Perma-Bound Edition ©2000 | -- |
Paperback ©2000 | -- |
Circus. Fiction.
Runaways. Fiction.
Elephants. Fiction.
Self-acceptance. Fiction.
Albinos and albinism. Fiction.
Painfully tall and thin and nearly blind, albino Harold Kline has been the focus of harassment in his small town since childhood. Now at 14, in a desperate escape from misery and loneliness, he runs away, joining a small circus on route to Oregon. Gradually, he wins acceptance from the other freaks --loving Princess Minikin; gruff, hairy Samuel the Fossil Man; and the omniscient Gypsy Magda. When he teaches the three lumbering circus elephants how to play baseball, the lovely Flip and Mr. Hunter, the circus owner, also accept him. Set shortly after World War II, this is a surprising book, full of pain and poignancy, with gratifying undercurrents of love and humor. The dark subject matter may make this book difficult to sell, even though the writing is good, and the bizarre characters are both sympathetic and believable. Still, teens that stick with Harold on his odyssey of discovery and self-acceptance will be rewarded by an intriguing novel that pushes the boundaries of reality.
Horn Book (Sun Apr 01 00:00:00 CST 2001)An albino, fourteen-year-old Harold is an outcast in his dead-end town. When he runs away to join a small, struggling circus, he finds and loses friends, makes enemies, falls in (unrequited) love, and comes to see beneath the surface of things. Harold's absorbing journey to self-acceptance is marked by unusual characters and situations; Lawrence's prose is vivid and compelling.
Kirkus ReviewsFourteen-year-old Harold Kline is an albino and thus an outcast in his small-minded community. Everyone in the town ridicules him, including his own stepfather. His father was killed in WWII; his older brother is missing in action. When a small traveling circus comes to town, Harold runs away from his unhappy life to join it. There, he meets an amazing cast of characters who offer him love and belonging: an Indian; a tiny Princess; the enormous Fossil Man; a gypsy, who has survived the Holocaust; and another albino. Among this unlikely group, Harold begins to find the friendship he has been longing for. He learns to work with the elephants and takes pride in his new skill. When he does return home, he is able to see his grieving mother and harsh stepfather in a new light and accept that his brother is truly gone. Lawrence has worked his magic with what could have been a commonplace story; his prose is near poetry, his characterizations, as usual, fascinating and unique. But, it is the ache of Harold's longing to be a part of something and the gift that these odd circus people offer that sets this coming-of-age road story apart from the average YA novel. In his earlier work ( The Smugglers , 1999; The Wreckers , 1998), Lawrence's characters were colorful and well-defined; now they stand for looking beyond their picturesque or off-beat qualities and into the depths of their real beauty. Memorable in every way. (Fiction. YA)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)An albino boy runs off to find comfort among the members of a circus troupe in post-WWII America. In a starred review, <EMPHASIS TYPE=""ITALIC"">PW wrote, "This poignant adventure invites readers to look beyond others' outer appearances and into their souls." Ages 12-up. <EMPHASIS TYPE=""ITALIC"">(Mar.)
School Library Journal (Fri Oct 06 00:00:00 CDT 2023)Gr 5-9 This sequel to The Wreckers (1998) and The Smugglers (1999, both Delacorte) is another fast-paced, swashbuckling maritime adventure in the tradition of Robert Louis Stevenson, and another sure winner. John Spencer, now 17, is sailing aboard the schooner Dragon to Jamaica. Although his father has warned him of pirates and cannibals, John is hardly prepared for the harrowing series of events that seem to begin when the ship picks up a mysterious seaman adrift in a lifeboat. Is Horn a curse or a guardian angel? At points in the story, John is separated from his shipmates, stranded on an island, marooned on a ghost ship manned by corpses, and chased by sharks. The crew's bouts with malaria leave John in charge of sailing the ship back to London, even though he has little knowledge of navigation and a bent sextant. Lawrence brings the trilogy full circle, as the young man arrives at the Tombstones in Cornwall, where The Wreckers began. Vivid nautical details are expertly woven into a cliff-hanging narrative peopled by the most colorful of scurrilous scalawags. Lawrence's style is rich in imagery. He is particularly adept at evoking landscapes that nearly take on the stature of characters in the novel. This story will be gobbled up by readers of the first books in the trilogy; others will be drawn in by the great jacket painting of a pirate ship in the high seas. A sailor's yarn not to be missed. Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME
Starred Review Bulletin of the Center for Children's Books
Starred Review for Publishers Weekly
School Library Journal Starred Review
ALA Booklist (Wed Nov 01 00:00:00 CST 2000)
ALA Notable Book For Children
ALA/YALSA Best Book For Young Adults
Horn Book (Sun Apr 01 00:00:00 CST 2001)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Fri Oct 06 00:00:00 CDT 2023)
Voice of Youth Advocates
It was the hottest day of the year. Only the Ghost was out in the sun, only the Ghost and his dog. They shuffled down Liberty's main street with puffs of dust swirling at their feet, as though the earth was so hot that it smoldered.
It wasn't yet noon, and already a hundred degrees. But the Ghost wore his helmet of leather and fur, a pilot's helmet from a war that was two years over. It touched his eyebrows and covered his ears; the straps dangled and swayed at his neck.
He was a thin boy, white as chalk, a plaster boy dressed in baggy clothes. He wore little round spectacles with black lenses that looked like painted coins on his eyes. And he stared through them at a world that was always blurred, that sometimes jittered across the darkened glass. From the soles of his feet to the top of his head, his skin was like rich white chocolate, without a freckle anywhere. Even his eyes were such a pale blue that they were almost clear, like raindrops or quivering dew.
He glanced up for only a moment. Already there was a scrawl of smoke to the west, creeping across the prairie. But the Ghost didn't hurry; he never did. He hadn't missed a single train in more than a hundred Saturdays.
He turned the corner at the drugstore, his honey-colored dog behind him. They went down to the railway tracks and the little station that once had been a sparkling red but now was measled by the sun. At three minutes to noon he sat on the bench on the empty platform, and the dog crawled into the shadows below it.
The Ghost put down his stick and his jar, then dabbed at the sweat that trickled from the rim of his helmet. The top of it was black with sweat, in a circle like a skullcap.
The scrawl of smoke came closer. It turned to creamy puffs. The train whistled at Batsford's field, where it started around the long bend toward Liberty and on to the Rattlesnake. The Ghost lifted his head, and his thin pale lips were set in a line that was neither a frown nor a smile.
"It's going to stop," he told his dog. "You bet it will."
Huge and black, pistons hissing steam, the engine came leaning into the curve. It pulled a mail car and a single coach in a breathy thunder, a shriek of wheels. It rattled the windows in the clapboard station, shedding dust from the planks. The bench jiggled on metal legs.
"I know it's going to stop," said the Ghost.
But it didn't. The train roared past him in a blast of steam, in a hot whirl of wind that lashed the helmet straps against his cheeks. And on this Saturday in July, as he had every other Saturday that he could possibly remember, Harold the Ghost blinked down the track and sighed the saddest little breath that anyone might ever hear. Then he picked up his stick and his jar and struck off for the Rattlesnake River.
The stick was his fishing pole, and he carried it over his shoulder. A string looped down behind him, with a wooden bobber swinging at his knees. The old dog came out from the shade and followed him so closely that the bobber whacked her head with a hollow little thunk. But the dog didn't seem to mind; she would put up with anything to be near her master.
They climbed back to Main Street and trudged to the east, past false-fronted buildings coated with dust. The windows were blackboards for children's graffiti, covered with Kilroy faces and crooked hearts scribbled with names: Bobby Loves Betty; Betty Loves George; No One Loves Harold. And across the wide front window of May's Cafe was a poem in slanting lines:
He's ugly and stupid He's dumb as a post He's a freak and a geek He's Harold the Ghost.
In the shade below the window sat a woman on a chair with spindly legs, beside a half-blind old man with spindly legs sitting in a rocker. Harold glanced at them and heard the woman's voice from clear across the street. "There he goes," she said. "I never seen a sadder sight."
He couldn't hear the old man's question, only the woman's answer. "Why, that poor albino boy."
The man mumbled; she clucked like a goose. "Land's sakes! He's going to the river, of course. Down where the Baptists go. Where they dunk themselves in the swimming hole."
His head down, his boots scuffing, Harold passed from the town to the prairie. The buildings shrank behind him until they were just a brown-and-silver heap. And in the huge flatness of the land he was a speck of a boy with a speck of a dog behind him. He walked so slowly that a tumbleweed overtook him, though the day was nearly calm. In an hour he'd reached the Rattlesnake.
In truth it was no more of a river than Liberty was a city. The Rattlesnake didn't flow across the prairie; it crawled. It went like an ancient dog on a winding path, keeping to the shade when it could. But it was the only river that Harold Kline had ever seen, and he thought it rather grand. He splashed his way along the stream, a quarter mile down the river, until he reached his favorite spot, where the banks were smooth and grassy. Then he sat, and the dog lay beside him. He put a worm on his hook and cast out the bobber. It plunged in, popped out, tilted and straightened, like a little diver who'd found the river too cold. A pair of water striders dashed over to have a look at it, and dashed away again.
The dog was asleep in an instant. She hadn't run more than a yard in more than a year, but she dreamed about running now, her legs twitching.
"Where are you off to?" asked Harold the Ghost. His voice was soft as smoke. "You're off to Oregon, I bet. You're running through the forests, aren't you? You're running where it's cool and shady, you poor old thing." He looked up at the sun, a hot white smudge in his glasses.
The dog went everywhere Harold did. It seemed only natural to him that she would dream of the places he dreamed about.
Excerpted from Ghost Boy by Iain Lawrence
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Harold Kline is an albino—an outcast. Folks stare and taunt, calling him Ghost Boy. It’s been that way for all of his 14 years. So when the circus comes to town, Harold runs off to join it.
Full of colorful performers, the circus seems like the answer to Harold’s loneliness. He’s eager to meet the Cannibal King, a sideshow attraction who’s an albino, too. He’s touched that Princess Minikin and the Fossil Man, two other sideshow curiosities, embrace him like a son. He’s in love with Flip, the pretty and beguiling horse trainer, and awed by the all-knowing Gypsy Magda. Most of all, Harold is proud of training the elephants, and of earning respect and a sense of normalcy. Even at the circus, though, two groups exist—the freaks, and everyone else. Harold straddles both groups. But fitting in comes at a price, and Harold must recognize the truth beneath what seems apparent before he can find a place to call home.