Eat the Sky, Drink the Ocean
Eat the Sky, Drink the Ocean
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Simon & Schuster, Inc.
Annotation: A collection of sci-fi and fantasy tales, including six graphic stories, by twenty of the most exciting women writers and artists from India and Australia.
 
Reviews: 10
Catalog Number: #131280
Format: Publisher's Hardcover
Copyright Date: 2017
Edition Date: 2017 Release Date: 03/07/17
Pages: 225 pages
ISBN: 1-481-47057-4
ISBN 13: 978-1-481-47057-5
Dewey: Fic
Dimensions: 22 cm.
Language: English
Reviews:
Starred Review for Kirkus Reviews

A collection of stories that explores the speculative and sometimes-dystopian landscape, authored solely by women from India and Australia. A multiverse that bursts with imagination, this anthology lures readers into a nonlinear progression of stories, both prose and graphic, and one script. There's Isobelle Carmody and Prabha Mallya's graphic sci-fi story "The Runners," which imagines a world ruled by mothers and offers a Twilight Zone-esque surprise ending. In "Arctic Light," by Vandana Singh, an Indian teenager is a stowaway undercover activist fighting for climate change on a ship sailing the East Siberian Sea. Kirsty Murray's "Mirror Perfect" transports a girl and her younger twin siblings into a parallel universe, a dreamlike reality check that challenges her negative body image. This anthology represents a delightfully diverse collection of contributing authors, who also include Margo Lanagan, Justine Larbalestier, and Samhita Arni, among others. In a unique collaboration, the creators were partnered together into culture-bending exchanges of themes, worlds, and galaxies in an effort to expand their visions of their own cultures, some pairs crafting one story between the two but all sharing ideas. The editors rightly claim that their anthology "embraces the idea of not just eating pie but of taking big, hungry mouthfuls of life and embracing the world." This rare treat of speculative literature is a winning book for those young women who especially crave a read beyond the outer limits. (Science fiction/fantasy/anthology. 14 & up)

ALA Booklist (Sun Jan 01 00:00:00 CST 2017)

Twenty female authors, ten each from India and Australia, collaborated to create this fantasy/sf anthology of original stories about women. Readers will meet protagonists who walk through walls, become pirates, are initiated into womanhood, take back their streets, and even walk out on Shakespeare. Other stories reimagine classic Indian and European fairy tales, or feature liberating adventures that vary in tone from bittersweet to triumphant. Graphic-novel style tales, such as Isobelle Carmody and Prabha Mallya's "The Runners," and even a playlet ("The Blooming," by Manjula Padmanabhan and Kirsty Murray) lend added variety to the collection. Overall it is a solid women-centered statement, but individually the quality of the stories varies widely, as does the level of collaboration. Back matter includes notes from each of the partnering authors about their experiences working together, as well as brief biographies. With the exception of Margo Lanagan and Justine Larbalestier, these authors aren't yet well known in the U.S., but this collection is a great way to introduce readers to women whose longer works may become future favorites.

Horn Book (Tue Aug 01 00:00:00 CDT 2017)

Also edited by Anita Ray and Payal Dhar. Indian and Australian authors worked together across distance as well as separately to create the works in this enthralling anthology of feminist speculative-fiction pieces that are both dazzling and disorienting. Spanning continents, cultures, genres, and even formats, the ambitious and fascinating contributions are each successful individually in craft and invention, even if they don't quite hang together as a unified collection.

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

A collection of stories that explores the speculative and sometimes-dystopian landscape, authored solely by women from India and Australia. A multiverse that bursts with imagination, this anthology lures readers into a nonlinear progression of stories, both prose and graphic, and one script. There's Isobelle Carmody and Prabha Mallya's graphic sci-fi story "The Runners," which imagines a world ruled by mothers and offers a Twilight Zone-esque surprise ending. In "Arctic Light," by Vandana Singh, an Indian teenager is a stowaway undercover activist fighting for climate change on a ship sailing the East Siberian Sea. Kirsty Murray's "Mirror Perfect" transports a girl and her younger twin siblings into a parallel universe, a dreamlike reality check that challenges her negative body image. This anthology represents a delightfully diverse collection of contributing authors, who also include Margo Lanagan, Justine Larbalestier, and Samhita Arni, among others. In a unique collaboration, the creators were partnered together into culture-bending exchanges of themes, worlds, and galaxies in an effort to expand their visions of their own cultures, some pairs crafting one story between the two but all sharing ideas. The editors rightly claim that their anthology "embraces the idea of not just eating pie but of taking big, hungry mouthfuls of life and embracing the world." This rare treat of speculative literature is a winning book for those young women who especially crave a read beyond the outer limits. (Science fiction/fantasy/anthology. 14 & up)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Twenty Indian and Australian authors-including Isobelle Carmody, Justine Larbalestier, Anita Roy, and Vandana Singh-deliver a feminist fantasy and science fiction anthology, a mix of short stories, comics, and a screenplay-style entry. In Margo Lanagan-s empowering -Cat Calls,- a large group of students band together to give some catcalling men a taste of their own medicine. Writer Annie Zardi and artist Mandy Ord collaborate on a potent graphic story in which Anarkali, a legendary Mughal figure purportedly entombed alive as punishment for a love affair, realizes her power and disrupts the story. A girl embraces her voracious hunger for life, expanding until she is -like a balloon stretched translucent, to bursting point- and is -saturated with living- in Amruta Patil-s illustrated story -Appetite.- In Alyssa Brugman-s contemplative -Weft,- a woman trades her kidney in order to afford cosmetic enhancement, only momentarily considering what is lost, literally and figuratively, in the trade. While some stories are more accessible than others, each makes a meaningful contribution, providing a unique perspective through which to view and consider the experience of being a girl. Ages 14-up. (Mar.)

School Library Journal (Thu Dec 01 00:00:00 CST 2016)

Gr 8 Up-Writers and artists from Australia and India worked together to create this thoughtful and nuanced collection of speculative short fiction in a variety of formats. YA readers will find both new and familiar names among the contributors, including Margo Lanagan and Justine Larbalestier. The anthology was conceived as a response to horrific crimes against women that occurred in both nations in 2012. Each contributor was assigned a partner from the other countrysome pairs were writing partners who encouraged each other in the process, others were artist/writer collaborators who created short graphic fiction, and one piece, written in the form of a play, was the result of a literary version of the game Exquisite Corpse. Among the standouts are "Swallow the Moon," a comic book depiction of a coming-of-age ritual in a future setting; "Weft," in which a girl pays a great price to have amazing hair; "What a Stone Can't Feel," about a girl with an unusual superpower that is useless as she tries to save her best friend's life; and "Memory Lace," which centers on a slave who is taught a liberating skill. Included at the end of the volume are the writers' and artists' accounts of their collaboration. This additional exploration of the creative process greatly enhances the impact of the entries; with this, the stories transcend the written page and become a greater reflection of the beauty and power of feminine camaraderie. VERDICT These memorable selections are valuable manifestations of the strength of female relationships. A great addition for larger collections. Heather M. Campbell, formerly at Philip S. Miller Library, Castle Rock, CO

Voice of Youth Advocates

This collaboration of women writers from two countries to create diverse, magical, and creative stories is applause-worthy. “What a Stone Can’t Feel” presents Vega who has the unusual power of being able to inhabit objects. She has gone “into things” like a porcelain bowl or a smooth, gray river stone, but there is not any way this super power can save her friend, Bonnie, who is dying; however, Bonnie has a request. “Weft” is set in a future that allows for the donating and buying of body parts. Having recovered from surgery that removed one of her kidneys and enabled her to “get credit,” the narrator waits for her Weft implant—a full head of beautiful flowing hair seems worth a kidney to her. In “Cast Out,” the birth of a daughter is seen as a curse and any girl who can do magic is punished—beaten, whipped, and set afloat in a barrel for the ocean to deal with. After Karthini uses her magic to save a young boy tumbling down a cliff, she is captured and set afloat to die. Ironically, her powers alone are unable to save her.

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review Bulletin of the Center for Children's Books
Starred Review for Kirkus Reviews
ALA Booklist (Sun Jan 01 00:00:00 CST 2017)
Bulletin of the Center for Children's Books
Horn Book (Tue Aug 01 00:00:00 CDT 2017)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Thu Dec 01 00:00:00 CST 2016)
Voice of Youth Advocates
Wilson's High School Catalog
Reading Level: 7.0
Interest Level: 9-12
Lexile: HL750L
Eat the Sky, Drink the Ocean

Cat Calls


Margo Lanagan

"But I can't whistle!" said Neddi. "My mouth is made wrong. I've tried and tried!"

"I can't whistle if I'm nervous." Shinna played with her fingers and glanced around. "Or if anyone's looking at me." We all looked away.

"I can't if I'm laughing," said Kate. A big grin burst out on her face. "And I just know I'll get the giggles, looking those fellows in the eye."

Dipti threw up her hands. "Well, dammit, we'll make a different noise. If you can't whistle, hiss! Everyone can hiss."

And they all hissed, like the sound of wind in dry grass.

I put my face in my hands. Dipti threw her hard, skinny arm around my shoulders and shook me. "Oh, if only I lived over the river!" I wailed. "Then my parents would buy me one of those Gran Sasso Devices, and I would be able to go wherever I wanted."

"It'd be wonderful, wouldn't it?" she said. "Just press the button and their filthy words fly right back into their mouths--never said, never heard."

"Why don't they just say them again, is what I don't understand?" said Shinna.

"It doesn't feel nice, Fan's sister says," said Kate, "having that little bit of time run backward, while the rest of it's running forward all around you. It feels like you're a sock, she says, being turned inside-out--because it's running your mind backward too. But it's better than being shouted at."

"Well, Melita." Dipti shook me again. "That kind of handy thing was never made for girls like us, was it? That's a weapon for rich men's daughters. And that's okay. We have no need of it--" She couldn't stop grinning. "Because we have a plan."



All the men were outside the teashop next morning. I felt sicker than ever with fear. Everything looked the same: the dusty road with not a soul on it, the closed-up church, the schoolhouse off in the distance. The air was still cool, and I was freshly bathed, and my clothes were crisp from laundering and drying in the sun, and there were the men all waiting, ready to attack. The big one leaned back in his chair. I had never seen him standing; perhaps he had grown into that straining chair, and sat there day and night? The two thin men lounged in the doorway, and Mr. Red Shirt and Mr. Fancy Boots perched on the edges of the other chairs. They were talking now, but as soon as they saw me . . .

Just run past them. Ignore them, my mother had said. The world is full of those men. They are not worth your time.

Of course they call out to you, said my father. They think you're beautiful. Which you are. And a beautiful young girl should be complimented.

My mother had smacked his shoulder. You don't know what you're talking about. This made me feel hopeful for a moment--would she get angry enough to help me? But then my brothers had come home and my time for my parents' attention was over. Take Otto's bags, Melita. Bring Charlie some tea.

Walking closer to the teashop, I thought I saw a whisker of movement up near the church, but now as I stared, there was nothing. I was so confused--did I want my friends to be there or not? Had I been foolish to mention this, to say yes when Dipti offered to help? Would she make it better for me, or worse? Oh, whatever happened would be wrong and awful. I would be crushed and laughed at whether I was alone as usual or backed up by every girl in my class. These men, they didn't look like monsters, but the words pouring out of their mouths fouled up my whole world, every morning and every afternoon. Girls had no chance against it, young girls like us, from this side of town.

One of the thin men saw me and whistled. The other turned and stared, gave a little whooping noise. I stared at the church. Had they come? Oh, please! Oh, please not!

One head popped out, popped back behind the church corner. Then two were quickly there and then gone. My heart lifted--and stuck in my throat for a moment, so that I couldn't breathe. I wanted just to run, to run up and meet my friends and tell them, It's all right. They didn't say anything; there's no need for you to be here. I could cope. I could be strong on my own.

The men began with their calling, with their crooning. Thin One and Thin Two got comfortable against the doorposts. Mr. Red Shirt sat forward in his chair. They threw out little remarks, soft and mocking, about my hair, my school uniform, my legs. If I'd been a rich girl, I'd have taken my little silver Gran Sasso Device out of my pocket right then, and pointed it at them--which would mean pointing it at myself, because it was a two-ended thing. And I would've pressed the blue button, and the particles faster than light, faster than time, would've burst out either end, and pulled those remarks out of my memory through my ears and folded them back down the men's throats. Of all the things scientists and corporations had found to do with neutrinos, the Gran Sasso was to me the greatest and the kindest. It was the one I could see a real use for, in my world, in my every day.

I was right in front of the shop now, and they were a chorus in my ear, gentle, awful, saying all their worst things, which they never got tired of calling out at me, at any girl who walked by on her own.

I stopped, my heart thudding so hard I was sure it would show, ba-bump, ba-bump, through my shirt. I turned to face them, which was my signal to the others, the one we'd agreed on. I stared boldly into the men's eyes, one after the other. I was sure they could see my fear, in my big eyes and my tight-pressed mouth.

The big man sneered and jerked his head at me. The thin men's grins stiffened on their faces. Mr. Red Shirt looked at the others to see what he should do, and Mr. Boots crooned on about what he might find under my uniform, then checked whether the big man approved. I didn't look away; I finished meeting all their eyes and went back to the big man and started again. My classmates were coming, my friends. First I heard their wolf-whistles, their woo-hoos, their hisses--then their shoes pattered on the dusty road.

I took one slow step, then another, toward the men. Thin One and Thin Two, they glanced up the road and looked actually afraid for a moment. I could hear it was a big crowd, bigger than Dipti had called together yesterday. There were boys' voices in it; boys had come too! Girls and boys pushed in behind and either side of me, and they whistled and hissed at the men.

Mr. Red Shirt laughed loudly. "All these girls for us! Some of them are pretty, too!"

I despaired at his confidence, and at the big man's easy way of sitting there. The other men would gather courage from it, I was sure, and hurl more words.

But Dipti got in before them. "Some of them are hand-some, too!" she exclaimed, in exactly Mr. Red Shirt's tone.

"All these fellas for us! Aren't we lucky?" cried out a boy behind me.

"How about a kiss? Or just a smile?" someone else called coaxingly. "You'd be so pretty if you smiled."

And everyone else hissed and whistled.

"What do you think you're about, you kids!" Mr. Fancy Boots jumped up from his chair, and I flinched.

Someone put her hand on my shoulder and called, dreamily, "What do you think you're about?"

"What do you look like, without that uniform?" cried out a girl to Mr. Boots.

"Bring some of that over here!" That was Shinna.

"Yes, me and my friend would like a piece!" That girl could hardly speak for laughing.

"You're a hot little number!" said Dipti fiercely.

"Nice bottom, too!" someone piped up at the back. "See when he runs. Oh-ho! Bouncy-bouncy!"

"How about a kiss?"

And one by one they called out all the things the men had ever said, that I'd told them yesterday and Dipti had written down. Against a background of hoots and hisses they called them out. They chanted some of the sayings over and over, and they brought in new ones I was sure I hadn't told them, because I'd have been too embarrassed. They called out sayings I'd never heard myself, things these men had never said, words so foul I didn't know what they meant.

"That's enough!" shouted Thin Two. "You girls shouldn't talk like that."

"Girls shouldn't talk like that!" Dipti laughed.

But they did talk like that, all the girls behind me, and the one or two boys. They said all those embarrassing things. I said a few myself, a couple of the big man's suggestions--but I said them in that cool, dreamy way we were using, as if they were song-words or poem-words, or just interesting noises made by birds, or cats in the night, or elephants trumpeting. They filled the air all around, the words I'd tried to push out of my head so often, thinking that no other girl was tormented as I was. Everyone knew them--and some knew worse, so much worse! Everyone who'd heard them wanted to unhear them, to have them unsaid the way the Gran Sasso let you unsay them--but if we couldn't do that, the next best thing was to throw them back at the men with all their power gone out of them, like shucked-off snakeskins or dead balloons.

And the whistles and the hoots and the hisses--and some growls, even some dog barks!--they were like a nest made of sound. Inside that nest, I was protected right up to my ears. People who were too shy or scared to utter the horrible words, they could hiss; the hissing was a constant rushing all round me. The whistles were on different notes, and so were the calls--all the pretty-pretties and kiss-kisses and where's-your-lovely-smiles. It sounded beautiful, in a weird, wild way.

I felt like laughing, under cover of all our noise; I felt like crying, but I was too busy throwing ugly words back at the men. I didn't care what they did; it felt good to sing and shout out these things, from this big safe group. I could almost understand the men, why they did what they did. They must want this wonderful feeling. They must like being in their group, outside the teashop. Whatever horrible things they called out, it made sense that they too wanted to be among friends, gluing their group together better with every call.

The two thin men darted out at us. "Clear off! Get out of here with your dirty mouths, you filthy girls, shames of your mothers!"

We scattered backward, but no one stopped hissing or hooting, and Dipti stood firm and alone there. "Clear off!" she sang. "Get out of here!"

"Dirty mouths!" I called out as we hurried back to stand around her.

"Shames of your mothers!" said Neddi behind me.

"I'd like to look under that skirt," said a boy, and we laughed, because Thin Two had a sweater tied around his middle that did indeed flap like a skirt.

He stepped forward. He would have slapped Dipti, and she--she stood like a rock--she would have taken it, too.

But the big man spoke then. He just said Thin One's name, and that killed the fear in the man's eyes. How relieved he was, to have the big man take over! He spat, instead, at Dipti's feet. She hissed at him. "Filthy girls!" she caroled as he hurried back to his place at the door.

Then the big man moved. With his lip still curled at us, he hoisted his arms back to put his huge hands to the armrests of his chair; he unwedged himself from between them, and I saw that his tiny feet could take the full weight of him. He cast a last look over the crooning crowd behind me.

"Lovely pair of titties!" one of the boys called.

"Bring me some of that on a plate!" shouted Shinna.

And the big man turned his back on us, and Thin One and Thin Two stepped aside to let him enter the teashop door.

They swaggered and smirked, the Thins, and Red Shirt, and Boots, as they followed him in, but we had seen their fear, we had seen their doubt and confusion. They could swagger all they liked; we knew what they were. We had silenced them! We had made them get up and go inside!

The door closed behind them. Cheers went up among the hissing. Dipti waved our noise down. "I hereby declare, this road is safe for any girl to pass along!" And she came and hugged me.

"You are a wonderful friend." I hugged her back. Then Neddi joined in, and Suzy too, and someone else behind me, and everyone who was there, all laughing and holding tight. "Everyone is wonderful friends," I said, squashed in the middle. "All of you!"



Having sung us up the road to the school gate, the boys ran off to their school.

"Those men'll be there again tonight, of course," I said to Dipti. "Without you there, they will be just as rude as before."

Dipti burrowed in her pocket, brought out two folded pieces of lined paper and gave me one. Shinna and Kate waved their paper squares at me.

I unfolded mine. It was a neatly ruled table, filled out in Dipti's round handwriting. For each school day, she'd written the names of four of my classmates, two for morning, two for afternoon. And she'd put Melita's Device at the top, and drawn a Gran Sasso there with neutrinos spurting out both ends, each neutrino a star with a little n inside.

"I know," she said. "We are not a sweet, silver Device that fits in the palm of your hand--we are a big, messy Device with lots of loose parts coming and going. But we don't cost anything, and we don't need a battery. And when we do work, we're much more fun."

The bell clanged, then, which was just as well, because my heart seemed stuck in my throat again, stopping me from speaking. I folded the paper, put it in my pocket, and ran after my friends into class.

Excerpted from Eat the Sky, Drink the Ocean
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Nineteen contributors from India and Australia—including Printz Award–winning author Margo Lanagan and New York Times bestsellers Justine Larbalestier and Samhita Arnir—team up to create a “rare treat of speculative literature” in this groundbreaking feminist collection that “bursts with imagination” (Kirkus Reviews, starred review).

A post-apocalyptic Little Red Riding Hood. Girls and boys turning the tables on creepy old cat-callers. Female pirates rescuing abused women. A futuristic cooking show.

These are just a few of the stories told in Eat the Sky, Drink the Ocean, a feminist speculative fiction collection, born of a collaboration between Australian and Indian writers. Finding themselves inspired to action after crimes against women dominated national conversations, the editors of this collection paired writers and illustrators from India and Australia together to write stories, graphic novels, and even a play that reimagine what girls can be and see themselves as.

The results are stunning. Some of the authors worked together, some wrote stories along a similar theme, but all seventeen stories blend magical realism and self-confidence in a powerful and inspiring way.

Introduction
Cat calls / Margo Lanagan
Swallow the moon / Kate Constable and Priya Kuriyan
Little red suit / Justine Larbalestier
Cooking time / Anita Roy
Anarkali / Annie Zaidi and Mandy Ord
Cast out / Samhita Arni
Weft / Alyssa Brugman
The Wednesday room / Kuzhali Manckavel and Lily Mae Martin
Cool / Manjula Padmanabhan
Appetite / Amruta Patil
Mirror perfect / Kirsty Murray
Arctic light / Vandana Singh
The runners / Isobelle Carmody and Prabha Mallya
The blooming / Manjula Padmanabhan and Kirsty Murray
What a stone can't feel / Penni Russon
Memory lace / Payal Dhar
Back stage pass / Nicki Greenberg.

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