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Denton Little escaped government agents and, more important, his own deathdate at the end of Rubin's debut (Denton Little's Deathdate, 2015). In this follow-up, Denton is in for even more surprises: his mother is still alive; the weird, purple splotch that appeared all over his body on the day he was supposed to die is the result of a lab-produced virus; and, since he's a vector for the infection, he could potentially destroy deathdates once and for all. Now Denton's unwittingly involved in an illegal mission he's not sure he agrees with, and trying desperately to save his best friend Paolo from his impending deathdate. Though the plot drags at times, there are bright spots, such as Denton's heartwarming friendship with Paolo and their pun-filled, sarcastic banter, and the chases and escapes keep the pages turning. Denton's struggle to connect to his biological mother and his ambivalence over the ethics of her plans adds some thought-provoking depth as well. Fans of the first book will be happy to know more about Denton's ultimate fate.
Horn BookDenton (Denton Little's Deathdate) finds himself on missions to transfer, via his saliva, the life-saving virus that overrides people's deathdates. But persuading people to drink the beverages he hands them--or to kiss him--is harder than it sounds. The caper aspect of the first installment is heightened, but there's still plenty of focus on family, friendships, and romantic entanglements.
Kirkus ReviewsThis follow-up to 2015's Denton Little's Deathdate continues the comedic saga of a high school senior who lives in a world in which the government is able to divine at birth when each person will die. Picking up just after Denton has outrun agents from the Death Investigation Agency, this second offering explains Denton's history, which includes a series of clandestine events his biological mother has kept from him. As the book opens, he's locked down in New York City, first in a safe house and then at his mother's apartment. Denton, who is white, and his best friend, Paolo, who's Puerto Rican, get involved in a lot of madcap action as they try to make sense of all the vague details about death dates and Denton's apparent immunity to his. These antics include a highly entertaining car chase and a hilarious thwarted attempt to pass the virus that saved Denton to an obnoxious congressman's daughter by spitting in her drink. Their witty interactions are filled with realistically lewd banter that is nicely balanced by their genuine friendship, and though Denton is still starry-eyed over Paolo's sister, Veronica, whom he hooks up with for a second time, it is Paolo and Denton's relationship that takes center stage. A sequel that neatly wraps up this funny and original story. (Fiction. 14-18)
School Library JournalGr 8 Up-In this sequel to Denton Little's Deathdate , Denton is still alive, one day after he was supposed to have died. Even more confusing, he wakes to find his mother, who he thought had died while giving birth to him. At first, he thinks that they are both ghosts, or that she is leading him up the stairs to heavenand a very ugly heaven at that. Then Denton's mother explains that she was part of a team that developed a virus that could counteract assigned deathdates and she had injected herself with it while she was pregnant with him. Beating his deathdate does not live up to the "wonderfulness" that Denton expects, though. He is virtually a prisoner in his mother's apartment while she and her colleagues run tests on him, and he's barred from using social media and seeing his friends. On top of that, the DIA (Death Investigation Agency) is after him, and his best friend Paolo's deathdate is coming soon. Can he help? Full of humor, suspense, family drama, romance, car chases, evil government agents, and scientists, this reads almost like a movie script. Denton and his quirky friends are laugh-out-loud funny, even as their riotous adventures raise deeper questions about science, government control, life, and death. While the book can be read as a stand-alone, those who are familiar with the first title will have a greater understanding of the plot. VERDICT The humor, strong characters, and thoughtful themes make this a strong choice for a wide audience. Janet Hilbun, University of North Texas, Denton
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One
"Am I dead?" I ask.
I'm supposed to be dead.
My mother smiles. "No."
This would be reassuring, except for the fact that she's supposed to be dead, too.
"I'm alive," she says. "We're both alive. We've been waiting for you, Denton."
Everything spins, and I'm fairly certain the contents of my stomach are about to splatter onto my undead mom's face. But then the spinning stops.
My mom stares at me, more curious than concerned. I don't know if I should believe what she's said or if this is even real, but I'm too damn tired to go anywhere else.
I nod and walk inside.
"Up this way," she says, stepping over an empty can of Mr. Pibb and pointing to a set of stairs. I immediately feel relieved. If this turns out to be some kind of afterlife, stairs that ascend seem like a good sign. Heaven, baby!
But the stairwell smells like fish sticks. And farts.
"It's just this one flight," my mom says, her dark curls bouncing as she leads the way up the concrete steps and stops at a door marked 2D.
Of course. 2D. As in: a second dimension. As in: the afterlife.
Wow. Here we go.
My mom grits her teeth, fiddling with the key. "Haven't figured this stupid lock out yet," she says. Guess it makes sense there would be tight security. You wouldn't want any ol' schmuck to be able to get into heaven.
"Whew," she says as she finally pushes the door open and gestures for me to head inside. "They don't make it easy, do they?"
"Exactly," I say, pushing past her to see what's in store for me in this other dimension. "Oh." My hopes quickly evaporate. There are no babies playing harps. There are no Skittles raining down from the ceiling. I'm staring at a room with nothing on the walls and only a few pieces of furniture.
This must be a way station between life and heaven.
"Denton," my mother says, locking the door and then coming to stand right in front of me. "You're here. At last." Her eyes sparkle.
"Yeah," I say. I can't believe I'm chilling with my mom's ghost.
"You've grown up into such a handsome young man." She touches my cheek with her cold ghost fingers, and I flinch. "Sorry," she says, retracting her hand.
"No, it's . . ." I can't finish the sentence. My brain is a swirling stew of words, images, and question marks, but none are staying put long enough for me to get a handle on them.
Here's what I do know:
Today--well, technically yesterday at this point, since it must be, like, three in the morning--was my deathdate.
By which I mean, you know, the date I was going to die? Which was determined by a highly advanced test that is given to every baby born in the US? Which is known to be one hundred percent accurate?
Right. So, my deathdate was yesterday.
And I lived through it.
Just . . . did not die.
Or so I thought.
Because now, to add another slice of insanity to this WTF pie, I've arrived at the New York City address given to me by doctor-guy Brian Blum, and my dead biological mother opened the door.
So I'm pretty sure I did die.
I finally formulate a question: "We're ghosts, right?"
"What?" my mom says, a grin blossoming on her face like I've just mispronounced a very simple word.
"I mean . . . ," I say. "You're a ghost. And I'm a ghost. Right?"
"Oh, you poor, confused boy," my mom says, cracking up. "I already told you: we're alive, Denton."
"This isn't, like . . . heaven?"
My mom laughs harder. "Oh, Jesus. Let's hope that if there's a heaven, it's more appealing than this shit hole."
So this is not heaven.
And I am not dead.
And I am standing here with my mother.
Holy fuckballs.
"I'm sorry to laugh," my mom says, wiping tears from her eyes. "I know you've been through a lot. But you looked so sincere when you said it. We're ghosts, right?" She imitates how I looked when I said it, and I notice the parts of her that do, in fact, look like me. Same mouth. Same slightly oversize nose. Different hair, though. And different eyes.
But there's no doubt this is my mother. I know this should be an emotional moment, but I feel nothing.
"I'm sure you have a lot of questions," she says.
Understatement of the century.
"I thought you . . . ," I say. I blink three times, my eyes feeling like they've been coated with a thick layer of glue. "You're supposed to be dead. You died giving birth to me."
"I know, Denton." She looks at me with a sympathetic smile, like she feels bad that I'm the only one not in on the joke. "That's what was supposed to happen. But it didn't."
"You've been alive this whole time?" I ask. "Just living here?"
"Oh," my mother says, running a hand through her brown curls. "I don't live here. This is a temporary situation. A place where we could . . . welcome you."
I stare at the walls, thinking there might be a welcome, denton! banner I didn't notice when I first walked in.
"I know it seems impossible," my mom continues, "but we both survived. I was part of a team that created a powerful virus, and eighteen years ago, when you were in my womb, we injected this virus into you, and then I contracted it, too. The virus kept both of us alive."
I blink some more. I can barely understand what she's saying. She's definitely using the word virus a lot, though.
"The rash you had," she says. "Purple with red dots . . . That was the virus in its activated state."
The splotch. She's talking about the purple splotch that started at my thigh and then spread to cover my whole body. Even in my addled, exhausted state, I remember being purple. "Okay, cool, yeah," I say, the shock of this new reality starting to ebb away. "It was in its activated state. Fantastic. That makes perfect sense." I giggle a little. Maybe it's because I'm ridiculously tired, but suddenly everything seems hilarious.
"Here," my mother says, putting her hands on my shoulders, steering me toward a flimsy-looking gray table and guiding me down into a folding chair. "I'm sure you're hungry. I got you sesame noodles and broccoli. Does that work?"
"Hell yeah it works," I say, not entirely in control of my own words. "Gimme!" I pull the clear top off the black plastic container in front of me and fling it to the side.
"Wow, okay," my mother says, nodding like she's impressed with my initiative. "There's a fork there, but I can find you chopsticks, too. Options!"
"Go for it," I say. "The more utensils, the merrier." I pick up the fork and start shoveling noodles into my mouth as my mom digs around the tiny, uninviting kitchen, aggressively crumpling various paper bags in her search for chopsticks.
This feels like a strange dream, but I don't care. I'm very hungry.
"Bingo!" my mom says, triumphantly holding a pair of chopsticks in the air before sitting down and slamming them onto the table. I continue inhaling noodles. "Geez," she says, "it's like you've never seen food before in your life. Was Lyle feeding you at home?"
It's jarring to hear her say my father's name. I look up at her, a couple of noodles hanging out of my mouth.
There's a quick double knock at the door, which startles the crap out of me and sends the mouth-noodles flying. They land on the table in this formation that looks like a miniature man doing jumping jacks, which cracks my shit up. My mom puts a finger to her lips, so I cover my mouth. She takes silent steps toward the door and puts her ear to it.
A low, muffled voice says something I can't quite make out (sounds like hippie giant sewer), and my mother opens the door to let in a tall man in a gray jacket. He has thin blond hair and a craggy face, and he stands politely with his hands in his pockets as my mother shuts the door behind him. I'm still smiling because of the noodle man.
"This," she says to the stranger, "is my son Denton." She gestures to me, and I'm touched to hear pride in her voice.
" 'Sup, homeboy," I say to the random blond dude. I don't think I've ever used the word homeboy before, but now seems like a good time to start.
The man gives me a confused nod. "It is pleasure to meet you." He has some sort of thick accent, maybe Russian.
"This is Dane," my mother says. "He's part of our movement. He--"
"Part of our what-now?" I interrupt. You can't just casually throw out a word like that without explaining it. "Movement? What do you mean by that?"
My mother looks to Dane. "Denton's very tired," she explains, like she's trying to excuse my strange behavior. She turns back to me. "You don't need to worry about the movement right now. But Dane is on our side, and he needs to do some quick tests on you."
"Tests?" I say, my inner red flags flapping wildly. "No thanks! Pass!"
"How you feel?" Dane asks my mother, really hitting the f. She doesn't respond. "Is he deaf as well as tired?"
"Denton," my mom says. "He's asking how you feel."
"Oh, he's talking to me?" He must be one of those people who look past you even when you're the one they're talking to. "I couldn't tell, because of the . . ." I start to point to Dane's lazy eye, but then I stop. It's rude to point.
"Yes, I talk to you," Dane says, suddenly unhinged. "Who else? How you feel?"
"Look," my mom says. "Denton thought he'd be relaxing in a coffin by now, not getting pestered with questions by a couple of people he just met. Let's cut him some slack."
I'm not sure if relaxing is the right word for what I thought I'd be doing once I was dead, but I appreciate my mother coming to my defense.
"Sorry," Dane says, one apologetic hand floating in the air. "I get antsy because car is parked illegal out front. Just don't want ticket."
"Well," my mom says, shaking her head, "that's your problem, isn't it? No one forced you to park illegally."
Dane snuffs out air through his nostrils and looks toward the blank wall behind me. "I am sorry I put on pressure," he says. "Worry for my car overcomes me."
"That's okay, man," I say. "I loved my car, too." A tear comes to my eye as I think about my small silver car, Danza.
Dane perches on the chair formerly occupied by my mother and stares at me intently. (Well, as intently as he can with that lazy eye.) "I do not know if your mother has told you yet, but you are very important person."
"Excuse moi?" I say.
"So that is why I need ask these questions and do tests. Please tell me how you feel."
"Uh, well," I say, looking to my mother, who nods vigorously. "I guess I feel like I want you to tell me more about this whole me-being-an-important-person thing, because it sounds both interesting and intimidat--"
"No!" Dane interrupts. "How you feel in ways of health?"
"Oh," I say, trying to understand why exactly I'm being shouted at by this Eastern European. "Well, I mean, I'm alive, right? Which is much healthier than being dead."
Dane clenches his jaw and looks down at the table. "You making joke?"
"I guess so," I say. "Sorta."
"This now is important. Save jokes for your mother later."
"Dane," my mother says. "Denton can make a joke if he wants to."
"Fine," Dane says, arms in the air. "I think important situation as this one calls for serious, but you are always joke joke joke. I see how son is like mother."
He thinks we're alike. That's oddly comforting.
"So," Dane tries again. "You feel healthy? Yes or no?"
"Yeah, pretty mu--"
"YES or NO?"
"Yes," I say, annoyed that Dane had to come here and ruin all the fun.
"You had the purple all over?" he says, gesturing with one hand to his arms, legs, and chest. "With the red dots?"
"I did, yes."
"And it turn all red?"
"It did." I can still see those moving electric red dots, the way they combined and solidified at the end of my deathdate, making me look like a red freak instead of a purple one.
"What happen when it turn red?"
"It was pretty nuts," I say. "As parts of my body changed color, I stopped being able to move them. Once all of me was red, I was, like, paralyzed, which turned out to be a good thing when I was in that car accident. I didn't get hurt at all."
For the first time since I walked into this insanity, I think about my dad and my stepmom, how I left them in the hospital after we all got in that car accident. I hope they're okay.
"You see?" Dane whispers, looking to my mom. "I tell you this was possibility. . . ."
My mom is shaking her head, one hand on her mouth covering a huge smile about to bust forth. "Wow . . . ," she says. "That's . . . I can't believe this."
"What?" I ask. If I have to sit here, I want to at least understand the exciting thing that's happening.
"It means the virus worked even better than we anticipated," my mom says, looking just past me, like she's trying to imitate Dane's lazy stare. "It means the others should also survive. And if it turns out you--" Her eyes lock back onto mine. "Oh, it means so much, Denton. We did it!" Then she looks to Dane, her arms spread wide. He rises from his chair, and they share an awkward celebratory hug.
"This just the beginning," Dane says, mid-hug. "We are finally ready."
"I know," my mom says, a bit teary-eyed. "I know."
"Um, okay," I say, rolling my eyes for the benefit of approximately no one. I feel like I'm watching the season finale of a TV show I've never seen a single other episode of. Not only that, but it occurs to me that my mom hasn't offered to hug me since I arrived.
As if she's received a transmission of my thoughts, my mom breaks from Dane and walks over to me at the table. "Denton, come here," she says, suddenly pulling me into a hug. She smells like coconut.
"All right," Dane says, sitting back down across from me. "Must do tests so I can leave."
"I'd still prefer to pass," I say.
Excerpted from Denton Little's Still Not Dead by Lance Rubin
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
"Denton and his quirky friends are laugh-out-loud funny, even as their riotous adventures raise deeper questions about science, government control, life, and death." -- SLJ
You only live once—unless you’re Denton Little!
Denton Little lives in a world exactly like our own except that everyone knows the day on which they will die. The good news: Denton has lived through his deathdate. Yay! The bad news: He’s being chased by the DIA (Death Investigation Agency), he can never see his family again, and he may now die anytime. Huh. Cheating death isn’t quite as awesome as Denton would have thought. . . .
Lance Rubin’s debut novel, Denton Little’s Deathdate, showed readers just how funny and poignant imminent death could be. Now in this sequel, he takes on the big questions about life. How do we cope, knowing we could die at any time? Would you save someone from dying even if they were a horrible person? Is it wrong to kiss the girl your best friend is crushing on if she’s really into you instead? What if she’s wearing bacon lip gloss?
Praise for Denton Little’s Deathdate:
“Highly original, fantastically entertaining, and laugh-out-loud funny, Denton Little’s Deathdate is a wild romp through a night like no other.” —Jennifer E. Smith, author of The Geography of You and Me
“Let’s all pray the grim reaper is even half as witty (and wise) as the deadly talented Lance Rubin. Till then: skip this book at your own peril.” —Tim Federle, author of Better Nate than Ever and The Great American Whatever
“Rubin is really funny, but like John Green, he manages to be poignant. . . . In other words, it’s a keeper.” —Bustle