The Forest Queen
The Forest Queen
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Houghton Mifflin
Annotation: A retelling of Robin Hood in which Lady Silviana of Loughsley joins her childhood friend Bird, Little Jane, Mae Tuck, and others to become an outlaw fighting for social justice against her brother John, the Sheriff.
 
Reviews: 4
Catalog Number: #158776
Format: Publisher's Hardcover
Publisher: Houghton Mifflin
Copyright Date: 2018
Edition Date: 2018 Release Date: 08/07/18
Pages: 296 pages
ISBN: 0-544-88819-7
ISBN 13: 978-0-544-88819-7
Dewey: Fic
LCCN: 2017036566
Dimensions: 22 cm.
Language: English
Reviews:
Horn Book (Mon Apr 01 00:00:00 CDT 2019)

Sixteen-year-old Lady Silvie of Loughsley must flee her privileged life to escape her cruel brother John's control. She founds a forest community bound by love and care, which expands to take in all those exploited by corrupt aristocrats until the balance of power shifts. A glorious gender-swapped reimagination of the Robin Hood legend, with flavors of matriarchal mysticism along with restorative economic justice.

Starred Review ALA Booklist (Sun Jul 01 00:00:00 CDT 2018)

Starred Review Lady Silviana is used to living in comfort in her family's home of Loughsley Abbey. When her brother, John, always overbearing, becomes the local sheriff, his oppressive rule extends to the villagers. Powerless to stop him, and unable to escape his plans for her, Sylvie runs away from home with her childhood friend, Bird, the son of a huntswoman. Together, they forge a new life for themselves in the woods and try to prepare for the difficult winter that lies ahead. To Sylvie's surprise, a community soon grows around them: they are joined by a girl called Little Jane, cast out of her family after she became pregnant by rape; a midwife named Mae Tuck escaping prejudice; and other villagers fleeing a harsh overlord. Though she's never thought of herself as a leader, Sylvie has made a stand, and she will see it through to whatever end. This is a quieter tale; Robin Hood aficionados after a swashbuckling adventure may be disappointed, but with all the traditional players naturally recast as women, it becomes a fiercely female, feminist take on the traditional legend. It's a lush, lovely exploration of the bonds of a community as one girl learns about her own privilege, and, eventually, her strength.

School Library Journal (Tue May 01 00:00:00 CDT 2018)

Gr 8 Up-Sylvie's brother, John, has just been appointed sheriff of Loughsley, her family's estate and corresponding town full of hardworking, honest villagers. John is power hungry and he takes advantage of the local people by any means necessary. He even tries to marry Sylvie off to a much older lord. After Sylvie comes to terms with all the wrongs that John and those in power are imposing, she runs away to the woods with her friend Bird and Little Jane. As they work to survive in the woods, other villagers join them in their attempt to free themselves from the evil nobleman and John. Cornwell gives an interesting gender-bending take on the Robin Hood tale. This book brings to light a strong female lead who learns the meaning of caring about others in the community. It is not imperative to know the source material, but familiarity with the classic adds another layer of enjoyment. This is a great read with parallels to current events; it shows readers that working as a community can have its advantages. It also weaves in threads on topics such as rape and birth control. VERDICT A good choice for fans of fantasy, retellings of classic stories, the author's previous books, and strong female characters. Maeve Dodds, Charlotte Mecklenburg Library, NC

Kirkus Reviews

A runaway noblewoman takes up robbery, aided by a band of merry rogues, in this gender-flipped Robin Hood retelling.Lady Silviana flees to the forest, mostly to escape her brutal brother, John, and his incestuous desires. Along with a servant, a boy named Bird who is her lifelong friend and love interest, she offers refuge to John's victims, starting with the raped and pregnant Little Jane. To her astonishment, Silvie soon finds these outlaws are looking to her to command an uprising against feudal injustice. Pseudo-British, vaguely medieval Esting is an intriguing world—nobles are either dark-complexioned or extremely pale, and they rule over a population that is somewhere in the middle in terms of coloring; most occupations are open to men and women alike; and birth control, abortion, and bisexuality are openly accepted—yet patriarchal authority essentially remains unchallenged. Themes of freedom and feminism are heavily emphasized, while traditional swashbuckling is downplayed in favor of Silvie's romantic angst and dawning social consciousness. Colorful side characters are vividly drawn, if occasionally wincingly exoticized (especially the princess Ghazia), and are frankly more compelling than diffident Silvie or blandly perfect Bird. Nonetheless, the inspiring ethos, brisk pace, and genuinely thrilling climax all hold attention even if the disappointing epilogue suggests that systemic oppression can be corrected by punishing one egregious villain.Pleasant enough, but Silvie's constant protestations against her leadership and heroism won't get much argument. (Fantasy. 12-18)

Reviewing Agencies: - Find Other Reviewed Titles
Horn Book (Mon Apr 01 00:00:00 CDT 2019)
Starred Review ALA Booklist (Sun Jul 01 00:00:00 CDT 2018)
School Library Journal (Tue May 01 00:00:00 CDT 2018)
Kirkus Reviews
Reading Level: 7.0
Interest Level: 7-12
Reading Counts!: reading level:5.5 / points:17.0 / quiz:Q70815
Lexile: 840L
Guided Reading Level: P

Prologue

High in the trees of Woodshire Forest on a sunny day, the light doesn't seem to come from above you at all. Light springs out of the leaves there, a round robin of tree and sky: it streams off every twig, drips into the edges of each ebbing shadow until the whole canopy floods with gold, until the air itself smells like light, bittersweet and fresh. You can drown in green sunshine up there.
     Bird and I used to swim in it every day. We'd climb the trees right up to the very top, or at least, as close as we could get. As we grew older, the young branches on the treetops started snapping under our weight. By the time we were ten we couldn't quite get above the canopy anymore.
     I was bigger than Bird then, and I always told him he should still go up without me. But he never did.
     "Why climb a tree at all if you won't go as high as you can?" I asked him the first few times. He just grinned at me.
     Eventually I stopped asking. In truth, I'd have missed him if he'd climbed higher than I could follow; he was always my favorite company, and I his. Like trees and sunshine, Bird and me, although I couldn't tell you who was which.
     I think that's what bothered John first--​long before he took over the estate, before he became sheriff or tried to marry me off or anything else that happened. Just that I preferred Bird to him.
     John never climbed the trees with us. But sometimes he would wait on the ground as we climbed, and I could feel his gaze on the backs of my legs, watching.

AUTUMN

ONE
Chasing the Hart

The huntswoman sounded her horn, and hounds rushed like water around our horses' feet.
     I leaned forward over my mare's neck and let out a steady breath as we jumped the stream. She landed lightly, our speed barely breaking, and we plunged ahead with the rest of the party.
     I heard a falcon's cry and looked back just in time to see the great raptor spread her wings and push off from Bird's leather-gloved hand. Seraph flashed into the green ocean above us and my friend grinned, tucking the falcon's hood into his sleeve.
     I felt the huge muscles under me tighten and I looked ahead to see the fallen tree my horse was about to jump. This time I wasn't ready, and I had my breath knocked from me on her landing as punishment. One of her ears flicked back in reassurance or annoyance, and I felt a reminding tug on the reins I always kept as loose as I could. Pay attention, she was saying. You're not sitting in any rocking chair, here.
     Bowstrings sliced across my chest as I leaned forward again. I pressed my legs more firmly against the mare's side and slid my hands into her mane. She felt my focus and began to run flat out.
     Soon all I could see were flashing, flickering streaks of green and orange, the forest colors around us flaming toward autumn. The day was crisp, September-cool, but inside my wool riding habit I was beginning to sweat.
     Scenthounds bayed just ahead of us. The riders gave out joyful whoops and warrior cries. Close behind me on his red-roan gelding, Bird was silent, but I could feel him, focused and determined, listening for the falcon that rode the wind above us, far beyond the shifting, murmuring canopy.
     Then, with a shock like plunging into cold water, we left the forest shadows and entered a sunny clearing, an expanse of tall grass and daisies with a sheer cliff on the other side. There, trapped against the rockface, stood the hart we chased.
     His antlers betrayed his age: no young buck he, but a great elder king of the forest, his horns twisting into a crown that nearly doubled his considerable height. He stomped and thrust those antlers bravely forward, menacing us, but he knew well that he was trapped.
     He'd have to be old to be caught, I knew. Young and healthy quarry, whether hart or hare, fox or boar, almost always outran the hounds. I'd been on countless hunts, and only a handful of times had our day of riding and jumping and following the graceful calls of hound and horn yielded any actual meat for the Loughsley table.
     But this day, it would. I sent up a heartfelt prayer for this animal's quick, clean death, now that at last we had it cornered.
     "Hold!"
     The hounds hung back, corralled in an instant by the huntswoman's calls. In the wild, the pack would have overwhelmed this beast in an instant, but a formal hunt is different.
     I tugged my mare's reins, even though she was already coming to a stop. Shifting the balance of my waist and hips in the sidesaddle, I straightened my spine as I pulled the bow from my back.
     Prince Rioch moved for his crossbow. As the highest-ranking hunter, the prince had the honor of the first shot, but all of us would be ready to dispatch the animal quickly if his aim faltered. Any good hunter spares their prey needless pain.
     He raised his arms and squared his shoulders, settling the heft of the crossbow in his hands. He squinted through the precisely carved notch at its center.
     Beside him my brother, John, watched and nodded his encouragement. This was our young royal's first time hunting without the king: he'd never had first shot before.
     The prince's arrow flew across the clearing.
     I felt a familiar shadow pass over me, and without looking up I knew that Bird's falcon circled us, and that she watched the arrow, too.
     It pierced the hart's hind leg.
     He gave a guttural, frothy scream that turned into a panicked groan as he tried to run and found that he could not.
     Hobbled, the great stag began a struggling limp toward the forest.
     I raised my bow, taking in the long breath that would allow me, on the exhale, to shoot clean and true. Around me two dozen hunters did the same. All of us watched the huntswoman from the corners of our eyes; she would give the signal that would let us end the beast's suffering, and she would not wait long to do it.
     The huntswoman raised her horn.
     "Wait!" John called.
     I stared at my brother in horror.
     "It is the prince's first quarry," he said. "Let him try again."
     I looked back at the huntswoman. I was certain she wouldn't let this stand; she was a clean and rigorous hunter, and I knew the worth she saw in each life her hunting parties took. She was Bird's mother, for goodness' sake!
     But she moved the curved horn away from her tight-set lips and nodded.
     Behind me I heard Bird's strangled breath. Both he and the huntswoman were servants of Loughsley, and they could not contradict its young master; and even though I was its lady, as the younger sibling, I had no more authority to speak over my brother than they did. Besides, our visiting monarch had just named John sheriff; John had even more power now.
     The prince took out another arrow. He fumbled at his crossbow with unpracticed hands.
     After a long minute, John took the bow and reloaded for him. He handed the crossbow back to our prince with a dutiful nod.
     "Thank you, Loughsley," Rioch muttered, his color rising.
     Don't bother with thanks, I thought. Just kill the poor thing.
     The prince's second shot hit the stag in the neck. Too high to break his windpipe or open an artery, too low to pierce the spine and cease his pain.
     The sound he made this time wasn't panicked or even loud. It was mewling. Low. He leaned to one side, giving slow, panting, bubbling breaths. His tongue began to loll even while his eyes stayed open.
     His punctured leg buckled, and with a faint snap, he fell.
     Still the huntswoman watched my brother.
     "Once more, Your Highness," John said.
     The prince's face was red. "I'll reload myself," he muttered.
     In time ticked out by the wheezing clock of the hart's wounded breaths, he did so.
     A lean, brindled sighthound at the front of our party whined at the scent of blood. I heard the soft clashing of feathers behind me: the falcon came to rest on Bird's arm again. The twenty or so humans all stayed as still as the animals, our hands cautious on bows, or tight on bridles or saddle horns.
     None of them would speak against my brother, let alone the prince.
     And the beast at the edge of the cliff lay trapped. Killed already, or as good as, but not yet dead, the animal panic in him not enough to numb his pain or mend his bones or carry him to safety.
     I raised my bow again and shot him through the heart.



Excerpted from The Forest Queen by Betsy Cornwell
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

From a New York Times bestselling author, a fresh, female-centered take on the Robin Hood legend in which a young noblewoman, like the legendary hero, becomes an outlaw fighting for social justice. Perfect for fans of Marissa Meyer and Sarah J. Maas.

When sixteen-year-old Silvie’s brother takes over management of their family’s vast estates, Silvie feels powerless to stop his abuse of the local commoners.

Her dearest friend asks her to run away to the woods with him, and soon a host of other villagers join them. Together, they form their own community and fight to right the wrongs perpetrated by the king and his noblemen.

Perfect for fans of fairy tale retellings or anyone who loves a strong female lead, this gorgeously written take on the Robin Hood tale goes beyond the original’s focus on economic justice to explore love, gender, the healing power of nature, and what it means to be a family.


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