Copyright Date:
2015
Edition Date:
2015
Release Date:
11/03/15
Pages:
xxiii, 152 pages
ISBN:
1-580-89662-6
ISBN 13:
978-1-580-89662-7
Dewey:
372.133
LCCN:
2014010501
Dimensions:
24 cm.
Language:
English
Bibliography Index/Note:
Includes bibliographical references (pages 134-137) and index.
Picture book expert and educator Megan Dowd Lambert proposes an exciting alternative to traditional storytime: the Whole Book Approach. This dynamic new model focuses on the picture book as a visual art form and invites children to become active participants in making meaning of all they see and hear during a shared reading. The discussions that result from these storytimes range from teh profound to the hilarious and will inspire adults to make children's responses to text, art, and design an integral part of storytime.
Take a look inside and read the foreword by picture book author/illustrator Chris Raschka and Megan Dowd Lambert's preface to learn more about the Whole Book Approach and sharing picture books with children.
Excerpted from Reading Picture Books with Children
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A new, interactive approach to storytime, The Whole Book Approach was developed in conjunction with the Eric Carle Museum of Picture Book Art and expert author Megan Dowd Lambert's graduate work in children's literature at Simmons College, offering a practical guide for reshaping storytime and getting kids to think with their eyes.
Traditional storytime often offers a passive experience for kids, but the Whole Book approach asks the youngest of readers to ponder all aspects of a picture book and to use their critical thinking skills. Using classic examples, Megan asks kids to think about why the trim size of Ludwig Bemelman's Madeline is so generous, or why the typeset in David Wiesner's Caldecott winner,The Three Pigs, appears to twist around the page, or why books like Chris Van Allsburg's The Polar Express and Eric Carle's The Very Hungry Caterpillar are printed landscape instead of portrait. The dynamic discussions that result from this shared reading style range from the profound to the hilarious and will inspire adults to make children's responses to text, art, and design an essential part of storytime.
• Foreword
• Preface - Reading with Children
• Introduction - How I learned to Think with My Eyes
• Chapter 1 - That's About the Size of It
Trim Size and Orientation
• Chapter 2 - Coming Attractions
Jackets and Covers
• Chapter 3 - Visual Overtures
Endpapers
• Chapter 4 - Slow Down and Look
Front Matter
• Chapter 5 - Knocked Out by Type
Typography
• Chapter 6 - Gutter Talk and More
Page Design
• Chapter 7 - "Children, Children, What Do You See?"
Nurturing Visual Intelligence
• Chapter 8 - The Picture Book Playground
The Benefits (and Fun) of hte Whole Book Approach
• Conclusion - The Story Continues
• Acknowledgments
• Resources
Leading Whole Book Approach Storytimes
Whole Book Approach Sample Questions
Gloassary of Book and Storytime Terminology
Further Reading
• Notes
• Image Credits
• Index