Using only seven words, Castrillón tells a rich story of a girl's adjustment after moving from a house in the country to an apartment in the city. It is with a tearful goodbye that the girl, rosy cheeked with a short black bob, presses her face against the rear window of her parents' car as it drives away. Castrillón's distinctive, whimsical illustrations arresting combination of pencil and digital color ow the pangs of leaving a beloved place behind and highlight the girl's affinity for nature. The sun-kissed yellows and greens of the country give way to darker blues and pinks in the city. On her first night in the apartment, she finds comfort in planting seeds in a pot, which quickly grow in the balcony's sunlight. Brighter colors return, as does the girl's cheerful disposition, creating a lovely study in making a place your own. Castrillón creatively uses the page, clustering spot art alongside full- and double-page spreads of swirling lines and kaleidoscopic tones. The upbeat message of this tender tale blooms as beautifully as the plants in the little girl's care.

A child gardener makes a new place feel like home.The young protagonist, whose skin is the pale cream of the book's paper, enjoys the lush garden of their country home, serenely having tea with animal friends. Then a job change for their parents means goodbye. Saddened, they move to an apartment in the city, from which they gaze longingly at the distant country from their third-story balcony. They plant seeds in a pot, and, seemingly overnight, an asparagus-looking bloom sprouts. It grows steadily, eventually becoming even taller than the child's parents. With more plants, the balcony soon becomes an overflowing oasis of flora, attracting friendly animals, until the whole neighborhood is teeming with vegetation. The plants form connections among the community, including the protagonist's friendship with a next-door-neighbor child who has dark skin and wears their hair in braided knots. The occasional text provides some plot developments (a posted letter inviting the mother to take a job in the city) and conveys strong moods ("Hope" appears next to the child as they pot their initial plant). Digitally colored pencil illustrations are classically styled, with hatchings, strong lines, playful spatial distortions reminiscent of Wanda Gág, and a vintage-feeling tricolor palette. The organic elements have especially enchanting forms. Elegant drawings and sparse, emotive text make this story accessible to readers of a wide age range.A charmingly verdant tale in classic style. (Picture book. 4-8)

PreS-Gr 2 A young girl brings along her love of the outdoors as she makes the adjustment of moving from a country home to a city apartment in this mostly wordless attestation to the possibilities of change and the meaning of home. When her mother receives a great job offer in the city, a girl is heartbroken to leave her home's lush garden where she has found solace with the flora and fauna, only to move to an apartment where the main access to the outdoors is a small, barren balcony. Soon, with some seeds she brought with her, she starts a balcony garden that quickly flourishes, spilling over to the balconies below hers. While enjoying her garden, she meets a friend, which leads to a satisfying realization that home can be a lot of things. With only a few elegantly hand lettered words, Castrillón's richly hued digital and pencil Ottoman-style illustrations carry the story. Making use of the book's narrow shape, she moves back and forth between spreads and vignettes that add pacing and offer moments to pause and bask in the splendor of the magical world the girl is creating. Centered on the child's story, other story lines unfold in the background, reinforcing the book's theme of hope in change. VERDICT A book to assuage the fear of moving to a new home, this lovely illustrated tale will be a delightful addition to most collections. Danielle Jones, Multnomah County Library, OR