ALA Booklist (Sun Jan 01 00:00:00 CST 2012)

As he did in Underground (2011), Evans distills a critical moment in the fight for racial equality e 1963 March on Washington to tight, evocative prose, well calibrated for a very young audience. A boy, a girl, and their parents wake at dawn, prepare, travel, and join a march "to justice, to freedom, to our dreams." The text itself, but 57 words, tells the story in a clear first-person-plural voice that begins with the young family and soon encompasses the entire assembly. The simplicity of the narrative is matched by Evans' square, substantial, sunlit paintings, which th wheelchairs, yarmulkes, and all manner of skin tone e especially inclusive. The illustrations also depict recognizable faces (Mathew Ahmann, Floyd McKissick, Martin Luther King Jr., and Cleveland Robinson) and iconic landmarks on the National Mall, and conclude with Dr. King delivering the "I Have a Dream" speech with the words "Free at last!" This makes a pivotal event in our nation's history accessible to our youngest citizens without compromising any of its power. An afterword concludes.

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

An African-American family awakens before dawn to prepare for the historic March on Washington in August, 1963. In this stirring companion to Underground (2011), Evans captures a pivotal event in the struggle for equality and civil rights in America. The family joins neighbors to pray at their church, paint signs and travel by bus to Washington. They walk and sing and grow tired but "are filled with hope" as they stand together at the Washington Monument to listen to Dr. King speak of dreams and freedom. With just one line per page, Evans' text is spare but forceful. The March has become synonymous with Dr. King's grandiloquent speech, but Evans reminds readers that ordinary folk were his determined and courageous audience. The full-page paintings depict a rainbow of people holding hands and striding purposefully. One illustration in particular, of the father holding his son high on his shoulders, echoes a painting in Underground, in which a father holds his newborn child high up toward the sky. The strong vertical lines used for the arms of the marchers mirror the intensity of the day. Share with readers of all ages as a beautiful message about peaceful protest and purposeful action. (author's note) (Picture book. 4-8)

School Library Journal Starred Review (Sun Jan 01 00:00:00 CST 2012)

PreS-Gr 3 It is the remarkable simplicity of this book that makes it so outstanding. The members of an African-American family rise and set off to church to pray and then take part in a march for freedom. But this is not just any march; it is the historic March on Washington in 1963. Readers follow this family as Evans's palette shifts from morning grays and blues to lighter and more hopeful hues of yellow and bright green as Dr. King delivers his magnificent "I Have a Dream" speech. The contrast between the conciseness of the writing and the grandness of the story gives the book a powerful punch. Young readers will now have a book celebrating the March on Washington that they can read, while older readers will be drawn to the beauty of this well-told and superbly rendered book. A must for every collection.— Joan Kindig, James Madison University, Harrisonburg, VA

Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)

An African-American family awakens before dawn to prepare for the historic March on Washington in August, 1963. In this stirring companion to Underground (2011), Evans captures a pivotal event in the struggle for equality and civil rights in America. The family joins neighbors to pray at their church, paint signs and travel by bus to Washington. They walk and sing and grow tired but "are filled with hope" as they stand together at the Washington Monument to listen to Dr. King speak of dreams and freedom. With just one line per page, Evans' text is spare but forceful. The March has become synonymous with Dr. King's grandiloquent speech, but Evans reminds readers that ordinary folk were his determined and courageous audience. The full-page paintings depict a rainbow of people holding hands and striding purposefully. One illustration in particular, of the father holding his son high on his shoulders, echoes a painting in Underground, in which a father holds his newborn child high up toward the sky. The strong vertical lines used for the arms of the marchers mirror the intensity of the day. Share with readers of all ages as a beautiful message about peaceful protest and purposeful action. (author's note) (Picture book. 4-8)

Horn Book (Wed Aug 01 00:00:00 CDT 2012)

A mother and father rouse their children from bed, pray at their local church, board a bus, march on the Mall, and listen to Dr. King speak at the Lincoln Memorial during the March on Washington. Small touches clearly anchor the story within the experiences of a child, while quietly dramatic full-bleed, double-page illustrations bring context to the minimalist text.

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Written in the same spare style as Evans-s Underground, this account of the 1963 March on Washington for Jobs and Freedom-identified only in a concluding note-drives home the emotion and the drama of that event. Brief, blunt sentences propel the narrative and place readers on the scene: -We follow our leaders. We walk together. We sing.- Evans spotlights a family of four, first pictured rising with the sun and creating placards with their church congregation. Buses bring them to the Washington Monument, where they join others in the march that culminates in Martin Luther King Jr.-s -I Have a Dream- speech. Though the day unfolds through the family-s perspective, what emerges is a communal voice that conveys a strong sense of solidarity and purpose (-We lean on each other as we march to justice, to freedom, to our dreams-). Similarly minimalist, Evans-s art features angular characters whose expressions