We Are the Ants
We Are the Ants
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Simon & Schuster, Inc.
Annotation: Contains Mature Material
Genre: [Science fiction]
 
Reviews: 5
Catalog Number: #147843
Format: Perma-Bound Edition
Special Formats: Adult Language Adult Language Mature Content Mature Content
Copyright Date: 2017
Edition Date: 2017 Release Date: 05/16/17
Pages: 451 pages
ISBN: Publisher: 1-481-44964-8 Perma-Bound: 0-605-99053-0
ISBN 13: Publisher: 978-1-481-44964-9 Perma-Bound: 978-0-605-99053-1
Dewey: Fic
LCCN: 2015042594
Dimensions: 21 cm.
Language: English
Reviews:
Starred Review ALA Booklist (Thu Oct 01 00:00:00 CDT 2015)

Starred Review Self-hating teenager Henry is caught in an existential trap: finding life to be absurd, he thinks humans are not the apex of civilization the contrary, they are no more significant than ants. Are they even worth saving? A relevant question, for Henry has a secret: the aliens who have abducted him a dozen times or more have told him when the world will end. Strangely, they have also given him the choice to prevent doomsday; he can simply press a button, and the world will live on. Yet will he take that action? His boyfriend, Jesse, has committed suicide, and Henry, blaming himself, doubts that life is worth living. Certainly, his is a grand parade of suffering and humiliation (because of his belief in aliens, he is called "space boy" at school). But then charismatic Diego shows up in town, and suddenly life has renewed purpose. But does Henry really have the freedom of choice he thinks he has? Hutchinson's excellent novel of ideas invites readers to wonder about their place in a world that often seems uncaring and meaningless. The novel is never didactic; on the contrary, it is unfailingly dramatic and crackling with characters who become real upon the page. Will Henry press the button? We all await his decision.

Voice of Youth Advocates

Believe it or not, Henry's main problem is not that he gets repeatedly abducted by aliensit is that the aliens have given him the choice to save Earth from complete destruction or not. Back on Earth things get even harder. Henry is barely holding it together at home and school. His family is broken and troubled. At school, his problems increase. Henry is constantly reminded of his boyfriend Jesse's suicide, and he avoids his and Jesse's mutual friend. Then a group of popular guys decide to make it their mission to torture Henry. In the midst of all the pain and drama in his life, Jesse meets Diego. He begins to take a serious look at the people and situations on Earth in order to decide if Earth and humanity are worth saving.We Are the Ants is a very complex story about serious subjects; however, the writing is not preachy or condescending. The voices of each character are strong and unique. As the characters in the story interact with one another, their language and actions match the situations in which they find themselves. The bullying scenes in the book are intense, violent, and often graphic. Therefore, because Henry experiences so many bad situations, the language that he uses is very explicit. The relationships between Henry and Jesse and Henry and Diego are handled delicately, but the relationship between Henry and Marcus is more shocking. This title is recommend for mature readers.Lynndy Hurdle.

Word Count: 92,809
Reading Level: 5.5
Interest Level: 9+
Accelerated Reader: reading level: 5.5 / points: 14.0 / quiz: 179753 / grade: Upper Grades
Reading Counts!: reading level:6.3 / points:22.0 / quiz:Q66672
Lexile: HL800L
We Are the Ants

Chemistry: Extra Credit Project




Life is bullshit.

Consider your life for a moment. Think about all those little rituals that sustain you throughout your day--from the moment you wake up until that last, lonely midnight hour when you guzzle a gallon of NyQuil to drown out the persistent voice in your head. The one that whispers you should give up, give in, that tomorrow won't be better than today. Think about the absurdity of brushing your teeth, of arguing with your mother over the appropriateness of what you're wearing to school, of homework, of grade-point averages and boyfriends and hot school lunches.

And life.

Think about the absurdity of life.

When you break down the things we do every day to their component pieces, you begin to understand how ridicu­lous they are. Like kissing, for instance. You wouldn't let a stranger off the street spit into your mouth, but you'll swap saliva with the boy or girl who makes your heart race and your pits sweat and gives you boners at the worst fucking times. You'll stick you tongue in his mouth or her mouth or their mouth, and let them reciprocate without stopping to consider where else their tongue has been, or whether they're giving you mouth herpes or mono or leftover morsels of their tuna-salad sandwich.

We shave our legs and pluck our eyebrows and slather our bodies with creams and lotions. We starve ourselves so we can fit into the perfect pair of jeans, we pollute our bodies with drugs to increase our muscles so we'll look ripped without a shirt. We drive fast and party hard and study for exams that don't mean dick in the grand scheme of the cosmos.

Physicists have theorized that we live in an infinite and infinitely expanding universe, and that everything in it will eventually repeat. There are infinite copies of your mom and your dad and your clothes-stealing little sister. There are infinite copies of you. Despite what you've spent your entire life believing, you are not a special snowflake. Somewhere out there, another you is living your life. Chances are, they're living it better. They're learning to speak French or screwing their brains out instead of loafing on the couch in their boxers, stuffing their face with bowl after bowl of Fruity Oatholes while wondering why they're all alone on a Friday night. But that's not even the worst part. What's really going to send you running over the side of the nearest bridge is that none of it matters. I'll die, you'll die, we'll all die, and the things we've done, the choices we've made, will amount to nothing.

Out in the world, crawling in a field at the edge of some bullshit town with a name like Shoshoni or Medicine Bow, is an ant. You weren't aware of it. Didn't know whether it was a soldier, a drone, or the queen. Didn't care if it was scouting for food to drag back to the nest or building new tunnels for wriggly ant larvae. Until now that ant simply didn't exist for you. If I hadn't mentioned it, you would have continued on with your life, pinballing from one tedious task to the next--shoving your tongue into the bacterial minefield of your girlfriend's mouth, doodling the variations of your combined names on the cover of your notebook--waiting for electronic bits to zoom through the air and tell you that someone was thinking about you. That for one fleeting moment you were the most significant person in someone else's insignificant life. But whether you knew about it or not, that ant is still out there doing ant things while you wait for the next text message to prove that out of the seven billion self-centered people on this planet, you are important. Your entire sense of self-worth is predicated upon your belief that you matter, that you matter to the universe.

But you don't.

Because we are the ants.

  *  *  *  

I didn't waste time thinking about the future until the night the sluggers abducted me and told me the world was going to end.

I'm not insane. When I tell you the human race is toast, I'm not speaking hyperbolically the way people do when they say we're all dying from the moment our mothers evict us from their bodies into a world where everything feels heavier and brighter and far too loud. I'm telling you that tomorrow--­January 29, 2016--you can kiss your Chipotle-eating, Frappuccino-drinking, fat ass good-bye.

You probably don't believe me--I wouldn't in your place--but I've had 143 days to come to terms with our inevitable destruction, and I've spent most of those days thinking about the future. Wondering whether I have or want one, trying to decide if the end of existence is a tragedy, a comedy, or as inconsequential as that chem lab I forgot to turn in last week.

But the real joke isn't that the sluggers revealed to me the date of Earth's demise; it's that they offered me the choice to prevent it.

You asked for a story, so here it is. I'll begin with the night the sluggers told me the world was toast, and when I'm finished, we can wait for the end together.

Excerpted from We Are the Ants by Shaun David Hutchinson
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

A Time Best YA Book of All Time (2021)

From the “author to watch” (Kirkus Reviews) of The Five Stages of Andrew Brawley comes an “equal parts sarcastic and profound” (Kirkus Reviews, starred review) novel about a teenage boy who must decide whether or not the world is worth saving.

Henry Denton has spent years being periodically abducted by aliens. Then the aliens give him an ultimatum: The world will end in 144 days, and all Henry has to do to stop it is push a big red button.

Only he isn’t sure he wants to.

After all, life hasn’t been great for Henry. His mom is a struggling waitress held together by a thin layer of cigarette smoke. His brother is a jobless dropout who just knocked someone up. His grandmother is slowly losing herself to Alzheimer’s. And Henry is still dealing with the grief of his boyfriend’s suicide last year.

Wiping the slate clean sounds like a pretty good choice to him.

But Henry is a scientist first, and facing the question thoroughly and logically, he begins to look for pros and cons: in the bully who is his perpetual one-night stand, in the best friend who betrayed him, in the brilliant and mysterious boy who walked into the wrong class. Weighing the pain and the joy that surrounds him, Henry is left with the ultimate choice: push the button and save the planet and everyone on it…or let the world—and his pain—be destroyed forever.


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