Perma-Bound from Publisher's Hardcover ©2017 | -- |
Grief. Fiction.
Fathers and daughters. Fiction.
Funeral rites and ceremonies. Fiction.
Dropouts. Fiction.
Tess had only met Jonah in person once. Their love had grown through virtual intimacies, moments captured in texts and e-mails that allowed them to share the "things I'm seeing without you." When Tess discovers, via Facebook, that Jonah is dead, she is so derailed that she drops out of school and heads for her estranged father's house to mourn in solitude. Then comes the real blow: Jonah's roommate, Daniel, has been masquerading as Jonah for the latter part of their correspondence. It turns out that Daniel felt an unusual kinship with Jonah, and as Jonah's mental illness progressed, Daniel stepped into the relationship with Tess. Who has Tess really loved then? It's a promising twist for a romance, but sparks never really fly between Tess and either boy. Even the exchange of naked photos comes across as pragmatic rather than passionate. A side plot concerning Tess' involvement in her father's funeral-planning business feels forced as well. Nevertheless, readers captivated by the premise of a long-distance romance subverted by tragedy may want to give this one a try.
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Seventeen-year-old Tess Fowler-s life comes apart when her online boyfriend, Jonah, commits suicide. She drops out of school to live with her estranged father, who has started a (not terribly successful) business putting together unusual, life-affirming funerals for animals. Tess begins to help her father with the business, and she realizes that a funeral for Jonah is exactly what she needs to move on. When Tess is contacted by Daniel, Jonah-s college roommate and best friend, she learns several surprising things, including that Daniel is in love with her. In his first young adult novel, Bognanni (
Just before graduation, Tess Fowler drops out of the Quaker Academy. Classes, friends, nothing matters since Jonahs suicide. Tess and Jonah had met once at a party, but their sense of connectedness was instant. Their long-distance romance continued through emails and Facebook. Now, with Jonah gone and her mother overseas, Tess drives five hours to move, unannounced, into her dads bachelor pad. He wants to help but is distracted with problems in his business of unconventional funerals. Through it all, Tess continues a one-sided dialog with Jonah through his still-active Facebook page, until she gets a message that changes everything. The authors portrayal of Tess and Daniel, Jonahs roommate, struggling to discover who they are without Jonah, is spot on. Their voices are the authentic voices of grieving teens who want to understand what love is. In their search for a way forward, their decision to give Jonah an unconventional funeral in Sicily seems a slightly improbable yet believable move toward closure. The adult characters, too, are complicated and sympathetic. Tesss father turns out not to be as one-dimensional as Tess first thought. With dialog that rings true and just right pacing, the author constructs an original, well-told story that ties together strands of love, loss, and coming of age. Readers will not want to put down this sometimes hilarious, always affecting novel.Marla Unruh. This is an engaging love story, not only because Tess falls in love with Jonah at their first and only face-to-face meeting, but also because she is grieving the loss of someone she knew primarily from messaging and email. Through flashbacks and old messages, Tess remembers the young man she thought she knew. A turn of events hits her hard when she realizes that what she thought she knew was not what it seemed to be. Things Im Seeing without You is a well-written, captivating, and relatable story. 5Q, 4P.Ty Johnson, Teen Reviewer.
Kirkus ReviewsWhen Tess Fowler discovers that Jonah, her online boyfriend, is dead, she escapes her Quaker boarding school for her father's home, where she finds him once again consumed by one of his harebrained schemes. Whether it's a fireworks-studded funeral for a beloved dog or a no-holds-barred celebration of a prizewinning racehorse, Tess' father is the guy to call for alternative end-of-life celebrations. But even though she's surrounded by funerals, the white teen still tries to hold on to Jonah. She haunts his Facebook page and emails him lists of things she is seeing without him. She knows he is dead and that it is just a matter of time before his page is taken down. Then one day she finds something online that changes everything. While Tess' loss feels genuine, it is unclear why she has fallen so hard for someone she barely knows. References to her anxiety feel more spliced-in than organic to her character development. Tess' self-destructive behavior—lying, hooking up with strangers, sexting, drinking, and drug use—has minimal consequences. Further, her unpredictability and lack of true self-awareness make her an unsympathetic and untrustworthy narrator. The attempt at tackling grief gets lost in a storm of bigger issues. Meandering, ineffectual, and misdirected. (Fiction. 15-18)
School Library Journal (Fri Sep 01 00:00:00 CDT 2017)Gr 9 Up-utted by grief after losing Jonah, her Internet boyfriend, to suicide, Tess Fowler drops out of her boarding school, throws her laptop into a freezing cold lake, and then jumps in with all of her clothes on. Aimless and without other options, she ends up helping her absentee father with his struggling alternative funeral business. In the midst of this change, Tess is contacted by Jonah's college roommate Daniel, who reveals some unsettling information about Tess's relationship with Jonah. Tess and Daniel work through their grief while planning Jonah's funeral. In a different book, the setup might feel forced, but in this tender and hopeful YA debut, Tess's journey feels natural and earned. At its core, this novel is about a shared community of pain and recovery. Bognanni nails the messiness of grief in a way that is authentic to each protagonist's loss. The strength of the book lies in the evolution of the characters and their dealings with one another. These relationships grow tentatively and authenticallythere are no cinematic declarations of love or tidy endings. The book will satisfy readers of realistic fiction with its dark humor, optimistic outcome, and thoughtful exploration of grief and family dynamics. VERDICT A first purchase for teen-serving libraries where realistic fiction is in high demand.Susannah Goldstein, Bronx School for Law, Government, and Justice, NY
ALA Booklist (Fri Sep 01 00:00:00 CDT 2017)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Bulletin of the Center for Children's Books
Voice of Youth Advocates (Thu Apr 28 00:00:00 CDT 2022)
Kirkus Reviews
School Library Journal (Fri Sep 01 00:00:00 CDT 2017)
#1
The morning after I dropped out of high school, I woke up before dawn in my father's empty house thinking about the slow death of the universe. It smelled like Old Spice and middle-aged sadness in the guest room, and this was probably at least part of the reason for my thoughts of total cosmic annihilation. The other part I blame on physics. The class I mean. Not the branch of science. It was one of the last subjects I tried to study before I made the decision to liberate myself from Quaker school, driving five hours through Iowa farm country to make my daring escape.
I did the drive without stopping, listening to religious radio fade in and out of classic rock, which sounded something like this: "Our God is an awesome Godddddd and . . . Ooooh that smell. Can't you smell that smell? The smell of death surrounds you!" All I could smell was fertilizer. And as the empty fields and pinwheeling wind turbines passed by my window, I tried not to think too hard about how I had let things get to this point. And I tried even harder not to think of the improbable person I had come to love, who would no longer be in my life.
But back to the universe for a moment.
There seems to be no real consensus about how it's all going to end, and that's what had me worried in the predawn hours. If the worst is going to happen, as it always does, I'd at least like to know some details. But current theories are too varied to be of any real help.
Some people think the Big Bang is just going to happen in reverse. Like: BANG! Everything to nothing! Deal with it fools! Other people think that outer space is just going to go dark and cold, stars blinking out like candles on an interstellar birthday cake. And still others think that time itself will come to an end like an old man's watch that someone forgot to wind.
If forced to choose, I'd probably go with the last option. Not because it sounds like a barrel of laughs. But if it's all going to freeze like the last frame of an eighties movie, I think I could deal with it as long as I get to pick the right moment.
For example, I could be jumping off a cliff, locked in flight like a majestic Pegasus. Or I could be mid-hiccup, frozen in a deranged bodily spasm for all of time. Or maybe I could just round up all the people I've disappointed in the last few months and issue one giant apology before it all goes still. I could shout it through a megaphone. I AM TESS FOWLER AND I HAVE MADE TERRIBLE MISTAKES! MY BAD! PLEASE ENJOY THE VOID!
And I guess if someone twisted my arm I might also opt for an eternal orgasm.
The Long Bang, if you will.
But the key here is that I want the power. I want to know when it's going to happen, and I want the ability to choose my last act when the time comes. Because, lately, I've been feeling like I don't have much control at all.
Dropping out of high school, as it turns out, is only mildly empowering. It is remarkably easy, though. All you have to do is wake up one morning and realize that you are failing the shit out of all of your classes, you have alienated most of the people who were once your friends, and you haven't really felt like a functioning human being for well over a month.
At which point, I recommend stealing the last emergency joint from your roommate's Mickey Mouse Band-Aid tin, walking to the two-lane highway that frames the entrance to Forever Friends Quaker Academy, and puffing away while saying good-bye to a place that almost felt like home for a while. Then I suggest you get in your Ford Festiva and blow town like a fugitive.
I neglected to wake my roommate, Emma, before I took off. She had snuck her boyfriend in again, and they were locked in a pornographic pretzel hold that defied the imagination. Seriously, they were like conjoined staircases in an Escher drawing, only naked and with more body hair.
So, instead of saying good-bye, I left her the twenty-five bucks I owed her, along with the rest of my orange ginger body mist, which she was always stealing anyway. Then I walked out and closed that door forever.
It sounds harsh but we never really had an honest conversation in our seven months together. Or even a fight. True, I was with her that time she didn't get her period and we watched clips of Teen Mom on YouTube and cried. But we weren't best friends. I'll never be her maid of honor, giving a tearful speech at her destination wedding. And I probably won't be giving her a kidney. At least not my favorite one.
But, for the last few months we slept two feet apart in a room the size of a prison cell. We shared a shower caddy. We held each other's hair when we got too drunk on Malibu and our barf smelled like suntan lotion. There's an intimacy in that.
I also declined to notify Elaine at Health Services, which I imagine will come to bite me squarely on the ass sooner or later. Elaine is the woman who has been talking to me about my "grieving process" for the last month or so. She is nice enough, I suppose, and she gives warm hugs. But when I see the pictures of her dog dressed in Halloween costumes, I am sad for her. It's like all the problems of girls like me have zapped her ability to have a real life. Now all she can do is worry and walk her spaniel.
Ultimately, though, I just couldn't deal with another one of her phone calls, where she asks such painfully earnest questions while not-so-secretly trying to ascertain whether or not I am going to off myself at her school. Well, I'm gone now, Elaine, so you don't need to worry about that anymore. I give you permission to be relieved. Have an extra drink at the staff happy hour this week. You deserve it.
I suppose it's worth mentioning here that I am squatting in my father's home at present, with no immediate plans to leave it. The house is a sagging two-bedroom in Minneapolis where he's lived since his marriage to my mother unraveled like a bad sweater. And I am back living in it for two reasons that I can discern.
The first is that it is only a morning's drive away from my hippie school in Iowa, and that seemed like a good amount of time to be in a car with myself. The second is that my mother is currently on an extended retreat in India with her new boyfriend, Lars, practicing something called Ashtanga Yoga, which I take great delight in not picturing. So, I journeyed to Dad's bachelor rental, where he runs a funeral-planning business out of my former bedroom.
Yes, you read that correctly.
For the last few years, my father has been trying to find exciting new angles in the Death business. He has been doing this despite any real training and a steady lack of encouragement from nearly everyone he knows.
There are still piles of unfinished coffins in the garage from his first attempt at "artisanal caskets." And now that he's trying to work as a funeral planner, there are pamphlets all over my old bedroom that say "Plan for the Party of Your Life!" (Which really means your DEATH. Surprise!)
This is not new behavior from him, unfortunately, and it's very much part of the reason we don't talk too often anymore. If I had to be more specific, I would say that most of the reason we don't talk is the fact that he drained a college fund in my name to cover costs for another of his "ventures." That one was a mobile spa unit he could drive to the homes of the elderly to perform hot stone massages on their seminude bodies in their driveways. Sweet idea, Dad. How did that fail to take off?
He was, of course, going to pay the money "right back!" But somehow he just ended up borrowing more from my mom . . . without asking her. Yet, despite all this, I called him last night in a moment of weakness. Or desperation. Or maybe just to give him fair warning about my ruined life.
Anyway, when I got through, I caught him on a beach in Nantucket, where I immediately heard what sounded like fireworks launching into the night sky.
"Duncan Fowler!" he shouted over a prolonged screech.
"Dad?"
"Hello? This is DUNCAN!"
"DAD. THIS IS TESS!"
The screech came to an end.
"Tess," he said. "What's wrong?"
I couldn't blame him for asking. The only time he ever got a call from me was when something was going horribly.
"Nothing," I lied. "Nothing is going horribly."
A deafening explosion stepped on my line.
"What?" he said.
"NOTHING IS WRONG!" I said. "EVERYTHING IS PERFECT!"
Silence.
"Dad," I said. "What the hell is going on? It sounds like an air raid over there."
"I'll be honest." He sighed. "You haven't caught me at the best time, kid."
I couldn't remember a time when I had.
"I just have to tell you one thing," I said. "I'll be quick."
I took a breath and made sure another boom wasn't coming.
"I'm quitting," I said.
I didn't wait for him to respond.
"I gave up. On school. I'm quitting and coming home, probably forever. I hope that's cool with you."
I expected a gasp. Or at very least a sigh. All I got was another crackle in the air.
"Dad?"
"I'm sorry," he said. "I lost you for a minute. Did you say something?"
I closed my eyes and mouthed a few f-bombs.
"Forgive me, Tess," he said. "The ceremony isn't going so great here. The rockets just went off ahead of schedule and people are kind of freaking."
"Wait a minute. Rockets? What are you talking about?"
"They were supposed to go off at twelve, but it's only eleven thirty. I'm not sure why that's such a big deal, but apparently Zebulon was born just after midnight. . . ."
"Who is Zebulon?" I asked.
I both did and did not want to know.
"A Borzoi!" he said. "Beautiful dog. At least, he was. He's been through a cremulator now, poor guy. He belonged to a famous science fiction writer. Thus, the rockets. And the name Zebulon, I guess. He's being launched as we speak. It's really quite--"
Another staccato of bursts.
"Hold on. You're doing dog funerals now?"
"Well," he said, "this is technically a life celebration, but yeah. It's sort of an untapped market. Anyway, I'm kind of busy. And it's almost exam time for you, right? What do they have you doing at that school, birthing a calf?"
For a moment, I considered telling him the truth. I considered telling him that I was no longer learning things at the expensive private high school where my mom had sent me to "self-actualize," and "build community." I considered telling him I was, instead, at his house in Minneapolis, eating out of his sad bachelor fridge and getting ready to sleep in my old room--which now looked like a cross between a home accountant's office and a prostitute's garret--but then I heard some shouts from a faraway crowd.
"Oh crap," he said. "Not good. The smoke is blowing back toward the beach. I need to move the old people. We'll talk about this later, okay, Tessie?"
And then, just like that, he was gone.
So, I closed my eyes and lay back on the bed.
It was and still is a single mattress bought for a smaller me. A smaller me who peed the bed well into her sixth year and was afraid of the dark until fifteen when she discovered Xanax and droning guitars. I hadn't slept on it in almost a year until last night. Now the springs are shot and the mattress dips in the middle like a hammock. But, still, I tried to find sleep in the office of death.
It was too quiet, though. I had been conditioned by Quaker school, and now I needed the sound of shouts echoing down the residence hall, and the rustles and shuffles of Emma and her boyfriend trying to have considerate sex across the room when they thought I was sleeping. I needed the sounds of other people, whatever those might be. Reminders that I wasn't completely alone.
So my attempt at shut-eye didn't last too long. And instead of making some tea, or meditating, I got up and I sent a long message to the Facebook account of a person who no longer exists.
The vacant person's name is Jonah.
His account is vacant because he's not alive anymore.
Still, despite his un-aliveness, I sent my message to him. I told him about trying to go to bed in a room full of eerily upbeat death brochures. I told him about a new iPhone app that identified constellations when you point it at the night sky. I told him I missed his late night texts, his rambling e-mails, and the sound of his laughter on my voice mail. And I told him that I was home, but it didn't feel like home anymore.
I also told him that everything happening to me was entirely his fault.
That if I hadn't known him, hadn't fallen for him against my better judgment, none of this would be occurring. I wouldn't be wearing the same clothes I wore yesterday. I wouldn't be lying on my sagging mattress from sixth grade, unable to move. I wouldn't be a high school dropout. And I wouldn't be barely holding in the full-body heartache that threatened to swallow me whole whenever I looked at his profile picture.
Then I waited two hours for a response that I knew would never come.
Which finally leads me to everything that happened this morning, and the story I intended to tell in the first place before I began talking about other doomed things like the universe and Zebulon the rocket dog.
So, I'd like to give this another try, if you don't mind. My English teacher, Mr. Barthold, once told me that I need to "trust the process," when crafting a piece of writing, and that "the essential truth is a slippery thing."
Duly noted, Mr. B. Even though you are an embittered man clinging to a single published novel like a participation trophy, you sounded genuine when you said this. So I shall heed your advice and trust the process. Okay?
Fantastic.
Here goes.
Excerpted from Things I'm Seeing Without You by Peter Bognanni
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Equal parts heartbreaking, funny, and life-affirming, this is a story about love after the most profound loss, for fans of Jesse Andrews, Rainbow Rowell, and Jennifer Niven.
"Required reading." --John Corey Whaley, winner of the Printz Award
Seventeen-year-old Tess Fowler has dropped out of high school, tossed her laptop in a freezing lake, then jumped in after it fully clothed. Why? Because Jonah was the boy she knew only through texts and emails but understood to his very core. Jonah was the only boy she’d told she loved and the only boy to say it back. And Jonah was the boy whose suicide she never saw coming.
Jonah’s death has sent Tess pinwheeling into grief and confusion. But even though he’s gone, Tess still writes to him. She wants answers to the yawning chasm of questions that’s become her life. At the same time, she’s trying to find solace in her father’s alternative funeral business. Who knew that arranging last rites for prized pets could be so life-affirming? But love, loss, and life are so much more complicated than Tess ever thought . . . especially after she receives a message that turns her already inside-out world totally upside down.
As funny as it is heartbreaking and completely unputdownable, Things I’m Seeing Without You shows us what it means to love someone, to lose someone, to wade through the beautiful/strange agony of the aftermath, and somehow love again.
"Sometimes hilarious, always affecting." --VOYA
"Nails the messiness of grief." --SLJ
"Compelling . . . a draw for fans of Nicola Yoon." --BCCB