train is a woman doctor, cold and distant, and as lonely as Rodzina. Yes, it's clear that these two strong women will get together by the end; how that happens makes a great story. Cushman talks about the history in a lengthy final note, and she includes a bibliography of other orphan train books.
Wilson's Children's Catalog
Bulletin of the Center for Children's Books
ALA Booklist
Wilson's Junior High Catalog
On a cold Monday morning in March, when a weak, pale sun struggled to shine and ice glistened in the cracks in the wooden street, a company of some twenty-two orphan children with stiff new clothes and little cardboard suitcases boarded a special railway car at the station near the Chicago River. I know, because I was one of them.
The station was noisier and more confused than Halsted Street on market day. Travelers carrying featherbeds and bundles wrapped in blue gingham cloth shoved me aside in their hurry to get here or there. A man in a bright red jacket bumped into me and apologized in a language I did not know. At least I assumed it was an apology, because of all the bowing and tipping of his hat, so I said, "It's all right, mister, but I'd say you should know a little English if you expect to get wherever you're going." He tipped his hat again.
One woman, burdened with children, blankets, a tin kettle, and a three-legged stove, finally put that stove right down on the platform, sat herself atop it, and began to cry. I knew how she felt. I myself was a mite worried--not scared, being twelve and no baby like Evelyn or Gertie to be afraid of every little thing, but worried, yes. It was all so loud and disorderly and unfamiliar.
I forced my way through the crowd and grabbed on to a belt in front of me. The boy it belonged to said, "Hang on tight, Rodzina, afore we're swept into the lake like sewage." It was Spud, whom I knew from the Little Wanderers' Refuge. He and Chester, Gertie, Horton, Rose and Pearl Lubnitz, the baby Evelyn, and I--we had been there together. The others were from the Infant Hospital and the Orphan Asylum near Hyde Park. Orphans, all of us, carrying all we owned in our two hands, pushing and shoving like everyone else.
A lady, standing straight and tall in a black suit and stiff white shirtwaist, put her hands up to her mouth and shouted, but I could not hear much over the din. I finally gathered that she was from the Orphan Asylum and was calling us all together. Letting go of Spud's belt, I stretched myself even taller so I could get a better look at her over that expanse of heads. She was pale and thin, her mouth ill-humored, and her gray eyes as cold and sharp as the wire rims of her spectacles. I should have known they would not send someone kind and good-natured to accompany a carload of orphans.
Roaring and cursing, a short, barrel-shaped man togged out in a checked jacket and yellow shoes pushed his way through the crowd. "You! Orphans!" he shouted, the cigar in the corner of his mouth waving and waggling with his words. "Pipe down! I am Mr. Szprot, the placing-out agent for the Association of Aid Societies. That means I am the boss and you do what I tell you. You are, you know, none of you, too young to go to Hell. Or to jail. So shut your mugs and line up." After my time on the street I was used to being threatened with Hell, so it didn't bother me much, but still I shut my mug. There was silence from the other orphans too, and we walked noiselessly to the train.
Trains had hooted and rumbled behind our house on Honore Street, but I had never seen a locomotive up so close, looming like the fearful dragon of Wawel Hill in the story Auntie Manya used to tell, its smokestack belching sparks, and a line of cars trailing behind like a tail of wood and iron. If I had been younger or smaller, even I might have been scared.
Getting on this train had not been my idea. I wanted to go home. But I had no home anymore, except the Little Wanderers' Refuge, and they had sent me away to be sold as a slave. I knew that because a kid on the street, Melvin, had told me. "That orphanage ships kids on trains to the west," he said. "In freight cars. Don't feed 'em or nothin'. Sells 'em to families that want slaves." He shook his head. "Orphans never come to no good end." I found that easy to believe, so I believed every word.
No, I surely did not want to get on the train, but the crowd of orphans shoved me onward. The long black wool stockings they'd given me at the orphan home itched something fierce, and pausing midway up the iron steps, I bent down to scratch my knees. Three orphans knocked right into me.
"You, Polish girl," said Mr. Szprot, his voice even louder than his jacket, "try not to be so clumsy."
A big boy behind me snickered. "Clumsy Polish girl," he said. "Ugly cabbage eater." Accidentally on purpose I swung my suitcase and cracked him on the knee. I knew he wouldn't try to get even with Mr. Szprot so close.
Once up the steps, I looked back. This was the last I'd ever see of Chicago, this view of soot and ice and metal tracks. On such a cold, gray, blustery morning, it looked like a dead place, but at least it was familiar. Chicago had always meant Mama and Papa and the boys. Now Mama and Papa and the boys were gone, home was gone, and soon Chicago would be gone. I felt like I was jumping out a seventh-story window, not at all sure someone was down below to catch me. I scratched my knees again and, holding tight to my suitcase, went in.
From the Trade Paperback edition.
Excerpted from Rodzina by Karen Cushman
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Rodzina Clara Jadwiga Anastazya Brodski, a strong and stubborn Polish orphan, leaves Chicago on an orphan train, expecting to be adopted and turned into a slave--or worse, not to be adopted at all. As the train rattles westward, she begins to develop attachments to her fellow travelers, even the frosty orphan guardian, and to accept the idea that there might be good homes for orphans--maybe even for a big, combative Polish girl. But no placement seems right for the formidable Rodzina, and she cleverly finds a way out of one unfortunate situation after another until at last she finds the family that is right for her. Like Karen Cushman's other young girl protagonists, Rodzina is trying to find her place in the world--and she does. The compelling narrative is laced with wry humor and keen observation, full of memorable characters, and thoroughly researched, Afterword.