Publisher's Hardcover ©2019 | -- |
World War, 1914-1918. Juvenile fiction.
Fathers and daughters. Juvenile fiction.
Letters. Juvenile fiction.
Books and reading. Juvenile fiction.
World War, 1914-1918. Fiction.
Fathers and daughters. Fiction.
Letters. Fiction.
Books and reading. Fiction.
A young child undertakes a "secret mission" while her father is away at war.First published from a French original in the 2015 collection The Great War: Stories Inspired by Items from the First World War but presented here in a small, neatly formatted volume with new illustrations, the tale features 5½-year-old Rosalie, who spends her days at the back of the one-room school while her mother is off at work. The older children and the teacher, a veteran who's lost an arm, think she's just dreaming and drawing pictures, but she's actually engaged in a mission: "One day I'll be awarded a medal for this. It's already gleaming deep within me." The nature of that mission comes clear one day when she sneaks home and discovers that she can finally read for herself the letters her father had been sending from the front—but instead of the optimistic, loving missives her mother had been "reading" to her, she discovers them to be dark cries of anguish and despair. That very day a final letter arrivesâ¦from the Ministry of War, with a medal enclosed. Rather than end with that crushingly ironic twist, though, de Fombelle leaves Rosalie smiling, through her tears, at a friend and regarding the medal not as a dead thing but something alive. The bright red hair of Rosalie and her mother seems to glow in the gray, wintry light of Arsenault's village scenes, likewise offering hints of life and warmth even in the face of terrible loss. Everyone in view is white.A spare tale likely to engender deep, complex responses. (Historical fiction. 10-14)
ALA Booklist (Wed May 01 00:00:00 CDT 2019)Since little Rosalie's father is at the front and her mother must work at the factory, she spends her days at the local school. She's too young for the lessons, but the kind teacher lets her sit in the back and draw. Rosalie's not just any little girl, though; she imagines she's a soldier on a mission, infiltrating enemy ranks and gathering powerful information. De Fombelle quietly but movingly evokes the complicated emotions of both Rosalie, who's proud of and scared for her father, and her mother, who's struggling to keep it together. Rosalie, who can't read yet, can nonetheless tell that the rosy letters from her father, which her mother reads aloud every night, are not as long as her mother makes them sound. When the lessons from her classroom observations finally pay off and she can read the letters on her own, the truth is hard to bear. Arsenault's soft, shadowy illustrations, both spot and full-bleed pages, cultivate a rich sense of place and contribute to the thoughtful emotional tenor of this WWI story.
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)A young child undertakes a "secret mission" while her father is away at war.First published from a French original in the 2015 collection The Great War: Stories Inspired by Items from the First World War but presented here in a small, neatly formatted volume with new illustrations, the tale features 5½-year-old Rosalie, who spends her days at the back of the one-room school while her mother is off at work. The older children and the teacher, a veteran who's lost an arm, think she's just dreaming and drawing pictures, but she's actually engaged in a mission: "One day I'll be awarded a medal for this. It's already gleaming deep within me." The nature of that mission comes clear one day when she sneaks home and discovers that she can finally read for herself the letters her father had been sending from the front—but instead of the optimistic, loving missives her mother had been "reading" to her, she discovers them to be dark cries of anguish and despair. That very day a final letter arrivesâ¦from the Ministry of War, with a medal enclosed. Rather than end with that crushingly ironic twist, though, de Fombelle leaves Rosalie smiling, through her tears, at a friend and regarding the medal not as a dead thing but something alive. The bright red hair of Rosalie and her mother seems to glow in the gray, wintry light of Arsenault's village scenes, likewise offering hints of life and warmth even in the face of terrible loss. Everyone in view is white.A spare tale likely to engender deep, complex responses. (Historical fiction. 10-14)
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
ALA Booklist (Wed May 01 00:00:00 CDT 2019)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Timothée de Fombelle and Isabelle Arsenault capture the heart-wrenching cost of war for one small girl in a delicately drawn, expertly told tale.
While her father is at war, five-year-old Rosalie is a captain on her own secret mission. She wears the disguise of a little girl and tracks her progress in a secret notebook. Some evenings, Rosalie’s mother reads aloud Father’s letters from the front lines, so that Rosalie knows he is thinking of her and looking forward to the end of the war and to finally coming home. But one day a letter comes that her mother doesn’t read to her, and Rosalie knows her mission must soon come to an end. Author Timothée de Fombelle reveals the true consequence of war through the experiences of small, determined Rosalie, while acclaimed artist Isabelle Arsenault illustrates Rosalie’s story in muted grays marked with soft spots of color — the orange flame of Rosalie’s hair, the pale pink of a scarf, the deep blue ink of her father’s letters. All the more captivating for the simplicity with which it is drawn and told, this quiet tale will stay with the reader long after its last page is turned.