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Methamphetamine. Fiction.
Drug abuse. Fiction.
Teenagers. Fiction.
Babies. Fiction.
Family problems. Fiction.
In this sequel to Crank (2004), teenage Kristina has overcome her crystal meth addiction and given birth to a baby conceived during a rape. Living with her family in Reno, studying for her GED, and caring for her infant, she feels like she's drowning "in a deep well of monotony." Rationalizing that she will "remain in control," she starts using meth again and realizes that her addiction may be "a forever kind of thing." Hopkins' signature style of disjointed free verse is well suited to the voice of a drug-using teen. The lines of text, which zigzag between columns and occasionally form concrete poems, mimic both a high's flight and crash and Kristina's swings between crushing guilt and obliterating cravings. The tragic push-pull also plays out in Kristina's relationships with two men, both users, with whom she experiences (explicitly described) sex, love, and abuse. Heartrending and intimately honest, Hopkins' novel, based on her own daughter's experiences, reveals addiction's brutality but also honors a young person's capacity to face injurious, life-altering choices with courage.
Kirkus ReviewsKristina continues to dance with the monster of crystal methamphetamine, her fragmented emotions and cloudy denial displayed keenly by Hopkins's shards of free verse. Despite feeling warmth for her newborn baby and having been off meth for months, 17-year-old Kristina can't bear "the mindless / tedium that is my life" and seeks relief in "Mexican meth . . . 90 percent pure." This ice is far stronger than the "street-lab crank" she started on. Her mother kicks her out, keeping baby Hunter. Kristina moves in with Brad, a cousin of her boyfriend Trey, and the three smoke together. As Kristina spirals ever-downward, the monster claims her car, her minimum-wage job and any residual awareness of her infant son. Her teeth chip and she needs glass regularly just for "maintenance. . . . I'm scared // to shut all the way / down. Scared I might dream. / Scared I might not // wake back up." Hopkins's minimalist verse perfectly demonstrates Kristina's dissociation and muddled despair. Hypnotically sad, with a realistic lack of closure. (Fiction. YA)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Hopkins's hard-hitting free-verse novel, a sequel, picks up where <EMPHASIS TYPE=""ITALIC"">Crank left off. Kristina now lives in her mother's Reno home with her baby, but constantly dreams of “getting/ high. Strung. Getting/ out of this deep well/ of monotony I'm/ slowly drowning in.” When her former connection turns her on to “glass”: “Mexican meth, as/ good as it comes. maybe 90 percent pure,” Kristina quickly loses control again. She gets kicked out of her house after her baby gets hurt on her watch, starts dealing for the Mexican Mafia (“No problem. I'll play straight/ with them. Cash and carry”) and eventually even robs her mother's house with her equally addicted boyfriend. The author expertly relays both plot points and drug facts through verse, painting Kristina's self-narrated self-destruction through clean verses (“My face is hollow-/cheeked, spiced with sores”). She again experiments with form, sometimes writing two parallel poems that can be read together or separately (sometimes these experiments seem a bit cloying, as in “Santa Is Coming,” a concrete poem in the shape of a Christmas tree). But in the end, readers will be amazed at how quickly they work their way through this thick book—and by how much they learn about crystal meth and the toll it takes, both on addicts and their families. Ages 14-up. <EMPHASIS TYPE=""ITALIC"">(Aug.)
School Library JournalGr 9 Up-Kristina Snow was a 17-year-old with high grades and a loving family. In Crank (S & S, 2004), one summer in California with a meth-addicted boyfriend destroys her life. Addicted, she's raped, and goes back home to Reno pregnant. Glass picks up a year later. She lives with her mother and works at a 7-11. Depressed about her post-baby figure, she goes back on speed to lose weight. Her mother kicks her out and gains custody of the baby. She continues to spiral to the last page, which sets readers up for a third novel. Glass is even more terrifying than Crank in its utter hopelessness; meth's power is permanent and Kristina is an addict whether she uses or not. Though her recount of events in the first book is dry and self-indulgent, the pace snowballs as soon as she takes her first toke of rock meth, and one desperate, horrifying measure or decision follows another. Like Crank, this title is written in verse, but certainly not poetry. Hopkins's writing is smooth and incisive, but her fondness for seemingly random forms is distracting and adds little to the power of the narrative. Minor characters are flat, and Kristina's overblown self-pity elicits little empathy. The author tries but fails to present meth itself as a character; her descriptions of "the monster" are precious and overwritten. Kristina's story is terrible, and even when she's high, the narrative voice and mood are sobering. Teens, including reluctant readers, may appreciate the spare style and realism of Kristina's unhappy second chapter.-Johanna Lewis, New York Public Library Copyright 2007 Reed Business Information.
Voice of Youth AdvocatesWhether it is called crank, glass, ice, or crystal, crystal methamphetamine is a highly addictive and readily available drug. Kristina Georgia Snow calls it the monster and has a perilous love-hate relationship with the substance. Readers first met Kristina in Crank (Simon & Schuster, 2004/VOYA February 2005), which told the story of her introduction to the drug by her addict father, her adoption of her wild and sexy alter-ego Bree, her descent into the monster's clutches, and the brutal date-rape that resulted in pregnancy. At seventeen, with baby Hunter to care for and a convenience-store job, Kristina at last considers herself strong and in charge of her life. She will decide when she indulges, using only enough to help her get through each day. Now with a tiny, helpless person who can give her the unconditional love that she craves, she can control the monster that has held her in its grip-or can she? Visiting her estranged father reintroduces her to the drug, and meeting Trey, seemingly the boy of her dreams, ensnares her still more deeply in the monster's clutches. Abandoning Hunter, her family, and her efforts to straighten out her life, Kristina becomes Bree again, falling into a destructive cycle of drugs, sex, and crime. Told in spare and intense free verse, incorporating dialogues, concrete poems, and monologues, Kristina's compelling and devastating story is a more honest and better-written Go Ask Alice (Prentice-Hall, 1971) for the millennium. Older teens will be enthralled by this highly-recommended cautionary tale.-Jamie S. Hansen.
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Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Voice of Youth Advocates
Excerpted from Glass by Ellen Hopkins
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Crank. Glass. Ice. Crystal. Whatever you call it, it's all the same: a monster. And once it's got hold of you, this monster will never let you go.
Kristina thinks she can control the urge, the addiction, the monster trying to drag her down. Now with a baby to care for, she's determined to be the one deciding when and how much, the one calling the shots. But the monster is too strong, and before she knows it, Kristina is back in its grips. She needs the monster to keep going, to face the pressures of day-to-day life. She needs it to feel alive.
Once again the monster takes over Kristina's life and she will do anything for it, including giving up the one person who gives her the unconditional love she craves—her baby.
A vivid portrait of a victim to addiction, this sequel to Crank is the continuing story of Kristina and her descent back to hell. Told in verse, it's a harrowing and disturbing look at addiction and the damage that it inflicts.