Perpetually angry, motherless Cammie O'Reilly, the warden's daughter, sets about turning Eloda Pupko, the silent, distant trustee working as "Cammie-keeper," into a mother figure over the summer she turns 13. Set in 1959 in the Two Mills, Pennsylvania, of Spinelli's own childhood, this is firmly grounded in its time and place and full of details of life at Hancock County Prison. Cammie's essential compassion shows in her willingness to spend time with all the incarcerated women, her particular affection for Boo Boo, a large, ebullient black woman who befriends the sad white child, and her disgust at best friend Reggie's admiration for their most famous inmate, a murderer. Reggie lusts for fame herself; one highlight of the summer is her appearance on the TV show Bandstand-watched and loudly applauded by a gang of rising Two Mills seventh-graders who are the friends who move into Cammie's life without any apparent effort and who are firmly ejected as Cammie's spiral into depression's depths approaches its climax. Cammie tells her own story chronologically, until its whirlwind crest; she frames it with scenes from the present. It's a tapestry of grief and redemption, woven by a master storyteller who never loses his focus on Cammie's personal journey but connects it to Eloda's in a powerful twist. Moving and memorable. (Historical fiction. 9-12)

Most people would hate to call the Hancock County Prison home, but 12-year-old tomboy Cammie O'Reilly wouldn't have it any other way. As the warden's daughter, she lives in an apartment above the prison entrance with her father and has a commanding presence that's earned her the nickname Little Warden. Set in 1959, just before Cammie turns 13 and enters junior high, this is a story about facing hard truths and growing up. In the background swirl issues of race, treatment of prisoners, and the arrival of a high-profile murderer, but Cammie's mounting anger over her mother's tragic death takes center stage. Spinelli's latest gives readers an interesting, often heartbreaking glimpse into the 1950s and the timeless need for a parent's love. Narrated by Cammie as an adult, the carefully constructed story seems a little too neat and purposeful at times, but readers will love the details of having a prison compound for a home and adore the many secondary characters who help keep Cammie's head above water during her desperate search for happiness.

In 1959, twelve-year-old Camille lives in a suite inside a prison where her father is the warden. There's a busy, multi-strand plot; the driver of the story is Camille's hunger for a mother (her own died when Camille was a baby). The characters don't always ring true, but Spinelli's gift for humorous chaos and his trademark magic-realism touches are showcased.

Perpetually angry, motherless Cammie O'Reilly, the warden's daughter, sets about turning Eloda Pupko, the silent, distant trustee working as "Cammie-keeper," into a mother figure over the summer she turns 13. Set in 1959 in the Two Mills, Pennsylvania, of Spinelli's own childhood, this is firmly grounded in its time and place and full of details of life at Hancock County Prison. Cammie's essential compassion shows in her willingness to spend time with all the incarcerated women, her particular affection for Boo Boo, a large, ebullient black woman who befriends the sad white child, and her disgust at best friend Reggie's admiration for their most famous inmate, a murderer. Reggie lusts for fame herself; one highlight of the summer is her appearance on the TV show Bandstand-watched and loudly applauded by a gang of rising Two Mills seventh-graders who are the friends who move into Cammie's life without any apparent effort and who are firmly ejected as Cammie's spiral into depression's depths approaches its climax. Cammie tells her own story chronologically, until its whirlwind crest; she frames it with scenes from the present. It's a tapestry of grief and redemption, woven by a master storyteller who never loses his focus on Cammie's personal journey but connects it to Eloda's in a powerful twist. Moving and memorable. (Historical fiction. 9-12)

In this poignant coming-of-age story, Newbery Medalist Spinelli invites readers to revisit Two Mills, Pa. (last seen in Maniac Magee), during the 1950s to meet the 12-year-old daughter of a prison warden. When Cammie was a baby, her mother saved her life and was killed in the process. Still feeling her mother-s absence, Cammie lives a lonely existence with her father above the town prison. During the summer, she fills the hours by visiting the women inmates, playing records with her 12-going-on-17 best friend, and trying to turn her caregiver, Eloda Pupko, into a replacement mother. But Cammie-s failing schemes, coupled with another painful loss, cause her to lash out at everyone in her path. Spinelli again shows his mastery at evoking a particular time and place while delving into the heart of a troubled adolescent, creating an evocative backdrop through the sounds of early rock and roll, the smell of frying scrapple, and the sights of children freely roaming their neighborhoods. Like Cammie-s quietly wise housekeeper, readers will understand Cammie-s frustrations and cheer her on as she confronts her deepest emotions. Ages 9-12. (Jan.)

Gr 5-8 As an elderly grandmother, Cammie looks back on the summer of 1959, when she lived with her stoic warden father in an apartment adjacent to Pennsylvania's Hancock County Prison. Young Cammie is filled with unprocessed grief from her mother's tragic death. She decides that Eloda Pupko, the distant but constant prison housekeeper, should be her mother figure. The summer is full of change. Cammie's fame-hungry best friend outgrows her, and her close relationship with verbose Boo Boo Dunbar, one of a handful of African American inmates, ends in numb grief when Boo Boo commits suicide. Finally, Eloda helps Cammie truly grieve for her mother in order to move on. Character development and realistic dialogue shine in this emotional historical fiction title. The pent-up anger that bubbles under the surface of Cammie's memories is palpable. Spinelli's characters are achingly real at times, although some readers may find it difficult to care about such a spoiled, entitled protagonist. With narration by an elderly Cammie, Spinelli artfully adds foreshadowing to keep the plot moving. However, the pacing is slowed by adult Cammie's endless reflections on her emotions and behavior. The grandmotherly perspective lacks a tangible connection to young Cammie's confusion on the cusp of teenager-dom. Period-specific details abound, but some hit the mark without context (will young readers understand that the passing reference to "the Hokey Pokey man" is 1950s slang for ice-cream man?). VERDICT Sentimental and reflective, this nostalgic story will strike a deeper chord in adults than in middle graders. Amy Seto Forrester, Denver Public Library