Four Three Two One
Four Three Two One
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Perma-Bound from Publisher's Hardcover ©2018--
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HarperCollins
Annotation: A year after witnessing nineteen people killed in a bus bombing, the four survivors of the tragic event take a road trip back to the same city block that it happened, encountering lies, secrets, and healing along the way.
 
Reviews: 5
Catalog Number: #197829
Format: Perma-Bound from Publisher's Hardcover
Publisher: HarperCollins
Copyright Date: 2018
Edition Date: 2018 Release Date: 11/13/18
Pages: 392 pages
ISBN: Publisher: 0-06-239854-7 Perma-Bound: 0-7804-6372-2
ISBN 13: Publisher: 978-0-06-239854-3 Perma-Bound: 978-0-7804-6372-1
Dewey: Fic
LCCN: 2017057332
Dimensions: 21 cm.
Language: English
Reviews:
ALA Booklist (Thu Nov 01 00:00:00 CDT 2018)

Before the explosion of Bus 21, Go and Chan were the perfect couple. After, as two of only four survivors, the space between them seems to grow every day. So when an opportunity to return to the site of the explosion and see an art installation based on that moment comes up, Go jumps at the chance. On the way, she's reunited with the remaining two survivors, who are also struggling with secrets and guilt about that day, trying to answer two questions y did we survive, and what do we do next? Stevens (Dress Codes for Small Towns?, 2017) has written a compelling examination of survivor's guilt and the stories people construct around senseless tragedy to try to make sense of it, including how damaging those created narratives can be. Go is a relatable protagonist whose simultaneous love for her family and need to break free rings true. Though the sporadically shifting perspectives can make the line of the narrative slightly confusing at first, overall it is a gripping story that's both entertaining and deeply moving.

Horn Book

A year after a bomb killed nineteen people on Bus 21 in NYC, the four survivors travel back to New York for an artist's commemoration of the tragedy. Each teen deals--often powerfully--with anger and guilt about that fateful day, but choppy pacing and many plot threads prevent maximum impact of this hopeful tribute to reclaiming life after tragedy.

Kirkus Reviews

Four teenagers whose sense of normalcy shattered when they became the only survivors of a bus bombing in New York City are invited to an artist's re-creation of the damaged vehicle.Golden and Chandler were together on the bus when it exploded. Since the event, a distance has grown between them that is only exacerbated by the invitation. Chan is stoic and craves stability, which he finds in their communal Kentucky home known as the Hive. Golden finds the Hive—and their relationship—stifling. Her thoughts and feelings keep drifting toward Rudy, another survivor who briefly caught her fancy that fateful day before the explosion. When Chandler refuses to attend the art opening, Golden and her uber-confident friend Becky hit the road, with the compass pointing toward Rudy in Florida. There, they also collect Caroline—who is Rudy's cousin, the final survivor, and the girlfriend of the bomber. Caroline cannot stop heaping punishment on herself. What follows is a messy road trip where hearts break, secrets are revealed, burdens are dropped, and each character stumbles closer toward forgiveness. The terrifyingly realistic plot and compelling characters (seemingly all white but diverse in physical abilities—Rudy uses a wheelchair—and sexuality—two girls are in a same-sex relationship) will immediately hook readers' attention even as the dialogue at times meanders into magniloquence.An original and captivating coming-of-age tale of trauma and resilience. (Fiction. 14-18)

School Library Journal (Mon Oct 01 00:00:00 CDT 2018)

Gr 9 Up-The author's latest is an earnest exploration of the emotional debris that trauma leaves in its wake. A year after surviving a deadly bus bombing, Golden "Go" Jennings makes the impulsive decision to rally her three fellow survivors and, together, board an artistic installation of Bus 21, reassembled from the rubble left behind. Though the teens lived through the unimaginable, moving past the guilt and fear they carry is not easy. As they make their way toward New York City to revisit the site of the explosion, they must come face to face with their own truths and secrets about that fateful day. Although the pace of the novel builds slowly, the unhurried development of characters and events makes for a satisfying crescendo. The author writes with depth and emotion, and the characters she creates are relatable, even for readers who have not experienced a trauma as public or as far-reaching as the explosion that sets this particular story into motion. In fact, there are many details to which some teens may not directly relate: Go's childhood on a commune in Kentucky, for example, or the expectations Go's family has that she begin to settle down with her boyfriend at such a young age. Yet within the story, these details feel natural and lend a unique edge to the novel. VERDICT A great choice for most YA shelves. Lauren Hathaway, University of British Columbia

Reviewing Agencies: - Find Other Reviewed Titles
ALA Booklist (Thu Nov 01 00:00:00 CDT 2018)
Bulletin of the Center for Children's Books
Horn Book
Kirkus Reviews
School Library Journal (Mon Oct 01 00:00:00 CDT 2018)
Word Count: 75,644
Reading Level: 4.9
Interest Level: 9-12
Accelerated Reader: reading level: 4.9 / points: 11.0 / quiz: 513859 / grade: Upper Grades

“This is not a book about a tragedy. This is a book about survivors, and hope, and belief. I wish this book wasn’t necessary, but it is. Read it. And then pass it on.” —Kathleen Glasgow, New York Times bestselling author of Girl in Pieces

“A whip-smart and deeply felt story about reclaiming life from the rubble of guilt and trauma, Four, Three, Two, One glows brilliantly with heart, humanity, and hope.” —Brendan Kiely, New York Times bestselling coauthor of All American Boys and author of Tradition

Golden “Go” Jennings wasn’t supposed to be on Bus 21 the day it blew up in New York City. Neither was her boyfriend, Chandler. But they were. And so was Rudy, a cute stranger Go shared a connection with the night before. And Caroline, a girl whose silence ended up costing nineteen people their lives.

Though it’s been a year since the bombing, Go isn’t any closer to getting over what happened. With Chan completely closed off to even talking about it, Go makes an impulsive decision: round up the rest of the survivors and head to New York City. There they will board an art installation made of the charred remnants of Bus 21 and hopefully reach some sort of resolution.

But things are never easy when it comes to rehashing the past. Uniting the four stirs up conflicting feelings of anger and forgiveness, and shows them that, although they all survived, they may still need saving.


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