Hauntings: And Other Tales of Danger, Love, and Sometimes Loss
Hauntings: And Other Tales of Danger, Love, and Sometimes Loss
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HarperCollins
Annotation: Ten stories of death and hauntings, set in the past, the present, and the afterlife.
Genre: [Short stories]
 
Reviews: 6
Catalog Number: #16988
Format: Perma-Bound from Publisher's Hardcover
Special Formats: Inventory Sale Inventory Sale
Common Core/STEAM: Common Core Common Core
Publisher: HarperCollins
Copyright Date: 2007
Edition Date: 2007 Release Date: 07/24/07
Pages: ix, 211 pages
ISBN: Publisher: 0-06-123910-0 Perma-Bound: 0-605-14156-8
ISBN 13: Publisher: 978-0-06-123910-6 Perma-Bound: 978-0-605-14156-8
Dewey: Fic
LCCN: 2006033711
Dimensions: 21 cm.
Language: English
Reviews:
Voice of Youth Advocates

In this collection of fifteen short stories, Hearne looks at hauntings of the not-so-supernatural kind, instead focusing on love, loss, regrets, or worries. Divided into tales of the past, present, and beyond past and present, each story examines the various ways in which a person can be "haunted." The stories of the past include Nurse's Fee, which is based on the legend of the Selkie, and The Crossing, which is a story of doomed lovers. The stories in the present are set mostly in the U.S. and include Loose Chippings, a tale based on a terrorist bombing that the author witnessed in 1989. The two stories placed beyond past and present include a note that they are "set mostly in heaven and hell." The book closes with a notes section that explains the impetus for each story, which is often a take on a classic story, ballad, or legend. The title and the cover art, a graveyard scene, will lead readers to believe that this book is a collection of ghost stories or more traditional tales of "hauntings." Unfortunately many stories fail to resonate with a true sense of haunting as the theme would suggest. It is an optional purchase for libraries in which short story collections are popular. Hearne is the author of several books for teen readers, including the Boston Globe-Horn Book Honor Book, Seven Brave Women (Greenwillow, 1997).-Karen Jensen.

ALA Booklist (Wed Aug 01 00:00:00 CDT 2007)

From Ireland of several centuries ago to present-day America and on to the afterworld, the settings of these 15 stories are painted with sure, deft, and simple strokes that use both action and mood to focus the reader's imagination. "Tryst," the opening tale, is the most rigidly structured, each paragraph beginning with the phrase that ended the previous one, creating a poetic rhythm as haunting as that of Alfred Noyes' similarly fatalistic "The Highwayman." The longest story, in which a young boy and a retired professor help one another as they care for a grove of diseased trees, is perhaps the least atmospheric, but it is, nonetheless, a compelling portrait of human beings seeking rational order in their lives. Symbols of the hauntings mentioned in the title range from a scarecrow in the form of a crow, a selkie, and even a well-known hymn. No disappointments for readers here.

School Library Journal

Gr 7 Up-These 15 consistently well-written tales are divided among those set in the past, mainly in the form of Irish folkways; the present, mostly set in the U.S.; and the hereafter. In "Fall," a 13-year-old girl, long abandoned by her mother, still mourns her twin sister's death 13 years earlier. She knows that the stuffed crow in the attic is really alive and longs to fling it, and herself, out a window so they'll be free and she'll be reunited with her sibling. The affecting "Secret Trees" features Ches, 13, who's recovering from a car crash involving him and his unstable mother. He focuses on his schoolwork and a science project on the nearby trees, rather than dealing with his mother's breakdown. The stories are wide-ranging, from a ballad about a pair of highway robbers to a 21st-century boy worrying about his family's safety after a terrorist bombing, to the Devil, who's being tormented by a dog whose teeth have clamped onto his pants leg and won't let go. Teens who pick up this book anticipating horror may be disappointed, but those looking for thoughtful, finely crafted explorations of the things that haunt us will be richly rewarded. Endnotes explain the basis for each compelling tale.-Sharon Rawlins, The New Jersey State Library, Trenton Copyright 2007 Reed Business Information.

Kirkus Reviews

Readers will hum with pleasure in the afterglow of each story in this powerful collection. The first section, comprised of modern retellings of traditional Irish folktales, ballads or fragments, opens with "Tryst," a story about a handmaid who turns midnight thief and ultimately learns the loyalty of the man she loves. (Brief backmatter offers up additional information on most stories.) The second section retains its magical quality even though the settings are familiar and mostly set in the United States. A post-9/11 tale makes its appearance with "Loose Chippings" about a family who is taking their daughter to England for a semester abroad and witnesses a bombing. Perhaps the masterpiece is "Secret Trees," which focuses on a boy whose mother has a nervous breakdown. He tries to make sense by immersing himself in a science project in a neighboring tree grove, which itself was a science experiment. The collection is a perfect antidote to the "problem" novel, offering young readers topics that try their souls and portraits of the souls who try to help them cope. (Fiction. 10-14)

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Voice of Youth Advocates
ALA Booklist (Wed Aug 01 00:00:00 CDT 2007)
School Library Journal
Wilson's Children's Catalog
Wilson's Junior High Catalog
Kirkus Reviews
Word Count: 36,721
Reading Level: 5.8
Interest Level: 5-9
Accelerated Reader: reading level: 5.8 / points: 6.0 / quiz: 116357 / grade: Middle Grades
Hauntings
And Other Tales of Danger, Love, and Sometimes Loss

Chapter One

Tryst

To bind her breasts she needed no candlelight but deftly, in the dark, wound strips of torn sheet tight against the rounds of flesh. Her shirt lay flat then, and the jacket after it. She tightened a leather belt to keep the breeches from slipping down her hips and last tucked a pistol into the belt, a knife down the side of her boot, and her long black braid under a three-cornered hat. She crept down the back stairs, unlocked the door, and saddled the mare while her master and mistress snored in tandem. The hour was late.

The hour was late. He and his old horse were tired, but coveting the ale and oats of home, they hurried on. He had been well warned not to ride overnight, but a young man thought nothing of danger. He had, after all, been alive his whole life and couldn't imagine the world otherwise. If he was aware of anything besides hunger and wind in his face, it was the desperate need for a kiss.

A kiss could be the culprit of his delay. She imagined him now in the city taverns, night after night, week after week, month after month, staying for kisses from one or another of the loose (or, worse, not loose) women on the lookout for a young man of his bearing. Although he had pledged his love and she had given him a gold ring to seal it, who knew what a ring meant these days? She'd stolen the ring on her first raid (and told him it was her mother's), but its value was certain. She was good at getting gold.

Getting gold was growing on his mind. What could he offer her? He was poor, but his search for work had failed. He seemed to have talent for nothing, and certainly no schooling. His slim build boded well for love but ill for heavy labor.

Heavy labor was not to her liking. She shunned the servant jobs in the manor. To hell with their highborn ways. Still, a lass must eat—and satisfy herself in other things—so this job suited her well. May her dead parents forgive her and her foster folk never guess the truth.

The truth shook him like a terrier with a rat.

She would hate him for his defeat. Even as he hurtled toward her, he could hear the scorn in her voice. He could hear something else as well, the sound of other hoofbeats.

The sound of other hoofbeats brought her to a halt. So soon a victim comes? She wheeled her horse behind some trees that shaded the plain by day and shadowed it by night. Yes, someone was coming. May he be rich and easily disarmed. She pulled a black mask over her black eyes, waiting.

Waiting was out of the question. He had promised her marriage and freedom from orphaned bondage. But how can a poor young man support a wife, especially one with expensive tastes like hers? Ah, but the taste of her. He must somehow stand and deliver.

Stand and deliver, she shouted in the deep voice she had practiced so often and well. Her horse blocked his own, which whinnied and turned aside, its flanks steaming. Only then did she know him, but never paused. She held the pistol steady toward his heart and called, Your money or your life.

Your money or your life, indeed, he laughed. I can offer you neither, for money have I none and my life is worth nothing without it.

Without it you shall be, she declared, unless you hand over the gold I see glinting on your finger. Her own black-gloved hand absorbed the moonlight. Only the pistol gleamed. Yet he seemed fearless and even fairer than she remembered. Anger over his long absence drove her. Coldly she demanded again, The ring.

The ring, he answered, is not mine to give. It is a gift of trust from someone dear. Kill me if you will, but when you take this ring from my dead hand, my ghost will hunt you down. So take it at your peril.

Peril is of little concern to me, sir, but your words reveal a loyal heart. Perhaps your life is worth something after all. What can you offer in lieu of the ring? She waved the pistol once more and saw him reach for the pocket watch.

The pocket watch fit smooth in his hand. He'd been tempted to pawn it but never succumbed. Now he threw it and could not help but marvel at the thief's neat catch of it midair.

Midair she dropped the reins and snatched the watch in its fall. Both hands were full, one with a weapon and the other with her haul. She held to the horse with tightened knees and turned it with a nudge of spur. Beware of following me, she growled, and dropped the watch in her greatcoat pocket. You're lucky your nag is too slow to steal. Then she disappeared into the dark. She must head away and double back to sneak her own horse into the barn and herself into bed. The foster folks' farm was lonely, and no one would see her from the village.

The village was quiet when finally he made his way there. At the innkeeper's stable he tended the horse and lay down in the stall beside it. A tavern boy he had been and a tavern boy he'd always be. As surely as the sun rose now and every day, the innkeeper would enslave him for the loan he could not repay. And his father's watch gone, now, to a highwayman. So much for venturing forth.

Venturing forth to rob made her late to rise, but the children soon pummeled her awake. Lazy creature, they screamed, our mother needs you, get up, get up. Like lice they squirmed over her. It would be evening before she could leave again, this time forever. She had only been waiting his return.

Hauntings
And Other Tales of Danger, Love, and Sometimes Loss
. Copyright © by Betsy Hearne. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Excerpted from Hauntings: And Other Tales of Danger, Love, and Sometimes Loss by Betsy Hearne
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

What would you do if . . .

you knew secrets that others would kill to protect?

your parents became people you didn't recognize?

a ghostly pair of highway robbers stopped you on a dark road in the dead of night?

an old toy crow suddenly came alive, and you were the only one who heard it flying around the attic?

suddenly, you were the only one who could see peril around every turn?

In fifteen eerie tales, you will meet the lonely, the troubled, the grieving—the ones who must answer these questions. They have choices; they have fears; they have life . . . and death. They will haunt you long after their stories end.

Tryst
Fortress
Lost
Hauntings
Coins
Nurse's fee
The crossings
The letter
Fall
Loose chippings
Angel
Unnatural guests
Secret trees
Light
The devil and the dog.

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