Starred Review for Kirkus Reviews

When the world as they know it ends, the survivors of a mysterious plague are faced with a new world in which both dark and light magic are rising."When Ross MacLeod pulled the trigger and brought down the pheasant, he had no way of knowing he'd killed himself. And billions of others." So begins the latest novel from publishing juggernaut Roberts, and the rest of the book is just as gripping. When a virus takes out nearly 80 percent of the Earth's human population, the survivors must figure out how to live in their new world, which includes the appearance of a varied set of magical abilities in a large part of the surviving population. Both the magick and un-magick people have violent factions which are trying to vanquish internal and external enemies, and good people from both groups have to band together in order to stay safe and establish a new order that honors life and decency. In one such community, witches Lana and Max are having a child, and from the moment of conception, it's obvious that the child will be magical. As her pregnancy advances, Lana begins to suspect that even in the context of the new magical paradigm, her child has a special destiny, an impression that becomes clearer when she realizes she and her unborn child are being hunted. Finding sanctuary on a remote farm, Lana ushers the child into the world, and soon both foes and allies begin to arrive at her doorstep, deepening Lana's belief that her daughter is meant for something great and dangerous. Roberts' new direction is electric and ground-breaking. In some ways, it's a synthesis of her past work: she's often written about magical elements, family—both biological and emotional—and community. In this series launch, she's created a believable apocalypse that is obviously leading to a grand showdown between good and evil, but the story and the characters—there are many, and she's made some choices that are going to stun her die-hard romance fans—navigate timely issues of tolerance and bigotry; fear of the Other; violence on behalf of perceived "purity" and misdirected religious zeal; and how good people combat evil.A fast-paced, mesmerizing, and thought-provoking novel that will no doubt add to Roberts' legions of fans.

ALA Booklist (Sun Oct 01 00:00:00 CDT 2017)

It began on a small farm in Scotland immediately after the New Year when members of the MacLeod family became mysteriously ill. As the family returned to their own homes, they spread the sickness. Within a month, 1 million people had been stricken, and within a year, more than 2 billion people would be dead. The virus became known as Doom, because once you were infected, you were, indeed, doomed. However, there were some exceptions. The people who seemed to be immune became known as the Uncanny, and they were rumored to have "strange" powers. With Year One, the first in a new trilogy, romance superstar Roberts heads off in a daring new direction as she begins a pandemic sf series with a far more dystopian atmosphere than her previous fantasy novels. Longtime Roberts fans, however, shouldn't fret too much since the core elements here, including a cast of engaging and empathic characters and a plot that focuses on the importance of family, friends, hope, and humanity, are quintessential Roberts ingredients. What Roberts has done, with her radical departure, is ensure that she will find new fans among readers attracted to apocalyptic sf and speculative fiction.HIGH-DEMANDBACKSTORY: With a million-copy lay down and a major marketing campaign announcing the launch of Roberts' intense new series,demand is bound to go viral.

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

When the world as they know it ends, the survivors of a mysterious plague are faced with a new world in which both dark and light magic are rising."When Ross MacLeod pulled the trigger and brought down the pheasant, he had no way of knowing he'd killed himself. And billions of others." So begins the latest novel from publishing juggernaut Roberts, and the rest of the book is just as gripping. When a virus takes out nearly 80 percent of the Earth's human population, the survivors must figure out how to live in their new world, which includes the appearance of a varied set of magical abilities in a large part of the surviving population. Both the magick and un-magick people have violent factions which are trying to vanquish internal and external enemies, and good people from both groups have to band together in order to stay safe and establish a new order that honors life and decency. In one such community, witches Lana and Max are having a child, and from the moment of conception, it's obvious that the child will be magical. As her pregnancy advances, Lana begins to suspect that even in the context of the new magical paradigm, her child has a special destiny, an impression that becomes clearer when she realizes she and her unborn child are being hunted. Finding sanctuary on a remote farm, Lana ushers the child into the world, and soon both foes and allies begin to arrive at her doorstep, deepening Lana's belief that her daughter is meant for something great and dangerous. Roberts' new direction is electric and ground-breaking. In some ways, it's a synthesis of her past work: she's often written about magical elements, family—both biological and emotional—and community. In this series launch, she's created a believable apocalypse that is obviously leading to a grand showdown between good and evil, but the story and the characters—there are many, and she's made some choices that are going to stun her die-hard romance fans—navigate timely issues of tolerance and bigotry; fear of the Other; violence on behalf of perceived "purity" and misdirected religious zeal; and how good people combat evil.A fast-paced, mesmerizing, and thought-provoking novel that will no doubt add to Roberts' legions of fans.