Publisher's Hardcover ©2015 | -- |
Paperback ©2016 | -- |
Gr 9 Up-At first, this supernatural tale feels authentic, as Verano acts as an editor presenting readers with "documentary evidence" of a small-town tragedy. The narration is via an online journal of teenager Paige, who has been uprooted from a glamorous life in Hollywood to move to Idaho with her brother and recently divorced mother. At the onset, Paige's school life is exciting because she is the new girl from Los Angeles. However, things go downhill quickly. To make matters worse, strange things begin to happen in the large, old mansion where Paige's family live: odd writing appears on the wall, items that are missing suddenly reappear, creepy messages show up on cell phones, and there are swarms of flies even though it is winter time. Through an odd (but cute) young man who lives in the basement, the teen learns of a cult that had connections to the house decades ago. The tension escalates in the story, but the explanation of what is happening and the violent conclusion strain credibility. Even with a suspension of disbelief, it is hard to get past major improbabilities, such as Paige being oblivious that someone has been living in her basement. Readers will be frustrated with inconsistencies that appear to be part of the story and can't be explained by the "editor." A better choice for fans of stories about haunted houses is Paige McKenzie's The Haunting of Sunshine Girl (Perseus, 2015). VERDICT Despite the novel's initial chill factor and creepily appealing cover, the disappointing ending makes it hard to recommend. Sherry J. Mills, Hazelwood East High School, St. Louis, MO
School Library Journal (Wed Jul 01 00:00:00 CDT 2015)
Bulletin of the Center for Children's Books
THURSDAY, JANUARY 1, 11:14 A.M.
New year, new journal! Or well, new attempt at old journal.
I haven’t posted here in forever. I can’t believe I even remember the password. All my old posts are so ridiculous. I’m not even friends with those people anymore. I used to get so worked up about this or that boy, or who was passing notes in math class. All that stuff seems far away now, ever since Real Life came along and punched me in the face.
From now on I am only posting locked entries—I don’t think anyone I know is still on this site anyway, but just in case. It’ll be kind of a relief to have one place where I can be completely honest . . . even if it doesn’t always make me look that great.
But really, it’s everyone else who look like assholes right now. I just . . . I cannot believe my dad. My dad! The person I loved and admired most in this world, who I looked up to . . .
It’s been six months, but I still can’t wrap my head around the fact that he was having an affair. That now he has a new wife, that he has no interest in even seeing me and Logan anymore. I mean, he says he does, but that seemed like it was more for the judge than for us. I can hardly blame the new girl for not wanting to deal with stepkids, what with her being all of TWENTY-TWO.
Disgusting.
And the worst thing is what a cliché it is. It’s not like I completely lived in a bubble. I was semi-aware that Hollywood producers don’t have the greatest record of staying married to one woman their whole lives . . . especially when that woman was a beautiful young movie star when they got married. And that’s exactly what all the industry rags are saying, *obviously*. It feels like everyone outside these four walls is actually yawning at how lame and predictable this divorce is, my dad trading Mom in for the younger version.
I don’t know, I shouldn’t be shocked, but I am. Call me naive, but I really believed our family was different. We used to joke about it around the dinner table, how all that Hollywood gossip would never affect us because Mom and Dad were real people, not like the stereotypical plastic LA-types. They even named me Paige and not, like, Starfruit or Crash or some absurd celebaby name. But haha, turns out the joke is on me. And I’m the only one who didn’t see the punch line coming a mile away.
Well, me and Mom. If anyone is handling this worse than I am . . .
And that’s the thing. Part of me is really glad to see her starting to get back on her feet at last. It’s definitely a step up from alternately sobbing and staring off into space, or screaming into her phone at her lawyer—though that was good in a way, because it got her a fat settlement (another good thing about my parents being “real people” is they didn’t have a prenup, like the rest of Hollywood). So there’s that at least.
Does that sound awful?
Mercenary. That’s what the New Girl called Mom, according to TMZ (which I have stopped reading, obviously, but the kids in school insist on feeding me every gross detail).
But whatever, the whole point of this journal is for me to be able to say these ugly things and not feel bad about it. So there it is: I am glad that if Dad has to be a scumbag and ruin everybody’s life, at least we get some money out of it.
And I’m glad Mom is doing better. I really am. But I wish she could find a way of getting better that’s less disruptive to *my* life. Haven’t I been through enough upheaval this year? Now, in addition to losing my family, I’m also about to lose all my friends, my school, my room, everything that is familiar to me, all so Mom can follow her dream out in . . . God, it makes me cringe to even say it. Idaho.
IDAHO. Is that not just . . . completely psychotic or what? Is that even a real place? I guess Cassie and Mackenzie went there last year to ski, but I don’t think we’re moving to the ski-resort part.
Excerpted from Diary of a Haunting by M. Verano
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
In the tradition of Paranormal Activity and The Blair Witch Project, an American teen recounts the strange events that occur after she moves into a new—and very haunted—home with her family in this chilling diary that features photos and images of what she experienced.
Letters, photographs, and a journal…all left behind in the harrowing aftermath.
Following her parents’ high-profile divorce, Paige and her brother are forced to move to Idaho with their mother, and Paige doesn’t have very high hopes for her new life. The small town they’ve moved to is nothing compared to the life she left behind in LA. And the situation is made even worse by the drafty old mansion they’ve rented that’s filled with spiders and plenty of other pests that Paige can’t even bear to imagine.
Pretty soon, strange things start to happen around the house—one can of ravioli becomes a dozen, unreadable words start appearing on the walls, and Paige’s little brother begins roaming the house late at night. And there’s something not right about the downstairs neighbor who seems to know a lot more than he’s letting on.
Things only get creepier when she learns about the cult that conducted experimental rituals in the house almost one hundred years earlier. The more Paige investigates, the clearer it all becomes: there’s something in the house, and whatever it is…and it won’t be backing down without a fight.