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Poe, Edgar Allan,. 1809-1849. Adaptations. Cartoons and comics.
Poe, Edgar Allan,. 1809-1849. Adaptations. Cartoons and comics.
American poetry. 19th century. Comic books, strips, etc.
Short stories, American. 19th century. Comic books, strips, etc.
American poetry. 19th century. Comic books, strips, etc.
Short stories, American. 19th century. Comic books, strips, etc.
Having previously created rich graphic adaptations of
Graphic novelist Hinds tackles the work of Edgar Allan Poe, adapting three poems and four stories. Each entry's title page lists pertinent themes and tropes. Hinds's adaptations lean heavily on the original language with an eye toward accessibility. Varied illustrations are a good match for Poe's atmospheric blend of horror and mystery, and color and striking imagery are used to great effect.
Kirkus ReviewsGraphic-novel veteran Hinds turns his astute eye to Poe's best-known tales.After reimagining many classics including Beowulf, The Odyssey, and a smattering of Shakespeare's plays, Hinds now takes on the poems and stories of Edgar Allan Poe. In "The Cask of Amontillado," a dark palette suffused with ominous shadows and fiery earthen reds depicts the unnamed, white narrator as he leads foolhardy Fortunato into his own airless death. Those familiar with "The Tell-Tale Heart" will be delighted to watch the psychological drama unfold as Hinds conceptualizes the famously grisly details while playing with visually striking splashes of color to further accentuate the terror. Hinds also visualizes three of Poe's poems: "Annabel Lee," "The Raven," and "The Bells," though these poems stray from a traditional graphic-novel format, eschewing panels for expansive, page-filling illustrations with the verse text set against them. At the beginning of each piece, Hinds plainly lays out the recurring thematic elements of horror from his own "Poe Checklist"; for example "The Masque of the Red Death" warns its readers of "death, disease, and scary sounds." Also included are historical notes about Poe and each vignette, making this volume equally valuable for classroom use or for independent reading. Befittingly dark, atmospheric, and evocative. (Graphic adaptation. 12-adult)
ALA Booklist (Sat Jul 01 00:00:00 CDT 2017)Veteran illustrator Hinds breathes vivid life into seven of Edgar Allan Poe's most well-known stories and poems in his latest adaptation. Faithfully preserving the gothic tone of the original texts, from the macabre endpapers filled with symbols of death to the twisted anguished faces found throughout its pages, the author never shies away from the darkness found there, instead distilling Poe's fascination with madness, death, and terror into single haunting images: a sliver of lamplight shines on a milky blue eye in "The Tell-Tale Heart," and a shadowy black raven haunts a solitary figure reminiscent of Poe in its namesake poem. Color is used to full effect in each story; the garish colors of an ill-fated party foreshadow impending doom, while the saturated red surrounding a man about to die only serves to heighten the emotional intensity. Title pages include a key to the main themes and year of publication, while an author's note provides an overview of Poe's life and insight into each story and poem. A welcome addition for fans of graphic horror.
School Library Journal Starred ReviewGr 9 Up-inds adds to his impressive library of graphic novel adaptations with this collection of stories and poems. In "The Masque of the Red Death," a prince holds a massive party inside a fortified castle while his subjects die of plague outside his wallsthat is, until a mysterious stranger appears at the door. In "The Cask of Amontillado," a young man plots revenge against a man who insulted him. In "The Pit and the Pendulum," a frightened man must escape the clutches of the Spanish Inquisition before it's too late, and in "The Tell-Tale Heart," a man is driven to murder by his benefactor's haunting "vulture" eye. Hinds also brings his own interpretation to three poems: "Annabel Lee," a love ode to Poe's dead wife; "The Bells," a poem about the eerie sounds of bells; and, of course, "The Raven," arguably Poe's best-known work. Hinds's vivid, haunting mixed-media illustrations pair perfectly with Poe's unfailingly bleak and terrible tales. Red and black tones are thrown about with controlled force, fully realizing the gothic influences of Poe's writing. Particularly sinister is the artwork that accompanies "The Masque of the Red Death;" the specter that wordlessly passes among the partygoers is terrifying. The adapter's note at the end discusses the selections that were chosen and includes a brief biography of Poe. VERDICT A spellbinding adaptation of one of America's most legendary authors. This volume can easily be worked into literature courses and is a fantastic way to introduce Poe to new readers.Tyler Hixson, Brooklyn Public Library
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Horn Book (Sun Apr 01 00:00:00 CDT 2018)
Kirkus Reviews
ALA Booklist (Sat Jul 01 00:00:00 CDT 2017)
School Library Journal Starred Review
In a thrilling adaptation of Edgar Allan Poe’s best-known works, acclaimed artist-adapter Gareth Hinds translates Poe's dark genius into graphic-novel format.
It is true that I am nervous. But why will you say that I am mad?
In “The Cask of Amontillado,” a man exacts revenge on a disloyal friend at carnival, luring him into catacombs below the city. In “The Masque of the Red Death,” a prince shielding himself from plague hosts a doomed party inside his abbey stronghold. A prisoner of the Spanish Inquisition, faced with a swinging blade and swarming rats, can’t see his tormentors in “The Pit and the Pendulum,” and in “The Tell-Tale Heart,” a milky eye and a deafening heartbeat reveal the effects of conscience and creeping madness. Alongside these tales are visual interpretations of three poems — “The Raven,” “The Bells,” and Poe’s poignant elegy to lost love, “Annabel Lee.” The seven concise graphic narratives, keyed to thematic icons, amplify and honor the timeless legacy of a master of gothic horror.