In the 1930s, orphaned Pierrot is taken in by his aunt, Beatrix, who happens to be a housekeeper for Adolf Hitler and Eva Braun at the Berghof, their alpine retreat. Pierrot, whose best friend in Paris had been Anshel, his Jewish neighbor, changes his own name to the Germanic equivalent, Pieter, and learns to despise Jews and other minorities. As Pierrot grows into adolescence, he falls under the spell of the charismatic F³hrer, joins the Hitler Youth, and gradually takes on the arrogant, authoritarian character of an ardent Nazi. Pierrot's loss of innocence during the decade of his exposure to Hitler embodies the corruption of millions of German subjects under that dictator's evil regime. Historically, there was no such child at the Berghof; however, in other respects the novel is faithful to the era.Boyne is the author of several novels of historical fiction for young readers set during the first and second world wars, most famously The Boy in the Striped Pajamas (Random House, 2006/VOYA December 2006). As in that earlier tale, readers of Boyne's latest historical novel are presented with the horrific consequences of Nazi ideology through the viewpoint of a na´ve young observer who has a very limited understanding of what is taking place all around him. The text is highly approachable and a fast read for middle graders and up. The unpleasant subject matterboth the foregrounding of the Holocaust and the main character's fall from gracemay, however, discourage some readers.Walter Hogan.

Boyne returns to a WWII setting for this novel about Pierrot Fischer, a Parisian of German heritage whose best friend, Anshel, is Jewish and deaf. Orphaned at age seven, Pierrot goes to live with his Aunt Beatrix, a housekeeper at a mountaintop estate near Salzburg. Many readers will suspect the estate owner-s identity before the big reveal, but unlike the staff, Pierrot-now renamed Pieter-is not terrified but charmed by Herr Hitler, who makes him his pet. A small boy once bullied at school, Pierrot turns into a bully himself once he falls under the spell of Nazi pageantry and propaganda, eventually instigating a horrifying betrayal. Cameos from filmmaker Leni Riefenstahl, the Duke and Duchess of Windsor, and members of the Nazi hierarchy introduce facts into the fictional Pierrot-s narrative. Though his transformation from sympathetic orphan to callous antihero doesn-t give readers much to root for, the story is redeemed by a powerful epilogue. As he did in The Boy in the Striped Pajamas, Boyne crafts an unexpected ending that packs a tremendous emotional wallop. Ages 10-14. (June)

On the eve of WWII, seven-year-old French orphan Pierrot is sent to live with his German aunt, a housekeeper at Hitler's Austrian aerie, the Berghof, high atop the Obersalzberg. His name prudently changed to the German "Pieter" by his aunt, the boy warms to Hitler, who reminds him of his dead father, a man who often talked glowingly about the Vaterland and its destiny. Proud when Hitler makes him a member of the Deutsches Jungvolk, Pieter begins to identify himself as German, losing his innocence as he discovers the pleasures of power and feelings of importance. Soon he abandons a Jewish childhood friend and betrays those closest to him, becoming a sort of miniature Hitler. Though there is little subtlety to it, Boyne's (The Boy in the Striped Pajamas, 2006) story is unarguably a powerful one with an often visceral impact. It does approach melodrama in treating many of its unsympathetic German characters, though there are others notably depicted with humanity. An epilogue brings the story to satisfying closure.

Gr 9 Up-The author of The Boy in the Striped Pajamas (Random, 2006) delivers another powerful allegory in this compelling World War II story about a young boy swept into the fear, zealotry, and bigotry of Nazism. In 1936 Paris, seven-year-old Pierrot Fischer is orphaned. After the deaths of his devoted French mother and troubled, abusive German father, Pierrot is temporarily cared for by his neighbor, the mother of his Jewish friend, Anshel. When his German aunt, a housekeeper at Hitler's Berghof, Berchtesgaden home, sends for Pierrot, his name is changed to Pieter, his friendship with Anshel is denied, and he resides at Berghof with the house staff, awaiting Hitler's periodic visits. Despite the warnings of his aunt, Pieter embraces Hitler's volatile attention and dogmatism, turning against family and friends. With skill and emotional detachment, Boyne tells Pieter's story through descriptions and dialogue that are concise, spare, and vivid. Ahead of Pieter, readers will grasp the impending consequences, pain, and horror of the boy's obsequious relationship with Hitler. Woven into the story are authentic personalities and facts including the dictator's passion for dogs, painting, anti-Semitism, and unquestioning loyalty. Pieter's story offers a lens for examining post-traumatic stress disorder and the violent and coercive extremism of the 21st century. VERDICT Pieter's traumatic childhood, infatuation and interactions with Hitler, adolescent angst, and destructive choices will captivate teens and prompt thought-provoking discussion.— Gerry Larson, formerly at Durham School of the Arts, NC

A young boy grows up in Adolf Hitler's mountain home in Austria.Seven-year-old Pierrot Fischer and his frail French mother live in Paris. His German father, a bitter ex-soldier, returned to Germany and died there. Pierrot's best friend is Anshel Bronstein, a deaf Jewish boy. After his mother dies, he lives in an orphanage, until his aunt Beatrix sends for him to join her at the Berghof mountain retreat in Austria, where she is housekeeper for Adolf Hitler and Eva Braun. It is here that he becomes ever more enthralled with Hitler and grows up, proudly wearing the uniform of the Hitler Youth, treating others with great disdain, basking in his self-importance, and then committing a terrible act of betrayal against his aunt. He witnesses vicious acts against Jews, and he hears firsthand of plans for extermination camps. Yet at war's end he maintains that he was only a child and didn't really understand. An epilogue has him returning to Paris, where he finds Anshel and begins a kind of catharsis. Boyne includes real Nazi leaders and historical details in his relentless depiction of Pierrot's inevitable corruption and self-delusion. As with The Boy in the Striped Pajamas (2006), readers both need to know what Pierrot disingenuously doesn't and are expected to accept his extreme naiveté, his total lack of awareness and comprehension in spite of what is right in front of him.Chilling, difficult, and definitely not for readers without a solid understanding of the Holocaust despite the relatively simple reading level. (Historical fiction. 12-14)