In 1986, a Newfoundland teen learns that family isn't always the one you're born into—sometimes it's the one that takes you in.Bun O'Keefe has grown up isolated in a run-down house with her mother, a 300-pound hoarder, who has deprived Bun of love, care, conversation, and education. When Bun's mother tells her to get out, the literal-minded 14-year-old white girl goes to St. John's, where she meets a close-knit group of disillusioned young adults. There's Busker Boy, a Sheshatshiu Innu street performer; Big Eyes, a lapsed Catholic, white good girl who can't bring herself to swear; Chef, a talented, white culinary student; and Cher/Chris, a white drag queen. The found family of four takes Bun in, feeds and clothes her, and teaches her what it means to be loved and supported. Although Bun is 14, she possesses the endearing naiveté and honesty of a child, but her first-person narration isn't sappy or immature. She's self-taught, courtesy of the many books and video tapes her mother has brought home, and her point of reference for the world is the 1978 documentary The Agony of Jimmy Quinlan, about an alcoholic on the streets of Montreal. Smith's talent lies in deftly handling numerous heavy topics: suicide, sexual abuse, neglect, AIDS, homophobia, transphobia, and racism, without making them feel forced or gratuitous—they're facts of life. Bun O'Keefe will settle comfortably at home in readers' hearts. (Historical fiction. 13-17)

It's 1986, in New Foundland, and when 14-year-old Bun's hoarder mother shouts, "Go on! Get out!" she takes it literally and walks all the way to St. John's. When she arrives, she's lucky enough to meet a kind busker, who offers her a place in the house he shares with a group of compassionate, playful misfits, who, for a variety of reasons, have made a family out of each other. Through Bun's strong, distinctive narrative, it becomes clear that she's been neglected and abused, and her fixation on reciting facts helps her cope. With Busker Boy and his friends, however, she finally begins to experience true care and love. The strongest elements of Smith's novel are Bun's voice and perspective e's been so isolated from real affection that learning how to recognize it is a long, illuminating process, and Smith captivatingly unspools that journey, along with the backstories of the vibrant secondary characters. Though some plot elements are a bit too good to be true, Smith's focus on Bun's resilience in the wake of the hardship of her experiences is admirable.

In 1986, a Newfoundland teen learns that family isn't always the one you're born into—sometimes it's the one that takes you in.Bun O'Keefe has grown up isolated in a run-down house with her mother, a 300-pound hoarder, who has deprived Bun of love, care, conversation, and education. When Bun's mother tells her to get out, the literal-minded 14-year-old white girl goes to St. John's, where she meets a close-knit group of disillusioned young adults. There's Busker Boy, a Sheshatshiu Innu street performer; Big Eyes, a lapsed Catholic, white good girl who can't bring herself to swear; Chef, a talented, white culinary student; and Cher/Chris, a white drag queen. The found family of four takes Bun in, feeds and clothes her, and teaches her what it means to be loved and supported. Although Bun is 14, she possesses the endearing naiveté and honesty of a child, but her first-person narration isn't sappy or immature. She's self-taught, courtesy of the many books and video tapes her mother has brought home, and her point of reference for the world is the 1978 documentary The Agony of Jimmy Quinlan, about an alcoholic on the streets of Montreal. Smith's talent lies in deftly handling numerous heavy topics: suicide, sexual abuse, neglect, AIDS, homophobia, transphobia, and racism, without making them feel forced or gratuitous—they're facts of life. Bun O'Keefe will settle comfortably at home in readers' hearts. (Historical fiction. 13-17)

Gr 9 Up-ourteen-year-old Bun O'Keefe is the daughter of an obsessive hoarding mother in 1980s Newfoundland. Her father left Bun and her mother when she was younger. She has been raised surrounded by the things her mother hoardslearning how to read through gift magazines, and celebrating holidays with the television, while her mother goes out and shops. She is unique in the sense that she is obsessed with learning new things and memorizing movie lines. But her mother grows tired of her quirks and tells her to leave without returning. The protagonist is found by a 20-year-old member of the Inuit people whom she knows as "Busker Boy," who then takes her home to his temporary living arrangements with fellow young adults with traumatic experiences. Bun learns through her comrades how to once again feel emotion, admitting her abused past with her mother, while helping her friends through their own history. The writing style might be a bit jarring at first for some, but once readers figure out that the text reflects the main character's thought processes, it makes the book that much more accessible. Teens will truly dive into Bun's mind and her surroundings through her understanding of the world. Intense situations, such as suicide, rape, molestation of a minor, human trafficking, and violence all appear in the story. The well-crafted characters will take teens on an emotional roller-coaster ride of joy and despair. VERDICT A nuanced, well-done novel about tough topics that deserves a place in most collections.Danielle Jacobs, Las Vegas Clark County Library District