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Paperback ©2003 | -- |
Starred Review Picture an alternative London where the Parliament, composed of powerful magicians, rules the British empire. When five-year-old Nathaniel's parents sell him to the government to become a magician's apprentice, the boy is stripped of his past and is given over for training to a grim, mid-level magician from the Ministry of Internal Affairs. Over the next seven years, Nathaniel studies the lessons given by his cold master, but in secret he delves into advanced magic books, gaining skill beyond his years: he summons a djinn to steal the powerful amulet of Samarkand. Inspired by a desire for revenge, this bold act leads to danger and death. Nathaniel's third-person narrative alternates with the first-person telling of Bartimaeus the djinn, a memorable and highly entertaining character. Rude, flippant, and cocky, his voice reflects the injustice of his millennia of service to powerful magicians who have summoned him to do their capricious bidding. His informative and sometimes humorous asides appear in footnotes, an unusual device in fiction, but one that serves a useful purpose here. Stroud creates a convincingly detailed secondary world with echoes of actual history and folklore. The strong narrative thrust of the adventure will keep readers involved, but the trouble that is afoot in London extends beyond the exploits here. The unresolved mysteries will be more fully explored in the next two volumes of the trilogy. One of the liveliest and most inventive fantasies of recent years.
Horn Book (Thu Apr 01 00:00:00 CST 2004)Through guile, teamwork, and dumb luck, a magician's apprentice and a "Spenser for Hire"-type djinni uncover and foil a coup attempt masterminded by a ruthless magician. The pace never slows in this wisecracking adventure, and Stroud has created a well-realized fantasy world, but it is the complementary main characters who will keep readers coming back for the rest of the projected trilogy.
Kirkus ReviewsIn a contemporary London full of magic, a thrilling adventure unfolds. <p>In a contemporary London full of magic, a thrilling adventure unfolds. Twelve-year-old Nathaniel is apprenticed to a politician (which means magician), but early emotional pain leads him toward hardness and anger. Arrogantly summoning a djinni to help him steal an amulet from slickly evil Simon Lovelace, he's swept into a swirl of events involving conspiracy at the highest government level. Nathaniel's perspective alternates with that of Bartimaeus, the cocky, sardonic djinni. No character is wholly likable or trustworthy, which contributes to the intrigue. Many chapters end in suspense, suddenly switching narrators at key moments to create a real page-turner. Readers will hope that Stroud follows up on certain questions--is it slavery to use a djinni? will shaky looming international politics affect the empire? who deserves our alliance? and <i>who </i>are the mysterious children ostensibly running an underground resistance?--in the next installment, sure to be eagerly awaited. <i>(Fantasy. 10-14)</p>
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)In a starred review, <EMPHASIS TYPE=""ITALIC"">PW called this novel narrated by an ancient djinn, Bartimaeus, bonded to a 10-year-old magician in modern-day London a "darkly tantalizing tale. Readers will eagerly anticipate the next two volumes." Ages 10-up. <EMPHASIS TYPE=""ITALIC"">(June)
School Library JournalGr 5-9-Nathaniel has been apprenticed to Mr. Underwood for several years. At the age of 12, he has finally been Named and is on his way to becoming a real magician. Suddenly, London is in an uproar. The Amulet of Samarkand has been stolen from the powerful magician Simon Lovelace. Only Nathaniel knows what really happened because it was he who commanded the 5000-year-old djinni Bartimaeus to steal it for him. Now, with a rebellious demon under his control and all of London searching for the thief, he must figure out a way to keep the amulet hidden. Stroud has woven an intricate fantasy set in an alternative London where the most influential members of society, and even the Prime Minister himself, are magicians. The richly rewarding story unfolds in chapters that alternate between Bartimaeus's first-person narration, which includes arcane and very funny footnotes, and Nathaniel's account, told in third person. There is plenty of action, mystery, and humor to keep readers turning the pages. This title, the first in a trilogy, is a must for fantasy fans, and in particular for those anxious for the next Harry Potter.-Ginny Collier, Dekalb County Public Library, Chamblee, GA Copyright 2003 Reed Business Information.
Starred Review ALA Booklist (Mon Sep 01 00:00:00 CDT 2003)
Starred Review for Publishers Weekly
ALA Notable Book For Children
ALA/YALSA Best Book For Young Adults
Bulletin of the Center for Children's Books
Horn Book (Thu Apr 01 00:00:00 CST 2004)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Voice of Youth Advocates
Wilson's Children's Catalog
Wilson's Junior High Catalog
Presenting a thrilling new voice in children's literature-a witty, gripping adventure story featuring a boy and his not-so-tame djinni.
Nathaniel is a young magician's apprentice, taking his first lessons in the arts of magic. But when a devious hotshot wizard named Simon Lovelace ruthlessly humiliates Nathaniel in front of everyone he knows, Nathaniel decides to kick up his education a few notches and show Lovelace who's boss. With revenge on his mind, he masters one of the toughest spells of all: summoning the all-powerful djinni, Bartimaeus. But summoning Bartimaeus and controlling him are two different things entirely, and when Nathaniel sends the djinni out to steal the powerful Amulet of Samarkand, Nathaniel finds himself caught up in a whirlwind of magical espionage, murder, blackmail, and revolt.
Set in a modern-day London spiced with magicians and mayhem, this extraordinary, funny, pitch-perfect thriller will dazzle the myriad fans of Artemis Fowl and the His Dark Materials trilogy. And with the rights sold in more than a dozen countries, and a major motion picture in the works, the Bartimaeus trilogy is on the fast track to becoming a classic.