Starred Review Always more interested in what's happening outside the school walls than in his classroom, Rodney has a reputation for goofing off. He's not impressed to hear that the word of the week is "majestic . . . grand and beautiful," or that his class will be visiting a park on Friday. After all, his mother has warned him to stay away from their neighborhood park, a small, uninviting triangle of yellow grass. But when Friday comes, the school bus takes his class out into the countryside. At their destination (perhaps a national park), he runs fast, climbs rocks slowly, calls loudly, watches quietly, and feels "more outside than he had ever been before." On the ride home, he's uncharacteristically still and silent except for calling the park "majestic." The well-phrased text shifts gears effectively in the field trip scenes, where brief, paired sentences focus tightly on Rodney's experiences and let the illustrations work their magic. In a series of softly lit, beautifully shaded paintings, Cooper depicts Rodney as a likable black kid whose active curiosity and high energy find liberation in the park. Rodney's teacher, Momma, his multicultural class, and his transcendent encounter with the natural world are subtly, expressively portrayed. A heartwarming picture book.

Can-never-sit-still Rodney really wants to be outside, but it seems the world conspires against his urges—but now, Rodney finally makes it outside, "more outside than [he's] ever been before." This book neatly nestles itself among recent trends of growing engagement with African-American populations within our national parks, as well as offering a measured response to the ways black boys may struggle with school cultures that enforce seated obedience over genuine curiosity. We all know Rodney. He's a smart kid who follows his innate impulses, well enough to further his interest in the wonders of the world. The text allows readers to decide the thorny question of whether Rodney is worthy of an ADHD diagnosis. Because what happens when Rodney finally makes it outside on a class field trip to a park that puts him directly in contact with nature? He's high, he's low, and he's everywhere in between as his natural impulses to explore and discover lead to a calm, "majestic" conclusion. Cooper's signature style captures Rodney's fidgetiness indoors and his growing excitement as the school bus rumbles out of town. In the park, a sequence of spectacular double-page sequences places Rodney within the park's many wonders, and readers can see clearly how this immersion in nature allows the boy to be exactly himself. Combining the amazement offered by the natural world with an unconventional and poignant dose of social commentary, this story gives more to its readers than what meets the eye. (Picture book. 5-9)

Can-never-sit-still Rodney really wants to be outside, but it seems the world conspires against his urges—but now, Rodney finally makes it outside, "more outside than [he's] ever been before." This book neatly nestles itself among recent trends of growing engagement with African-American populations within our national parks, as well as offering a measured response to the ways black boys may struggle with school cultures that enforce seated obedience over genuine curiosity. We all know Rodney. He's a smart kid who follows his innate impulses, well enough to further his interest in the wonders of the world. The text allows readers to decide the thorny question of whether Rodney is worthy of an ADHD diagnosis. Because what happens when Rodney finally makes it outside on a class field trip to a park that puts him directly in contact with nature? He's high, he's low, and he's everywhere in between as his natural impulses to explore and discover lead to a calm, "majestic" conclusion. Cooper's signature style captures Rodney's fidgetiness indoors and his growing excitement as the school bus rumbles out of town. In the park, a sequence of spectacular double-page sequences places Rodney within the park's many wonders, and readers can see clearly how this immersion in nature allows the boy to be exactly himself. Combining the amazement offered by the natural world with an unconventional and poignant dose of social commentary, this story gives more to its readers than what meets the eye. (Picture book. 5-9)

Created in collaboration with Dream On Publishing, founded by Bogan, this inspiring story traces a transformative trip to an enormous park. Rodney, a restless, brown-skinned student, dreams of spending time outside and settles for being a class clown in the meantime. Warned that his behavior might keep him from an upcoming class trip to the park, Rodney is unconcerned: -He knew all about the park. It was a small, triangle-shaped patch of yellow grass next to the corner store and the bus stop.- The class-s actual destination is a far grander setting, where Rodney and his diverse classmates inspect rocky outcroppings, towering trees, and impossibly tiny bird eggs. In hazy scenes that glow with warmth, Cooper (Frederick Douglass: The Lion Who Wrote History) pays homage to the dramatic landscape of the unnamed park, but the focus of his images and Bogan-s understated writing is on Rodney, and how he finally has the freedom to investigate nature intimately and on his own terms. It-s a stirring reminder of the importance of access to nature, and how rare that access is for many children. Ages 4-8. (Aug.)

PreS-Gr 2Rodney has trouble being inside and sitting still at school. Though he acts like a clown in his diverse classroom, the boy is also a careful observer of his urban environment, noticing small insects and birds gliding overhead. Rodney enjoys being outside but is less than thrilled when his teacher announces that the students are going to visit a park. The African American child imagines they will be going to the nearby small, seedy green space his mother forbids him to enter. On field trip day, Rodney is surprised when the bus leaves the city, travels through the countryside, and climbs high onto a mountain. For the first time in his life, the boy really feels "outside" as he explores nature and many of its wild wonders. Rodney discovers he can change from fast to slow or loud to quiet, depending on the situation. Illustrator Cooper uses his trademark oil wash technique to reveal views of Rodney's city, then depicts the beauty of a vast mountaintop park. The small boy's world is greatly enlarged by his unexpected joyful experience. Readers are left to hope that this is just the first of many eye-opening, and perhaps life-changing, adventures for the boy. VERDICT A lovely book to share one-on-one or with a class preparing for an outing.Maryann H. Owen, Children's Literature Specialist, Mt. Pleasant, WI