School Library Journal

Gr 5 Up-Subhi knows only life in the Australian refugee detention center where he was born, and lately, things are getting worse. His mother is increasingly lethargic, older sister Queeny is bossy and angry, and his best friend Eli has been transferred to the single men's compound. The Jackets (guards) are unfriendly, except for Harvey, who occasionally brings presents and diversions. It's at this low point that Subhi meets Jimmie, a local child who finds her way into the camp. Jimmie's mother has died, and between her father's grief and his erratic work schedule, she is alone for long periods. Jimmie can't read, so she asks Subhi to read aloud her mother's notebooks, which contain stories from her mother's past. The unrelenting conditions of the camp result in a tragic situation that impacts both children. Fraillon creates a complex narrative, weaving tales from Subhi, Jimmie, and the notebooks. The characters and situations are portrayed realisticallyonce Eli has gone, Subhi cannot withstand the bullying of some of the older boys and is pressured into an act of animal cruelty. Kind guard Harvey is also shown to be unable to deal with peer pressure. While the book is fictional, the author based it on research and reports of life in Australian detention centers, where conditions are grim. Readers will come away with a raised awareness of life in such centers, but why these facilities exist is not discussed. Students may be inspired to do their own research on organizations working to better the lives of refugees. VERDICT A thought-provoking and affecting selection that highlights a current situation in many countries. Hand to readers who appreciated Linda Sue Park's A Long Walk to Water . Michelle Anderson, Tauranga City Libraries, New Zealand

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Subhi hangs on his mother-s stories of her life in Burma as a Rohingya, a persecuted ethnic Muslim minority. Subhi-s Maá (mother) and his older sister were among the Rohingya exiled from their homeland and relegated to a detention center in Australia, where he was born. The 10-year-old-s imagination helps him survive in a refugee camp ruled by abusive guards as he watches Maá sink into catatonia and waits in vain for the arrival of his father, an outspoken poet. Australian author Fraillon crafts a harrowing vision of life in the detention center (shoes are rarities, rats and mold are rampant, children race lice for fun), yet Subhi finds solace in sensitively portrayed friendships with a rebellious older boy, a compassionate guard, and an intrepid girl named Jimmie who sneaks into the camp to hear Subhi read stories her late mother recorded in a notebook; though most of the story is told from Subhi-s first-person perspective, several third-person chapters focus on Jimmie-s life outside the camp. While addressing themes of loss, desperation, and injustice in an all-too-relevant setting, Fraillon-s resonant novel underscores the healing power of story. Ages 9-12. Agent: Claire Wilson, Rogers, Coleridge & White. (Nov.)

Starred Review ALA Booklist

Starred Review Unlike his maá and sister Queeny, Rohingya refugees forced to flee their native Myanmar by boat, Subhi was born in an Australian detention center. The crowded quarters, rationed portions, and exacting employees (the "Jackets") are all the 10-year-old has ever known. Jimmie, on the other hand, was born on the outside d lives just blocks from Subhi's center. Once filled with books and gardens, her world was ruptured by the recent death of her mother. While Subhi's stories, dreams, and drawings help him endure the center's countless hardships as he awaits the arrival of his faraway father, Jimmie copes by sifting through memories. One remnant, an unread notebook of her mother's, has her hunting for answers and finding them in, of all places, Subhi. As their stories gracefully interlock, the center seethes with unprecedented tension. The pivoting story line, with chapters alternating among Subhi, Jimmie, and sparkling slivers of family lore, allows Fraillon to explore the many faces of otherness, bravery, and solidarity. But Subhi's narrative, whether he's squabbling with a rubber duck or searching the stars, remains the standout of the three: wide-eyed, heartfelt, and infectiously imaginative. Appended with a glimpse at the "all-too-true reality" of refugee maltreatment, this tale is breathtaking and indispensable. As Subhi might say, "there is a fierce" inside of it.