Perma-Bound Edition ©2007 | -- |
Publisher's Hardcover ©2007 | -- |
Paperback ©2007 | -- |
Race relations. Fiction.
African Americans. Fiction.
Schools. Fiction.
Deaf. Fiction.
Family life. Fiction.
Religion. Fiction.
Starred Review Eleven-year-old Frannie can't quite understand the Emily Dickinson poem that she is reading in school. It is about feathers and hope, something that isn't often a topic in Frannie's part of town. A new student called Jesus Boy is the only white kid in her sixth-grade classroom, and Frannie and the others aren't sure what to make of him. At home she is worried about her mother, who is pregnant again following two recent miscarriages. She wonders how this baby will disrupt their household, displacing her as the baby of the family. Set in 1971, the story deals with issues of race, faith, family, and disability. Frannie begins seeing there is more to the world around her than the people in her life, including her hearing-impaired older brother, Sean. Her view and perspective are also changed because of her growing friendship with Jesus Boy. Woodson's stark, thin 2008 Newbery Honor Book is skillfully read by Johnson. Her soft voice and pacing match that of a preteen girl, perfectly capturing the young protagonist's innocence and wistfulness. Likewise, Johnson's voice is appropriately lowered when voicing the preteen boys and Frannie's father. Particularly noteworthy is how she voices the teacher, sometimes using stern tones that make listeners feel as if they have just been reprimanded in class. Johnson's subtle narration makes this an outstanding audiobook, recommended for most collections.
Starred Review for Publishers WeeklyLooking forward" is the message that runs through Woodson's (<EMPHASIS TYPE=""ITALIC"">The House You Pass on the Way) novel. Narrator Frannie is fascinated with Emily Dickinson's poem, "Hope is the thing with feathers/ that perches in the soul," and grapples with its meaning, especially after a white student joins Frannie's all-black sixth-grade classroom. Trevor, the classroom bully, promptly nicknames him "Jesus Boy," because he is "pale and his hair [is] long." Frannie's best friend, Samantha, a preacher's daughter, starts to believe that the new boy truly could be Jesus ("If there was a world for Jesus to need to walk back into, wouldn't this one be it?"). The Jesus Boy's sense of calm and its effect on her classmates make Frannie wonder if there is some truth to Samantha'a musings, but a climactic faceoff between him and Trevor bring the newcomer's human flaws to light. Frannie's keen perceptions allow readers to observe a ripple of changes. Because she has experienced so much sadness in her life (her brother's deafness, her mother's miscarriages) the heroine is able to see beyond it all—to look forward to a time when the pain subsides and life continues. Set in 1971, Woodson's novel skillfully weaves in the music and events surrounding the rising opposition to the Vietnam War, giving this gentle, timeless story depth. She raises important questions about God, racial segregation and issues surrounding the hearing-impaired with a light and thoughtful touch. Ages 8-up. <EMPHASIS TYPE=""ITALIC"">(Mar.)<EMPHASIS TYPE=""ITALIC"">Agent: Charlotte Sheedy.
Horn Book (Wed Aug 01 00:00:00 CDT 2007)How come the new white boy named Jesus in Frannie's sixth-grade class says he's not white, and could he possibly be the Jesus? How does it feel to have faith? Frannie works out her own answers, finding hope in everyday goodness. Woodson deftly weaves some large ideas through her story, but it's the small moments that linger profoundly.
Kirkus ReviewsOne wintry day, a white boy with long curly hair enters Frannie's sixth-grade classroom. "Jesus Boy" is told he's on the "wrong side of the highway," and becomes a catalyst for a shift among friends and enemies in the classroom, all observed from Frannie's point of view. She's also got her eye on things at home: Suddenly her mother is strangely weary, while her older brother, who is deaf, seems impossibly quick to recover when girls attracted to his good looks are turned off by his silence. Frannie's questions about faith, friendship and bridging differences are expressed in a vibrant and accessible narrative set in the early 70s. The theme of "hope" recurs in the description of the Black Power movement, and in Frannie's musings on the Emily Dickinson poem, "Hope is the thing with feathers." Developing this metaphor, Woodson captures perfectly the questions and yearnings of a girl perched on the edge of adolescence, a girl who readers will take into their hearts and be glad to call their friend. (Fiction. 9-13)
School Library JournalGr 4-7-"Stepped through that door white and softly as the snow," notes sixth-grader Frannie, on the arrival of a pale, long-haired boy to her predominantly black middle school on a winter day in 1971. He is dubbed the Jesus Boy by the class rowdy, and the name seems to suit the newcomer's appearance and calm demeanor. Frannie is confused, not only by declarations that he's NOT white, but that her friend Samantha, daughter of a conservative Baptist minister, also seems to believe that he is Jesus. In light of this and other surprises in her life, Frannie questions her own faith and, most of all, the meaning of the Emily Dickinson poem that she is studying in class, "Hope is a thing with feathers/that perches in the soul/-." How does she maintain hope when her newly pregnant mother has lost three babies already? She also worries about her deaf older brother, Sean, who longs to be accepted in the hearing world. She sees the anger in the bully intensify as he targets Jesus Boy. With her usual talent for creating characters who confront, reflect, and grow into their own persons, Woodson creates in Frannie a strong protagonist who thinks for herself and recognizes the value and meaning of family. The story ends with hope and thoughtfulness while speaking to those adolescents who struggle with race, faith, and prejudice. They will appreciate its wisdom and positive connections.-D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OH Copyright 2007 Reed Business Information.
Voice of Youth AdvocatesFrannie is discovering that change does not always come with a bang. Sometimes it can be as simple as a new student showing up at school. The Jesus Boy, as the class calls him, is faced with being the lone white youth in a black school. He hails from across the highway that unofficially segregates the black and white neighborhoods. The students start grappling with what it means to be different. Should they give the Jesus Boy a chance to settle into the class? Or will they continue relentlessly teasing him? When speculation begins that he really is Jesus, things quietly begin to shift. Hope seems to spread through the cracks of the students' lives. They become a bit gentler with one another. Maybe the Jesus Boy is capable of the type of miracle they need to make it through their urban existence. Frannie sees the humanity in the seams of her family-from her deaf brother's struggle to fit in to her mother's preparation for a new baby. The Jesus Boy also forces the youth to examine the wavering lines defining race. Is he really white, and if he is, why did he not simply stay across the highway? Maybe there is something magical about the Jesus Boy or perhaps the magic lies within the young people whom he encounters. Either way, this book is dynamic as it speaks to real issues that teens face. It is a wonderful and necessary purchase for public and school libraries alike.-Robbie Flowers.
Starred Review ALA Booklist (Thu Apr 28 00:00:00 CDT 2022)
Starred Review for Publishers Weekly
Horn Book (Wed Aug 01 00:00:00 CDT 2007)
Kirkus Reviews
Newbery Honor
National Council For Social Studies Notable Children's Trade
School Library Journal
Voice of Youth Advocates
Wilson's Children's Catalog
Wilson's Junior High Catalog
Table of Contents
Title Page
Copyright Page
Dedication
PART ONE
Chapter 1
Chapter 2
Chapter 3
Chapter 4
PART TWO
Chapter 5
Chapter 6
PART THREE
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
PART FOUR
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Acknowledgements
Discussion Questions
An Exciting Preview of: Brown Girl Dreaming
An Exciting Preview of: Peace, Locomotion
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First published in the United States of America by G. P. Putnam’s Sons,
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Published by Puffin Books, a division of Penguin Young Readers Group, 2009
All rights reserved
THE LIBRARY OF CONGRESS HAS CATALOGED THE G. P. PUTNAM’S SONS EDITION AS FOLLOWS:
Woodson, Jacqueline.
Feathers / Jacqueline Woodson.
p. cm.
ISBN: 9781101019832
ISBN: 9781101019832
The publisher does not have any control over and does not assume
any responsibility for author or third-party Web sites or their content.
for Juliet
Hope is the thing with feathers
that perches in the soul,
And sings the tune—without the words,
And never stops at all
—EMILY DICKINSON
PART ONE
1
His coming into our classroom that morning was the only new thing. Everything else was the same way it’d always been. The snow coming down. Ms. Johnson looking out the window, then after a moment, nodding. The class cheering because she was going to let us go out into the school yard at lunchtime.
It had been that way for days and days.
And then, just before the lunch bell rang, he walked into our classroom.
Stepped through that door white and softly as the snow.
The class got quiet and the boy reached into his pocket and pulled something out. A note for you, Ms. Johnson, the boy said. And the way his voice sounded, all new and soft in the room, made most of the class laugh out loud.
But Ms. Johnson gave us a look and the class got quiet.
Now isn’t this the strangest thing, I thought, watching the boy.
Just that morning I’d been thinking about the year I’d missed a whole month of school, showing up in late October after everybody had already buddied up. I’d woken up with that thought and, all morning long, hadn’t been able to shake it.
The boy was pale and his hair was long—almost to his back. And curly—like my own brother’s hair but Mama would never let Sean’s hair grow that long. I sat at my desk, staring at his hair, wondering what a kid like that was doing in our school—with that long, curly hair and white skin and all.
And he was skinny too. Tall and skinny with white, white hands hanging down below his coat sleeves. Skinny white neck showing above his collar. Brown corduroy bell-bottoms like the ones I was wearing. Not a pair of gloves in sight, just a beat-up dark green book bag that looked like it had a million things in it hanging heavy from his shoulder.
Ms. Johnson said, “Welcome to our sixth-grade classroom,” and the boy looked up at her and smiled.
Trevor was sitting in the row in front of me, and when the boy smiled, he coughed but the cough was trying to cover up a word that we weren’t allowed to say. Ms. Johnson shot him a look and Trevor just shrugged and tapped his pencil on his desk like he was tapping out a beat in his head. The boy looked at Trevor and Trevor coughed the word again but softer this time. Still, Ms. Johnson heard it.
“You have one more chance, Mr. Trevor,” Ms. Johnson said, opening her attendance book and writing something in it with her red pen. Trevor glared at the boy but didn’t say the word again. The boy stared back at him—his face pale and calm and quiet. I had never seen such a calm look on a kid. Grown-ups could look that way sometimes, but not the kids I knew. The boy’s eyes moved slowly around the classroom but his head stayed still. It felt like he was seeing all of us, taking us in and figuring us out. When his eyes got to me, I made a face, but he just smiled a tiny, calm smile and then his eyes moved on.
I looked down at my notebook. Beneath my name, I had written the date—Wednesday, January 6, 1971. The day before, Ms. Johnson had read us a poem about hope getting inside you and never stopping. I had written that part of the poem down—Hope is the thing with feathers—because I had loved the sound of it. Loved the way the words seemed to float across my notebook.
When I told Mama about the poem, she’d said, Welcome to the seventies, Frannie. Sounds like Ms. Johnson’s trying to tell you all something about looking forward instead of back all the time. I just stared at Mama. The poem was about hope and how hope had these feathers on it. It didn’t have a single thing to do with looking forward or back or even sideways. But then Sean came home and I told him about the poem and the crazy thing Mama had said. Sean smiled and shook his head. You’re a fool, he signed to me. The word doesn’t have feathers. It’s a metaphor. Don’t you learn anything at Price?
So maybe the seventies is the thing with feathers. Maybe it was about hope and moving forward and not looking behind you. Some days, I tried to understand all that grown-up stuff. But a lot of it still didn’t make any sense to me.
When I looked up from my notebook, Ms. Johnson had assigned the boy a seat close to the front of the room, and when he sat down, I heard him let out a sigh.
Something about the way the new boy sat there, with his shoulders all slumped and his head bent down, made me blink hard. The sadness came on fast. I tried to think of something different, the Christmas that had just passed and the presents I’d gotten. Mama’s face when Daddy leaned across the couch to hug her tight. My older brother, Sean, holding up a basketball jersey and signing, I forgot I told you I wanted this! His face all broken out into a grin, his hands flying through the air. I put the picture of the sign for forgot in my head—four fingers sliding across the forehead like they’re wiping away a thought. Sometimes the signs took me to a different thinking place.
The bell rang and Ms. Johnson said, “I’ll do a formal introduction after lunch.”
All of us got up at the same time and stood in two straight lines, girls on one side, boys on the other. Ms. Johnson led us out of the classroom and down the hall toward the cafeteria. As usual, Rayray acted the fool, doing some crazy dance steps and a quick half-split when Ms. Johnson wasn’t looking.
Trevor turned to the boy and whispered, “Don’t no pale-faces go to this school. You need to get your white butt back across the highway.”
“I know I don’t hear anyone talking behind me,” Ms. Johnson said before the boy could say anything back. But the boy just stared at Trevor as we walked. Even after, when Trevor turned back around, the boy continued looking.
“Face forward, Frannie,” Ms. Johnson said. I turned forward.
“You’re just as pale as I am . . . my brother,” I heard the boy say.
When I turned around again, the boy was looking at Trevor, his face still calm even though the words he’d just spoken were hanging in the air.
Trevor took a deep breath, but before he could turn around again, Ms. Johnson did. She looked at the boy and raised her eyebrows.
“We don’t talk while we’re on line,” she said. “Do we?”
“No, Ms. Johnson,” the whole class said.
When Rayray saw how mad Trevor was getting, he looked scared. When he saw me watching him, he pointed to the boy and pulled his finger across his neck.
“If I have to ask you to turn around again, Frannie, I’m pulling you up here with me.”
I faced forward again.
Trevor was light, lighter than most of the other kids who went to our school, and blue-eyed. On the first day of school, Rayray made the mistake of asking him if he was part white and Trevor hit him. Hard. After that, nobody asked that question anymore. But I had heard Mama and a neighbor talking about Trevor’s daddy, how he was a white man who lived across the highway. And for a while, there were lots of kids at school whispering. But nobody said anything to Trevor. As the months passed and he kept getting in trouble for hitting people, we figured out that he had a mean streak in him—one minute he’d be smiling, the next his blue eyes would get all small and he’d be ramming himself into somebody who’d said the wrong thing or given him the wrong look. Sometimes, he’d just sneak up behind a person and slap the back of their head—for no reason. The whole class was a little bit afraid of him, but Rayray was a lot afraid.
As we walked down the hall, I stared at Trevor’s back, wondering how long the boy would have to wait before he got his head slapped.
2
I could smell burgers and French fries in the cafeteria. Mr. Hungry was hollering loud in my stomach, so I didn’t think anything else about the boy until he showed up on the lunch line in front of me. I watched him take a fish sandwich, French fries and chocolate pudding. The fish sandwiches were for the kids that didn’t like burgers and usually, at the end of lunch period, there were a whole lot of fish sandwiches left. I wrinkled my nose at his tray and tried to grab two burgers.
“You know the rules, Frannie,” Miss Costa, the lunch lady, said. “Come back when you’re done with the first one.”
“I was just trying to save myself a trip,” I said, putting a burger back.
The boy looked over his shoulder and smiled at me again. Then he went and sat over in the corner, under the loudspeaker.
I sat down across from Maribel Tanks only because it was right next to Samantha.
“Have you lost your mind,” I whispered to Samantha.
Samantha just looked at me with one of her eyebrows raised and I knew she was thinking what she was always saying, which was I’m not the one that doesn’t like Maribel—that’s you.
Me and Samantha went back to first grade together. One day, I was just this little kid alone in the first grade, coming into class a month after everyone. For a whole week, I didn’t have a single friend. And then, the next week, there was Samantha walking over to me, saying, “Do you want to play?” Even though we weren’t the kind of friends that always spent every single second together and dressed alike and stuff like that, we hung real tight at school.
Me and Maribel never played. We hardly even talked. She had gone to private school and then, in fourth grade, that school closed, and since her parents didn’t want to send her across the highway for private school, she came to Price. But, to hear her tell it, you’d think she was still in some high and mighty private school—always finding some kind of way to drop it into a conversation, always wrinkling her nose at me like she couldn’t even believe we had to share the same air.
I looked over at the boy. He had his head bent over his food like he was praying.
Excerpted from Feathers by Jacqueline Woodson
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
A Newbery Honor Book
A beautiful and moving novel from a three-time Newbery Honor-winning author
“Hope is the thing with feathers” starts the poem Frannie is reading in school. Frannie hasn’t thought much about hope. There are so many other things to think about. Each day, her friend Samantha seems a bit more “holy.” There is a new boy in class everyone is calling the Jesus Boy. And although the new boy looks like a white kid, he says he’s not white. Who is he?
During a winter full of surprises, good and bad, Frannie starts seeing a lot of things in a new light—her brother Sean’s deafness, her mother’s fear, the class bully’s anger, her best friend’s faith and her own desire for “the thing with feathers.”
Jacqueline Woodson once again takes readers on a journey into a young girl’s heart and reveals the pain and the joy of learning to look beneath the surface.
"[Frannie] is a wonderful role model for coming of age in a thoughtful way, and the book offers to teach us all about holding on to hope."—Children's Literature
"A wonderful and necessary purchase for public and school libraries alike."—VOYA