A Whale in Paris
A Whale in Paris
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Publisher's Hardcover ©2018--
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Atheneum
Annotation: During the German occupation of Paris, Chantal, twelve, spies a whale while fishing with her father in the Seine and is determined to return it to the ocean before the Nazis or starving Parisians can destroy it.
 
Reviews: 2
Catalog Number: #165379
Format: Publisher's Hardcover
Publisher: Atheneum
Copyright Date: 2018
Edition Date: 2018 Release Date: 05/22/18
Illustrator: McGuire, Erin,
Pages: 246 pages
ISBN: 1-534-41915-2
ISBN 13: 978-1-534-41915-5
Dewey: Fic
LCCN: 2017035841
Dimensions: 22 cm.
Language: English
Reviews:
Horn Book (Wed Aug 01 00:00:00 CDT 2018)

In Nazi-occupied Paris, Chantal discovers a whale in the Seine and names him Franklin. When Germans arrest her father and aunt, Chantal and Franklin journey to save them. This inventive fantastical story thoughtfully explores the hardships of war, although more contextual background could have given additional depth to Chantal's defiance and empathy. Still, the message that "sometimes silliness is your best hope" shines.

Kirkus Reviews

The most important part of this novel might be the recipe for salmon quiche.The recipe sets the tone for the whole book, because it's completely impractical: "While whistling, crack the eggs into a bowl and whip them with a fork….Do not throw away the eggshells! They can be used as tiny pots for starting plants from seeds." It's perhaps not too surprising that the minds that would dream up that recipe and put it in a historical novel would also tell the story of the Nazi occupation of Paris by writing about a whale who loves the ukulele. The whale is named Franklin, and he tends to pop out of the Seine when 12-year-old Chantal plays "Somewhere Over the Rainbow." And yet, this fanciful, impossible animal fable often feels just as urgent as the real events. The book never hides the horrors of war. There are bombs and starvation and concentration camps. McGuire's gray-toned illustrations help. They show mundane objects: fishing boots, a radio, a ukulele, but in this context, they become strangely enchanting. (Chantal is white, as depicted in the illustrations, and so are most of the other characters, who are either her relatives or connected to the German military.) Near the end of the book, a military officer says, "In the nonsense of war, everything makes sense." Readers may find this utterly ridiculous story utterly convincing and even sometimes heartbreaking. (Historical fantasy. 8-12)

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Horn Book (Wed Aug 01 00:00:00 CDT 2018)
Kirkus Reviews
Word Count: 37,924
Reading Level: 4.8
Interest Level: 5-9
Accelerated Reader: reading level: 4.8 / points: 6.0 / quiz: 503611 / grade: Middle Grades
Reading Counts!: reading level:3.7 / points:10.0 / quiz:Q76386
Lexile: 650L
Guided Reading Level: S
A Whale in Paris

1

AN OUTLANDISH THRUM


The year was 1944 and the Germans had been the guests of Paris for nearly four years.

Well, not guests exactly, but that was what Papa called them. Chantal Duprey knew better than to take him seriously. After all, fathers use humor to hide the truth. Or spare your feelings. Or avoid difficult questions. Or cheer you up.

At least, her father did.

The night was the third of June, two weeks after her twelfth birthday, and Chantal was sitting in the dark beside Papa on the river's embankment, a fishing rod in her hand. Ever since the Germans became the "guests" of Paris, she and Papa had gone out after sunset to fish for salmon in the Seine. Winter or spring. At least three nights a week.

Papa was a fishmonger.

Before the war, fresh fish had arrived by the bucketful on trains and trucks from Normandy. The Duprey market cart was always full. Now, under the German occupation, they had to catch fish themselves.

Chantal stared at her unflinching line, the stubborn bobber floating on the surface. Go on, fish, bite! Bite, I tell you. She willed her bobber to sink, or even just to quiver. It wasn't working. No matter how much muscle she poured into her will, there was no ripple, no movement, no luck.

The night was still and stretching. As usual, Chantal and Papa didn't talk. They sat quietly side by side, wrapped up in their own minds.

In her mind was Mama, patiently teaching Chantal a new chord on the ukulele. What Papa was thinking was anyone's guess, but she assumed that her mother made an appearance in his mind too.

The bells of Notre Dame chimed the hour--midnight.

"Time to fill the bucket," Papa said.

"But we haven't caught any fish yet."

"They need to know that the bucket is full, and then they will come."

Chantal made her skeptical face. Papa always did this, sending her to the river's edge. A smart girl like you shouldn't fear the water, he often told her.

Papa didn't understand about the water and how it called to her in a sweet voice. A voice in her mind. Chantal never feared falling in. She feared that once she was in the water, she wouldn't want to leave it ever again.

It was in the water that Mama waited.

Chantal picked up the steel bucket and climbed down the sloping embankment. With the moon hiding behind a cloud, the Seine was practically black, prickling only with occasional torchlight from other anglers farther down on the opposite side of the river.

The water was low for this time of year. It hadn't rained much in April and May. Chantal wondered whether that was the reason they weren't catching any fish.

Are there fewer salmon in the river when the water is low?

Are the fish less likely to bite?

Chantal tied her rope to the bucket and lowered it into the river, careful not to clang it against the stone and scare potential fish away. She also made sure not to let the bucket sink too deeply, for if it did, the current would catch it, and the bucket would be heavy and difficult for her to haul up.

The moon emerged. She could make out the shapes of the roofs on the other side of the river. The windows of the houses were all dark because of the night patrols. Before the war, Paris had been known as the City of Lights. Now, all the street lamps were off, and the windows were blocked by curtains that had once been rugs or blankets.

The bucket filled with water, and more water, until it was time to reel it in. Just as she pulled the rope, she heard a deep rumbling sound coming from the water. A low thrum smudging the silence.

Her chest chilled as if she'd swallowed a chunk of ice.

This wasn't Mama's voice, the sweet voice Chantal usually heard in her mind. This voice was completely different. All of her concentrated on listening.

"Grrrrrooool-th-th-th!" echoed off the stone walls built high along the Seine.

The sound vibrated every nerve in her body.

"Who's there?" she asked.

The sound came again, louder. "Grrrrrooool-th-th-th!" An outlandish thrum so intense, it created a hole inside of her.

Frightened, she let the rope slip. The bucket plunged deep into the water and began traveling downstream.

"Oh no!"

Chantal held on to the rope and gave it a tentative tug. Nothing. She yanked and strained. The bucket wouldn't budge. Finally, she fastened her end of the rope to a metal cleat used to moor boats.

The rope went taut and shivered with tension.

Intrigued, Chantal plucked the rope. It gave off a low note, like the bass string of Mama's ukulele.

"Grrrrrooool," went the low sound in the water, as though in reply.

Impossible, she thought, squinting through the dark.

She plucked the rope twice.

"Grrrrrooool, grrrrrooool," went the sound, broadening and deepening between the stone embankments.

Where were the noises coming from? Chantal plucked the rope three times.

"Grrrrrooool, grrrrrooool, grrrrrooool."

She smiled. The sound that came from the darkness had a deep, friendly tone. Not the voice of a monster. There seemed to be good will in it. What could it be?

Four plucks.

"Grrrrrooool, grrrrrooool, grrrrrooool, grrrrrooool."

Chantal's smile changed to laughter. Whatever was out there obviously had a sense of humor. It laughed along with her until it faded and slurped away when another sound came. A much more upsetting sound.

Schomp! Bluck! Schomp! Bluck!

The clunk of heavy boots on cobblestones. Chantal looked up in alarm. Two dark shapes approached--German soldiers making their rounds. She felt her throat tighten in fear.

"Papa!"

She scrambled up the embankment and found him dozing, his face drawn tight around his bones. How defenseless he looked in the dark with his thin lips and stubbly chin. How different from the daytime Papa she knew, the broad-backed man who cooked and cracked jokes.

She shook him awake.

"What?" He sat up.

Chantal pointed in the direction of the soldiers. The Nazis' helmets were black and too dull to reflect the moonlight. Tall rifles swung with each clunking step. Dread on four legs.

Schomp! Bluck! Schomp! Bluck!

Papa climbed to his feet and waited beside Chantal. Seconds dripped past. They had all the permits they needed to be out after curfew. They were allowed to fish at night to provide for the city. And yet . . .

She seized his hand.

If the soldiers recognized them, all would be fine. But if the uniformed men were new recruits or felt like making trouble, Chantal and Papa would have to show their papers and answer all sorts of rude questions.

What are you doing here?

Who signed this permit for you?

Why is your daughter not in bed?

Where is her mother?

This last question was the trickiest. Chantal could answer it, but she preferred not to. She hoped the Germans would ask anything else, because whoever couldn't answer the questions quick enough risked being arrested or worse.

She had heard the stories. So many people imprisoned. Sent away. Shot.

Chantal closed her eyes and wished for the soldiers to be gone. Despite how much she hated them or lived in defiance of their presence, this was the way of the world now. Occupation. War.

There was no avoiding these "guests."

She opened her eyes again, and her stomach clenched. The two soldiers were now only a stone's throw away. The shorter one nodded like a gentleman and said, "Bonsoir, monsieur. Bonsoir, mademoiselle." (Good evening, sir. Good evening, miss.)

"Guten Abend, Herr Leutnant, Herr Feldwebel," Papa replied. (Good evening, Lieutenant, Sergeant.)

It was a game they played. The Germans pretended they belonged in Paris and spoke French to show their good intentions. The Parisians, however, pretended to accept their fate and spoke German to show their contempt.

Chantal released a deep breath after the soldiers passed. But she didn't let go of Papa's hand until the echo of their boots had died away.

Excerpted from A Whale in Paris by Daniel Presley, Claire Polders
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

A hopeful and heroic girl befriends a small, lost whale during World War II and together they embark on a journey to liberate France and find their families in this charming debut novel.

Ever since the Germans became the unwelcome “guests” of Paris in the early days of World War II, Papa and Chantal have gone out in the evenings to fish in the Seine. Tonight Chantal is hoping for a salmon, but instead she spies something much more special: a whale!

Though small (for a whale) and lost, he seems friendly. Chantal soon opens her heart to the loveable creature and names him Franklin, after the American president who must surely be sending troops to rescue her country.

Yet Franklin is in danger: The Parisians are starving and would love to eat him, and the Nazis want to capture him as a gift to Hitler. In a desperate bid to liberate themselves and their city, Chantal and Franklin embark on a dangerous voyage. But can one small girl manage to return a whale to the ocean and reunite him with his parents? And will she ever see her own family again?


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