Rabbit & Robot
Rabbit & Robot
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Simon & Schuster, Inc.
Annotation: Stranded aboard the lunar cruise ship Tennessee, Cager Messer and his best friend, Billy, both sixteen, are surrounded by insane robots while watching thirty simultaneous wars turn Earth into a toxic wasteland.
 
Reviews: 6
Catalog Number: #168476
Format: Perma-Bound from Publisher's Hardcover
Copyright Date: 2018
Edition Date: 2018 Release Date: 09/25/18
Pages: x, 438 pages
ISBN: Publisher: 1-534-42220-X Perma-Bound: 0-7804-2654-1
ISBN 13: Publisher: 978-1-534-42220-9 Perma-Bound: 978-0-7804-2654-2
Dewey: Fic
LCCN: 2018000353
Dimensions: 21 cm.
Language: English
Reviews:
Starred Review ALA Booklist (Fri Jun 01 00:00:00 CDT 2018)

Starred Review With nods to Vonnegut, Bradbury, and Burgess, Printz Honor winner Smith has woven an unpredictable, gross, and prescient rumination on modernity, media consumption, and machine-aided communication. Cager Messer and his best friend, Billy th sons of wealthy industrialists ve stolen upon a luxury space cruiser along with Cager's ever-faithful servant, Rowan. Aboard with them are "cogs" manlike android attendants programmed with unsettling, occasionally dangerous emotional instabilities. Then the latest (and last) in a long line of world wars breaks out on Earth below, and Cager and company believe that they're the last humans in the universe. But before the true horror of that can set in, they must figure out how to defend themselves from the cogs, who have developed a penchant for robotic cannibalism. Under the surface of this absurd tale are commentaries about how a society can disintegrate. For example, Cager fights an internal war between his lifelong privilege and the social costs affording him that luxury. He also struggles with what human companionship is and how empathy complicates simple decisions. Those delving into Smith's zany dystopia will find much to laugh and gasp at, including comedic and serious musings upon sex and violence. But most of all, they will find many deep, essential questions worth pondering.

Horn Book (Mon Apr 01 00:00:00 CDT 2019)

In a gonzo, sardonic version of future America, humans are practically obsolete and uber-realistic robots called cogs do almost all the work. When sixteen-year-old narrator Cager and his best friend, both heirs to cog fortunes, hijack a super-luxurious spaceship, the passengers--cog, alien, and human--make Cager question everything he knows about being human. Smith's ambitious world-building features extended metaphorical riffs on consumerism, class, social-media outrage, sexual harassment, and violence.

Kirkus Reviews

Two overly privileged teens unwittingly escape Earth's last days on a luxury spacecraft.Cager Messer's father has made a fortune from the eponymous Rabbit & Robot, a television show devoured by the masses yet one Cager and his best friend, Billy (beautiful, bisexual, and equally wealthy), are forbidden to watch. The secondary Messer fortune was made from lunar cruise ships, one of which Billy, along with Cager's caretaker, Rowan, hijacks to get Cager off drugs. Like all best-laid plans, everything goes awry: Two human girls stow away disguised as robots, a loss of gravity leads to chaos, and Earth might very well have imploded in their absence. Reading as a nonlinear diary, Cager grapples with his secrets, his should-have-dones, and what it means to be human, all while simultaneously begrudging and wielding his own social standing. Intermittent third-person omniscient chapters reveal the tandem story of the two stowaways as they slowly form bonds with Cager and Billy (spoiler alert: romance). Just like any journal, some thoughts are deeper than others, with the content meaning more to the writer than the reader. Cager is a drug-addicted, privileged kid on a stolen playground without any supervision, and the book reads with as much depth as his situation portends. The cast is presumed white save for a royal family of liquid blue life-forms.A scattered sci-fi romp with occasional fun parts but a passable whole. (Science fiction. 14-17)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

On Cager Messer-s 16th birthday, Rowan and Billy sneak him aboard a lunar cruise ship, the Tennessee, to save him from his addiction to the enhancement drug Woz. Cager and Billy have lived lives controlled by their parents, powerful figures in their technologically advanced and war-ravaged version of Earth, where most humans work as coders (-Robots-) or soldiers (-Rabbits-). On the ship, it becomes clear that war has destroyed what-s left of planet Earth; cogs-robots that experience heightened human emotions and drives of joy, sadness, and arousal-begin to devour each other; and the boys begin to suspect that other humans might be on board. Absurdist characters and scenarios abound, from a kind, French-speaking giraffe, released from the ship-s zoo when gravity fails, to a constantly horny valet with a distinct lack of boundaries. Readers will enjoy unraveling the meaning within this provocative jaunt by Smith (Grasshopper Jungle), which dissects society, technology, othering, and what makes humanity human. Ages 14-up. Agent: Michael Bourret, Dystel & Goderich Literary Management. (Sept.)

School Library Journal (Wed Aug 01 00:00:00 CDT 2018)

Gr 10 Up-Cager and best friend Billy, along with their faithful assistant Rowan, are headed to space on the luxury ship Tennessee to escape the multiple wars the United States is waging and to seek treatment for Cager's increasingly dangerous Woz addiction. The boys' fathers are the inventors of Cogs, artificial intelligence beings that are created to serve humans, as well as the creators of Rabbit & Robot , an extremely popular television show rooted in the principles asserted by their fathers. After unfortunate events strike Earth while they are on the ship, Cager, Billy, and Rowan are thought to be the only humans left alive. Cager struggles with his Woz detox and Billy starts to deal with his new life on the ship. A worm makes its way onto the ship and infects the captain (who is also a Cog). This infection spreads to the rest of the Cogs, which makes them cannibalize one another in increasingly graphic ways. Unbeknownst to everyone, humans Meg and Jeffrie are stowaways. Smith's trademark humor and gonzo storytelling is on full display here. Much of the universe is set up within the first half of the book, although it is revealed somewhat confusingly at a leisurely pace (sometimes to the detriment of the narrative flow). Meg and Jeffrie mainly serve as objects of desire or affection. The narrative attempts to tell a story about what makes us human and whether it really matters in the end. VERDICT Purchase where Smith has a following. Others may find this story inaccessible. Christopher Lassen, BookOps: The New York Public Library and Brooklyn Public Library

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review ALA Booklist (Fri Jun 01 00:00:00 CDT 2018)
Bulletin of the Center for Children's Books
Horn Book (Mon Apr 01 00:00:00 CDT 2019)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Wed Aug 01 00:00:00 CDT 2018)
Reading Level: 4.0
Interest Level: 9-12
Lexile: 870L
Rabbit & Robot

Tyger Tyger, Burning Bright


Is that a fucking tiger?" Billy Hinman asked.

"I think it is a fucking tiger," I said.

I'll admit that I had never seen a fucking tiger before.

It was certainly a day for checking things off Cager Messer's infinite list of things he's never done.

"An actual fucking tiger," Billy whispered.

Even when you're a half mile away from a tiger and you're standing naked and chest deep in the middle of a lukewarm fake lake, it is an atavistic human instinct to make as little noise as possible.

"I think the Zoo of Tennessee must have broke," I theorized.

"What the fuck are we going to do?" Billy said.

"I have no plan."

"Cager? Do you know what that is?" Parker hollered.

Parker had been hiding up in the branches of a fake pine tree. It could have been a cedar. I don't know anything about trees. He'd been watching me and Billy swim.

Since I didn't want to draw the tiger's attention to us, I decided to think about things for a while.

So Billy offered, "You should tell Parker it's a tiger, and tigers are friendly, and that he should climb down from the tree and give the tiger a hug because tigers love to be hugged by horny teenagers. That way, while the tiger is distracted by clawing the fucker to pieces, we can make a run for it."

"But what about our clothes?"

Our clothes were scattered on the shore beneath the tree where Parker was hiding.

"Cager. It's a fucking tiger," Billy told me.

For some reason, ever since I'd been forced off Woz, my best friend, Billy Hinman, did make a lot of sense at times.

"I can't tell Parker that," I whispered.

"Why not? He's a fucking machine."

"I know that. I just can't, is all," I said. And, yes, I felt stupid and embarrassed for as much as confessing to Billy Hinman that I had some measured feeling of empathy--or maybe even friendship--for Parker, who was, after all, just a fucking machine.

So I continued, "Besides, the tiger is just a machine too, right? It's a cog. It won't do anything to us."

"What do you mean by us?" Billy said.

Damn all this clarity.

"Well, he's not supposed to do anything to us."

"You mean you."

"Are you daring me to get out of the water and tell the tiger to go away?" I asked.

"Not at all. You should make Parker do it," Billy said. "You said it yourself, Cager: The tiger's just another cog. And cogs don't eat cogs, right?"

That was becoming increasingly debatable on the Tennessee.

The Tennessee had been going to shit, and neither of us had any idea how to stop it from spiraling completely out of control. Worse yet, Billy and I were alone; we were stuck here.

Parker, who was my personal attendant on the Tennessee, called out, "Can you hear me, Cager? What is that thing with stripes and orange hair? Do you know? Will he be kind to me?"

I waded in a little closer to shore, but only about three steps. Then I backed up one. I tried to make my voice as normal sounding and calm as possible. There was no need for me to shout at Parker, because the guy did have pretty good hearing.

"How did you get up in the tree?" I asked him.

But Parker had to yell for me to hear him clearly, which certainly agitated the tiger, who clawed at and chewed on the pants I'd dropped beside the lake. "I floated up here, two days ago when the gravity turned off. The thing with the stripes who is eating your pants right now has been walking around here in Alberta ever since."

When the Tennessee's gravity failed, all the animal cogs must have gotten out of the zoo.

A zoo without gravity can easily become a battlefield for clashing survival instincts.

The tiger chewed and chewed.

"Tell him to stop eating my fucking pants," I said.

I was mad!

And Parker, being the rigidly programmed horny but obedient valet cog that he was, said, "You! Thing! Stop eating Cager Messer's fucking pants!"

And the tiger, being the rigidly programmed large predatory cat cog that he was, snorted and growled, shook my pants wildly in his teeth, and ripped them to shreds.

"Bad idea," Billy whispered.

"Fine. Now I don't have any pants. Stupid fucking tiger."

"Tigers are dicks," Billy said.

"I think I should wait up here in the tree for a few more days, Cager," Parker said.

"It's only a tiger, Parker." But I wondered when--if ever--in the history of humankind, anyone had ever said It's only a tiger. "But he's a cog. He won't do anything to us. Watch. I'll show you so you can climb down from the tree."

Then I cupped my hands around my mouth, forming a megaphone with my fingers, and said this: "Attention, tiger! You need to go back to the zoo immediately! My name is Cager Messer, and my father owns this ship! Do you hear me? I am Anton Messer's son, Cager, and I am telling you to return to the zoo!"

And that was when the tiger ate Billy Hinman's pants too.

No animals, not even fake ones, like being in zoos.

Billy Hinman said, "Plan B: Cager and Billy stay naked in the lake for the next five days, waiting for a fucking tiger to die of boredom."

What could I say? I never had a Plan A to begin with.

Fortunately for us, we did not have to wait five days in the lake. Something else, which was enormously tall, judging by the rattling and swaying of the fake cedars or pines--or whatever--that didn't grow or photosynthesize on the recreation deck called Alberta, came crashing toward the lake through the woods.

It was another refugee from the Tennessee's compromised zoo: a giraffe. The thing's head, nearly as high as the branch Parker sat on, came crashing through the canopy of Alberta's fake forest.

And Parker yelled, "Cager?"

What did he want? I refused to be my horny cog's fucking safari guide.

"Giraffes are nice, right?" I whispered to Billy.

Billy nodded. "And they're bisexual."

"What?"

"They really are," Billy said. "Totally bisexual. They're, like, the greatest animals ever."

"How do you know that?"

Billy shrugged. "I just do."

The giraffe stopped at the edge of the woods on the opposite side of the trail from where the tiger continued thrashing Billy Hinman's pants. The giraffe looked directly at Billy and me. He cocked his head slightly, as though waiting for one of us to say hello or something.

Also, I may as well admit this: I had never seen a giraffe before. It was very tall. And I was terrified of it too.

"Would you boys like to climb up onto my back, so I can carry you out from the lake?" the giraffe said.

He had a French accent.

"That giraffe is from France," Billy said.

"Why the fuck would your dad make a French giraffe that talks?"

"I think the more important issue is why he would make a fucking tiger that eats pants," Billy said.

The tiger thrashed and thrashed.

"Bonjour, les jeunes garçons! My name is Maurice," the giraffe said. And if giraffes could smile, Maurice was smiling at us. "But, please, let me offer you boys a ride on my back. The Alpine Tea House serves magnificent waffles. It's just over there, at the bottom of the hiking trail. Are you hungry? J'ai très faim. Heh heh . . . I am, as you say, very hungry."

Cogs were not supposed to get hungry. Ever. Something had been twisting out of whack on the Tennessee.

"He seems really nice, and I love waffles," Billy said.

"Billy, I am naked. There's no fucking way I'm riding naked on a bisexual talking giraffe to go get waffles with you," I argued.

And Billy countered, "Cager, like you said: It's an opportunity for you to do one of those things you may never get a chance to try doing ever again. Who's ever gotten to ride naked on a giraffe to go get some breakfast?"

As it turned out, Billy Hinman and I did not need to carry our argument to any definite conclusion. Maurice, being the hungry French giraffe that he claimed to be, became fascinated by the tiger, who had finished eating Billy's pants and had moved on to his next course, which was my T-shirt.

Maurice looked at Billy and me, then apologetically said, "Excuse me. Excusez-moi, s'il vous plaît."

Maurice spread his front legs wide and stiffly lowered his head toward the oblivious tiger, who was apparently an expert at sorting laundry and was now eating Billy's T-shirt and socks.

Maurice cocked his head back and in one powerful thrust stabbed his pointy giraffe face directly through the tiger's midsection.

Maurice made a sound like Mmmph mmmph mmmph! as he wriggled his face deeper inside the tiger's body, gulping and slurping the internal components of the cat's mechanization.

Billy Hinman said, "Okay. I take back the thing about him being the greatest animal ever."

And the tiger, who had no discernible European accent, said, "Ow! That fucking hurts! This is all there is to life, isn't it? Sadness and pain."

The tiger wept and sobbed as great gushing blobs of viscous, semenlike hydraulic fluid burped from the gaping holes Maurice pierced in his torso.

Maurice ate and ate as the tiger cried and cried.

Maurice burbled, "Cette viande de tigre est délicieux!"

Four or five days in the lake was starting to look like a pretty good idea.

Parker shouted, "Cager, what do you suggest I do now?"

"Tell him to ride the giraffe," Billy whispered.

And the tiger wailed, "Sartre was right--I cannot escape anguish, because I am anguish!"

Mmmph mmmph mmmph! went Maurice.

Excerpted from Rabbit and Robot by Andrew Smith
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Told with Andrew Smith’s signature dark humor, Rabbit & Robot tells the story of Cager Messer, a boy who’s stranded on the Tennessee—his father’s lunar-cruise utopia—with insane robots.

Cager has been transported to the Tennessee, a giant lunar-cruise ship orbiting the moon that his dad owns, by Billy and Rowan to help him shake his Woz addiction. Meanwhile, Earth, in the midst of thirty simultaneous wars, burns to ash beneath them. And as the robots on board become increasingly insane and cannibalistic, and the Earth becomes a toxic wasteland, the boys have to wonder if they’ll be stranded alone in space forever.

In his new novel, Andrew Smith, Printz Honor author of Grasshopper Jungle, will make you laugh, cry, and consider what it really means to be human.


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