Publisher's Hardcover ©2015 | -- |
Paperback ©2016 | -- |
Kidnapping. Fiction.
Serial murderers. Fiction.
Survival. Fiction.
Conduct of life. Fiction.
Kidnapped? Is that what happened? And, more frighteningly, why? Because of her caustic attitude, champion equestrian Ruth Carver is called Ruthless by many of the workers and patrons on her family's farm. When she has one of the new hands fired, she sets into motion a dangerous series of events. The hired hand has a history of lethal violence towards women, and now he has Ruth, held captive in a desolate wood, awaiting the inevitable. The details of her abduction are revealed piecemeal as the narrative shifts between Ruth's chronological account and the twisted memories of her kidnapper, some of which occurred decades earlier. These short, tense vignettes will send readers plowing forward with Ruth, hoping for light at the end of a very dark tunnel. Pacing is superb, and the unexpected, often troubling twists will keep readers guessing as debut novelist Adams captures a young woman's refusal to be a victim. Pair with April Henry's Girl, Stolen (2010) and Elizabeth Scott's Living Dead Girl (2008) for those hooked on suspense.
School Library Journal (Fri May 01 00:00:00 CDT 2015)Gr 9 Up-Written in alternating first- and third-person points of view, this nail-biter will instantly catapult readers into a thriller that is equal parts suspense and horror. This is a the tale of a young woman who becomes the victim of an acquaintance abduction. What follows is a game of cat-and-mouse in a remote, wooded area and the struggle for survival. Adams adeptly creates an emotional roller coaster through her vivid writing and the constant tension between the protagonists. Spliced with flashback vignettes, the work horrifies as much as it asks readers to examine the root causes of the very things that drive the characters' decision-making. Ruth and her "Wolfman" nemesis are sure to elicit myriad emotions. While the vignettes serve their purpose of explaining why the events are occuring, they add a degree of choppiness to an otherwise well-written, fast-paced work. VERDICT Recommended as a first purchase for fans of contemporary psychological thrillers for teens. Tamela Chambers, Chicago Public Schools
Voice of Youth AdvocatesAwakened in total darkness to find herself bloodied and concussed, teenaged Ruth discovers that she is trapped in the bed of a speeding truck. She is held at a remote hunting cabin by her abductor, whom she calls Wolfman. While there, she discovers his real name and illicit trophies from his previous victims that lead her to believe that he has raped and murdered six young girls before her. She manages to escape the cabin, naked and injured, but Wolfman is only steps behind her. As she searches for food, water, and some way out of the wilderness, Ruth plays a dangerous game of cat-and-mouse with Wolfman and is tempted to give him a taste of his own deadly actions.This debut novel moves at a breakneck speed, packed with action and danger. It is a quick, highly engaging read that is especially recommended for reluctant readers, though readers of all skill levels will find many elements to appreciate. Ruth is a strong, multifaceted character who is not content to just become another compliant victim. The character development is particularly strong, with the backstory of both the abductor and the intended victim told in short, clear flashback chapters that clarify their actions. The tone and content of the book is fairly dark and mature, making it most appropriate for the older range of young adult readers. Recommend this title to readers who enjoy fiction about serial killers, realistic fiction, or books showcasing strong female teen protagonists.Sherrie Williams.
ALA Booklist
Kirkus Reviews
School Library Journal (Fri May 01 00:00:00 CDT 2015)
Voice of Youth Advocates
CHAPTER ONE
I CAN’T SEE. I DON’T know why I can't see.
I do know I was just dreaming. Running in a white dress through a field of wildflowers, no less. It was like a commercial for laundry detergent or tampons or a prescription medication that has death listed as a possible side effect. The dream is embarrassing, but it’s better than the here and now. I try to crawl back into the dream, but it won’t have me. Reality rushes in, faster and faster, chasing the dream away, replacing it with complete and utter darkness.
I need to open my eyes. I don’t know anything else, but I know that. I try to open them.
Nothing happens. Just blackness.
Don’t panic.
Think.
Thinking is hard and I know why. Concussion. My fourth one. First two came courtesy of falling off horses. The third was the result of a PE flag-football game gone awry. I forgot about the flags, tackled a guy three times my size. His heel cracked against my forehead, but he didn’t get the touchdown.
Focus.
Did I fall off Tucker? Somehow that seems wrong, seems impossible. I look for the memory, knowing it has to be around here somewhere. Tucker has an abscess in his right front hoof. He’s on stall rest. Did I fall off another horse? That doesn’t seem right either.
But it seems the most likely. So what next? And why can’t I see?
Check if anything is broken.
I start with my toes. They wiggle. I can feel them. This is good. It seems they’re inside boots, so maybe I did fall off a horse. My legs are oddly stiff, like they’re too heavy to move. I try to bend a knee, but it isn’t happening. My right arm is a no go. There’s pain there. A lot of pain. It’s dulled by the concussion, but that arm is a sleeping bear I don’t want to prod. Luckily, I’m left-handed.
The left arm isn’t hurt, but it also doesn’t want to move. Not as bad as the legs, though, or the injured right arm. I think this left arm can get me somewhere.
Time to summon the will to move it.
Take a deep breath. . . .
Dirt falls into my mouth. Not dirt. Manure and shavings, something spiky. It’s hay. Hay and shavings and manure.
I feel it now, pressing up against my neck and jaw, against my body and legs. It’s dangerously close to my nose, and it’s why I can’t move. It’s pressing down on me, pinning me in place.
Adrenaline hits my bloodstream. I fight my left arm free, dig the muck away from my mouth, and take a swallow of clean air.
Slow your breathing. Slow it down. Do it.
Nothing but air. It’s all I think about for several minutes. I calm down, and the adrenaline ebbs away. I want to fall back to sleep. Sleep is soothing. Quiet. Peaceful. There’s a field of wildflowers on the other side of sleep.
No.
I have to fight the concussion. I need to open my eyes. Maybe the dirt was pressed against my eyes. Maybe that’s why I couldn’t see. Hope gives me new energy. I try again, and get nowhere.
Maybe I don’t have eyes anymore.
True fear now. For the first time. My thinking is clear enough for real, raw, primal fear to sink in. Time to be courageous. Time to check. But I don’t want to know.
Be brave.
I take my left hand and reach for my eyes. There’s something weird there, but I don’t know what it is. It’s almost rough. But there’s definitely blood. Lots and lots of it. Sticky, heavy blood.
I jerk my hand away and strike metal. There’s something metal above my face.
The fear broadens into something deeper. I am in trouble. Dear God, I am in trouble. I don’t know what kind of trouble, but I know it’s bad. Do my parents know? Am I alone?
I try to listen. Dirt muffles my hearing. My ears are halfway encased in the filth, but it seems like there isn’t anything to hear. Except a hum. A deep, resonating hum that overwhelms everything.
Concussion. I know you well, old friend. Now kindly get the hell away from me. You may leave my hearing on your way out.
A wave of nausea crashes over me. I don’t know where I am, but my best guess is somewhere on the ranch. Possibly under the manure pile. Was I in a tractor accident? Tractor chores are not my favorite. I lack skills, to put it mildly. But I won’t let that damn tractor win, so I drag the arena, push the manure pile back, and do all the things the hired hands do.
Did I flip the tractor?
Should I call for help?
No.
No?
No. Don’t call for help.
Why not call for help?
No. Feels risky somehow.
All right, no. Listen to your gut, my mom always says. And I do. It usually steers me right.
Okay, now what? How do I figure out where I am? Time for my left hand to do some exploring. Weird how I’m thinking about my left hand like it is a separate person from me, a friend I can rely on.
I reach out to touch the metal I felt before. It is a solid sheet, not far above my head. I trace a diamond-plate pattern with my fingertips. The farm has two tractors; both are smooth steel all over, except for the dirty roughness of the bucket. My tractor-accident theory is looking less likely.
A few inches later and the metal makes a right-angle turn away from me—and my hand hits the dirty shavings. Only my head is underneath this thing. Whatever it is, it protected me from being smothered to death.
Time to search my left side. Shavings. Manure. Hay. But then, close beside me, a pole of well-worn wood. I can feel the barely there ridges of grain in the oak. Pitchfork handle. This definitely feels like a pitchfork handle. I must be at the ranch. Where is there diamond-plate metal on the farm? I can’t remember.
My left hand keeps going. The tips of my fingers touch more metal. This is something different, though. It’s rough and flaky with rust. I slide my hand along the old steel. It has a soft curve. Like a bowl. But it’s weird. Like the bowl is sort of shaking. It makes no sense.
I reach out as far as I can, but lose contact with the metal. Searching higher, my fingers touch metal again. A little hook. Odd. Then a straightaway of more metal. Then another metal hook. Another straightaway. Another hook.
I run out of arm. I am small and don’t have much length of arm to work with. So I trace the hooks and the straightaways back to the thing that’s like a bowl.
This all feels familiar. Those metal hooks remind me of my dad tying down a tarp in the bed of his truck.
A truck.
I am in the bed of a truck!
Why am I in the bed of a truck?
I reach out again for the metal hooks. Something tickles my hand.
Wind.
Stretching as far as I can go, I feel it in earnest now—the wind buffeting the skin of my hand. The wind, hard and fast.
This truck is moving.
How can that be? How can I be in a moving truck?
I reach out again, to check if I’m hallucinating. No. It’s there; that biting, slapping wind is there. This truck is going fast. Then I feel the hum through my body. The hum in my ears isn’t just concussion. It’s a combination of engine and vibration. It’s metal movement.
The diamond-plated thing above me must be a truck-bed toolbox. My head is in the empty space beneath it, protecting me from the shavings, keeping me alive.
I know where I am now.
I’m in the bed of a fast-moving truck, covered in blood, buried in filth. My right arm might be broken. I can’t see.
Realization dawns, and I pull my hand in like I touched fire.
Fear slides into my belly as I wait.
Was I seen? Did someone see my hand?
The truck shift gears. It’s slowing down. Quickly.
Excerpted from Ruthless by Carolyn Lee Adams
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A spine-tingling debut about the ultimate game of cat-and-mouse in reverse as a teen struggles to retain hope—and her sanity—while on the run from a cunning and determined killer.
Ruth Carver has always competed like her life depends on it. Ambitious. Tough. Maybe even mean. It’s no wonder people call her Ruthless.
When she wakes up with a concussion in the bed of a moving pickup trick, she realizes she has been entered into a contest she can’t afford to lose.
At a remote, rotting cabin deep in the Blue Ridge Mountains, Ruth’s blindfold comes off and she comes face-to-face with her captor. A man who believes his mission is to punish bad girls like Ruth. A man who has done this six times before.
The other girls were never heard from again, but Ruth won’t go down easy. She escapes into the wilderness, but her hunter is close at her heels. That’s when the real battle begins. That’s when Ruth must decides just how far she’ll go in order to survive.
Back home, they called her Ruthless. They had no idea just how right they were.