Starred Review ALA Booklist (Wed Nov 01 00:00:00 CDT 2017)

Starred Review Some fairy tales ask to be lived in. They involve enchanted forests and handsome princes, talking animals, kind maidens, and wishes come true. Others are darker. Others have teeth. The Hinterland is one such savage place, not that Alice would know e hasn't read Tales from the Hinterland, the book penned by a grandmother she's never met. They aren't children's stories, her mother, Ella, says, and besides, the book itself is infamously elusive. Alice, quick to anger with a heart of ice, has spent her 17 years in constant motion; trailed by bad luck, she and Ella move from place to place, never staying anywhere long enough to put down roots. But when Ella is taken suddenly, the lines between the real world and the Hinterland start to blur. Faced with the loss of the only person she's ever loved, Alice must rely on Ellery Finch, the kind of Tales from the Hinterland superfan she's always avoided, to help her track down the world she thought existed only in her grandmother's imagination. In this unsettling debut, Albert takes familiar stories and carefully pulls them apart; the end result is a sort of deconstructed fairy tale that, despite its familiarity, gets under the skin. Highly literary, occasionally surreal, and grounded by Alice's clipped, matter-of-fact voice, it's a dark story that readers will have trouble leaving behind.HIGH-DEMAND: The buzz for this debut is deafening, and the fact that the film adaption is already in the works doesn't hurt.

Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)

A ferocious young woman is drawn into her grandmother's sinister fairy-tale realm in this pitch-black fantasy debut.Once upon a time, Althea Proserpine achieved a cult celebrity with Tales from the Hinterland, a slim volume of dark, feminist fairy tales, but Alice has never met her reclusive grandmother nor visited her eponymous estate. Instead, she has spent her entire 17 years on the run from persistent bad luck, relying only on her mother, Ella. Now Althea is dead and Ella has been kidnapped, and the Hinterland seems determined to claim Alice as well. The Hinterland—and the Stories that animate it—appear as simultaneously wondrous and horrific, dreamlike and bloody, lyrical and creepy, exquisitely haunting and casually, brutally cruel. White, petite, and princess-pretty Alice is a difficult heroine to like in her stormy (and frequently profane) narration, larded with pop-culture and children's-literature references and sprinkled with wry humor; her deceptive fragility conceals a scary toughness, icy hostility, and simmering rage. Despite her tentative friendship (and maybe more) with Ellery Finch, a wealthy biracial, brown-skinned geek for all things Althea Proserpine, any hints of romance are negligible compared to the powerful relationships among women: mothers and daughters, sisters and strangers, spinner and stories; ties of support and exploitation and love and liberation. Not everybody lives, and certainly not "happily ever after"—but within all the grisly darkness, Alice's fierce integrity and hard-won self-knowledge shine unquenched. (Fantasy. 16-adult)

Horn Book

After seventeen-year-old Alice's mother is abducted, she realizes their perpetual bad luck comes from the nasty fairy-tale world of her grandmother's cult-classic collection, Tales from the Hinterland. With help from classmate Ellery, Alice travels to creepy Hazel Wood, her grandmother's remote estate. Shifting from urbane realism to a kaleidescopic, metafictional dream world of fairy-tale tropes and nightmare, the narrative always displays a distinctive voice and ebullient love of language.

School Library Journal Starred Review (Sun Oct 01 00:00:00 CDT 2017)

Gr 9 Up-lice Proserpine's mother Ella was raised on fairy tales amid the cultlike fandom surrounding the release of Tales from the Hinterland, a collection of grim fairy tales that, in the 1980s, briefly made Alice's grandmother Althea Proserpine a celebrity. Instead of fairy tales, Alice has highways as she and her mother constantly move around hoping to outrun their eerie bad lucksomething that seems much more likely when they learn that Althea has died alone on her estate known as The Hazel Wood. Everything isn't as it seems, and soon after, Alice's mother is kidnapped, leaving nothing except a warning for Alice to stay away from The Hazel Wood. The teen reluctantly enlists her classmate and not-so-secret Hinterland fan Ellery Finch, who may or may not have ulterior motives for helping, to share his expertise on the fairy tales. The path to the Hazel Wood leads Alice straight into the story of her family's mysterious past. Albert's standalone fantasy debut has a narration in the vein of a world-weary noir detective who happens to be a teenage girl. Resourceful, whip-smart, and incredibly impulsive, Alice also struggles with her barely contained rage as circumstances spiral out of her control. Her singular personality largely excuses the lack of context for much of her knowledge and cultural references that hearken more to a jaded adult than a modern teen. The lilting structure and deliberate tone bring to mind fairy tales both new and retold while also hinting at the teeth this story will bear in the form of murder, mayhem, and violence both in the Hinterland tales and in Alice's reality. VERDICT An aggressive lack of romance and characters transcending their plots make this story an empowering read that will be especially popular with fans of fairy-tale retellings.Emma Carbone, Brooklyn Public Library

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

A ferocious young woman is drawn into her grandmother's sinister fairy-tale realm in this pitch-black fantasy debut.Once upon a time, Althea Proserpine achieved a cult celebrity with Tales from the Hinterland, a slim volume of dark, feminist fairy tales, but Alice has never met her reclusive grandmother nor visited her eponymous estate. Instead, she has spent her entire 17 years on the run from persistent bad luck, relying only on her mother, Ella. Now Althea is dead and Ella has been kidnapped, and the Hinterland seems determined to claim Alice as well. The Hinterland—and the Stories that animate it—appear as simultaneously wondrous and horrific, dreamlike and bloody, lyrical and creepy, exquisitely haunting and casually, brutally cruel. White, petite, and princess-pretty Alice is a difficult heroine to like in her stormy (and frequently profane) narration, larded with pop-culture and children's-literature references and sprinkled with wry humor; her deceptive fragility conceals a scary toughness, icy hostility, and simmering rage. Despite her tentative friendship (and maybe more) with Ellery Finch, a wealthy biracial, brown-skinned geek for all things Althea Proserpine, any hints of romance are negligible compared to the powerful relationships among women: mothers and daughters, sisters and strangers, spinner and stories; ties of support and exploitation and love and liberation. Not everybody lives, and certainly not "happily ever after"—but within all the grisly darkness, Alice's fierce integrity and hard-won self-knowledge shine unquenched. (Fantasy. 16-adult)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Alice Proserpine has grown up on the run, haunted by a book her mother, Ella, has forbidden her from reading: Tales from the Hinterland. It-s a collection of unsettling fairy tales written by a grandmother Alice has never met, a recluse with an obsessive fandom. Then Althea, the grandmother, dies, and Ella cryptically declares them free. Alice is focused on how they can turn their straw existence into a brick one after so many peripatetic years, and she-s bitterly disappointed with Ella-s solution: marry up. Shortly after, Ella goes missing, sending Alice and classmate Ellery Finch directly to the place Ella warned Alice to avoid: the Hazel Wood, Althea-s estate, where Alice painfully unravels the mystery of her childhood. Albert-s debut is rich with references to classic children-s literature; Alice-s sharp-edged narration and Althea-s terrifying fairy tales, interspersed throughout, build a tantalizing tale of secret histories and magic that carries costs and consequences. There is no happily-ever-after resolution except this: Alice-s hard-won right to be in charge of her own story. Ages 12-up. Agent: Faye Bender, Book Group. (Jan.)