At night, the animals at the Stratford Zoo go to the theater. While snacking on peanuts and carrion, the animal-family audience settles in for a production of the Scottish Play. The lion takes on the role of power-hungry, hubris-addled Macbeth, while the spotted cheetah (of course) plays his conniving wife. Their literal understanding of the term power-hungry means the copious use of ketchup is not just for prop blood, and a stork ("not born of a mother") saves the day. All's well that ends well, and when daylight comes to the zoo, the animals are back to their usual lazy habits, except the peacock, who posts a flier about the next performance on the docket (Romeo and Juliet). An age-appropriate ending (everyone escapes Macbeth's expansive belly), along with the beautifully colorful panels and witty, entertaining tone, makes this a wonderfully accessible, engaging, and kid-friendly adaptation of the Shakespeare classic. The welcome hint at further installments in this wry and playful series means the Stratford Zoo Midnight Revue is a marquee to watch.

Gr 2-5 With its gruesome murders, Macbeth might not seem the most obvious of Shakespeare's plays to be adapted into a children's graphic novel, but by placing the play as a story within a story, Lender and Giallongo make it work. The animals of Stratford Zoo are putting on a show specifically Macbeth starring the lion as the play's titular hero and featuring a hyena and a cast of other animals to fill out the ranks. A sanitized version of the drama is told while the animal audience makes quips, provides commentary, and hides from the zookeeper. Naturally, a child-friendly, zoo animal-filled version of the tragic play wanders a great deal from the original. The additions and changes (such as Macbeth eating the king with copious amounts of ketchup) serve to make the tale and the entire graphic novel a comic affair that will appeal to younger readers. All of the violence is offstage and only hinted at, not depicted, in keeping with the younger audience envisioned for this book. The artwork is bright and cartoonish, with an appealing mix of panel sizes to keep the story moving, emphasize key points, and allow for amusing little details for readers to find. Perhaps the greatest missed opportunity is that only a few times do the animal thespians use lines from the original Shakespeare and these times are not marked as such. Other than that flaw, here is a delightful introduction to the Bard's work that won't overwhelm young readers.— Elizabeth Nicolai, Anchorage Public Library, AK