A diverse and compelling fiction anthology that taps 17 established, rising star, and new #ownvoices talents.Editor Zoboi (Pride, 2018, etc.) lays out the collection's purpose: exploring black interconnectedness, traditions, and identity in terms of how they apply to black teens. Given that scope, that most stories are contemporary realistic fiction makes sense (Rita Williams-Garcia's humorous "Whoa!" which dips into the waters of speculative fiction, is a notable exception). Conversely, the characters are incredibly varied, as are the narrative styles. Standouts include the elegant simplicity of Jason Reynolds' "The Ingredients," about a group of boys walking home from the swimming pool; Leah Henderson's "Warning: Color May Fade," about an artist afraid to express herself; the immediacy of Tracey Baptiste's "Gravity," about a #MeToo moment of self-actualization birthed from violation; Renee Watson's reflection on family in "Half a Moon"; and the collection's namesake, Varian Johnson's "Black Enough," which highlights the paradigm shift that is getting woke. In these stories, black kids are nerds and geeks, gay and lesbian, first gen and immigrants, outdoorsy and artists, conflicted and confused, grieving and succeeding, thriving and surviving—in short, they're fully human. No collection could represent the entire spectrum of blackness, however, the presence of trans, Afro-Latinx, and physically disabled characters is missed: a clarion call for more authentic black-centric collections.A breath of fresh air and a sigh of long overdue relief. Nuanced and necessary. (contributor biographies) (Anthology. 12-18)

This collection of 17 original stories is written by contemporary black authors who explore -teens examining, rebelling against, embracing, or simply existing within their own idea of blackness.- The tales offer a wide array of perspectives and thoughtful reflections on black teenagers- experiences, with pervading themes that include black identity (Varian Johnson-s -Black Enough-), sexual awakening (Justina Ireland-s -Kissing Sarah Smart-), and teenage worries. The stories, all worth savoring, share a celebratory outlook on black teenagers fully and courageously embracing life. Ages 13-up. (Jan.)

A diverse and compelling fiction anthology that taps 17 established, rising star, and new #ownvoices talents.Editor Zoboi (Pride, 2018, etc.) lays out the collection's purpose: exploring black interconnectedness, traditions, and identity in terms of how they apply to black teens. Given that scope, that most stories are contemporary realistic fiction makes sense (Rita Williams-Garcia's humorous "Whoa!" which dips into the waters of speculative fiction, is a notable exception). Conversely, the characters are incredibly varied, as are the narrative styles. Standouts include the elegant simplicity of Jason Reynolds' "The Ingredients," about a group of boys walking home from the swimming pool; Leah Henderson's "Warning: Color May Fade," about an artist afraid to express herself; the immediacy of Tracey Baptiste's "Gravity," about a #MeToo moment of self-actualization birthed from violation; Renee Watson's reflection on family in "Half a Moon"; and the collection's namesake, Varian Johnson's "Black Enough," which highlights the paradigm shift that is getting woke. In these stories, black kids are nerds and geeks, gay and lesbian, first gen and immigrants, outdoorsy and artists, conflicted and confused, grieving and succeeding, thriving and surviving—in short, they're fully human. No collection could represent the entire spectrum of blackness, however, the presence of trans, Afro-Latinx, and physically disabled characters is missed: a clarion call for more authentic black-centric collections.A breath of fresh air and a sigh of long overdue relief. Nuanced and necessary. (contributor biographies) (Anthology. 12-18)

Gr 9 Up-A compilation of short stories that offers unique perspectives on what it means to be young and black in America today. Each entry is deftly woven and full of such complex humanity that teens will identify with and see some of their own struggles in these characters. In Leah Henderson's "Warning: Color May Fade," a prep school girl examines the cost of being and remaining invisible in a world carefully crafted to exclude her. Two girls take the peer pressure of naked selfies and turn it on its head in "Girl, Stop Playing" by Liara Tamani. A group of young black boys dream up food creations heavily influenced by the flavors of other cultures in "The Ingredients" by Jason Reynolds. This collection presents the beauty of black humanity in all its many forms. The teens in these tales are dealing with mental health issues, complicated family dynamics, sexuality and gender constraints, and being part of a marginalized group. The entries offer a rich tableau of the black teen diaspora in an accessible way. VERDICT A great volume for all libraries serving young adults. Desiree Thomas, Worthington Library, OH

Starred Review What is it like to be young and black, and yet not black enough at the same time? That's the question explored in this poignant collection of stunning short stories by black rock-star authors, including Justina Ireland, Jason Reynolds, Nic Stone, and Brandy Colbert. The stories center on the experience of black teens, while driving home the fact that they are not a monolith; one person's experiences, reality, and personal identity can be completely different from another's. Family, friends, belonging, isolation, classism, and romance are among the topics that take center stage, and the stories' teens come from a diverse array of backgrounds (e.g., economic, neighborhood, country of origin). Readers glimpse the struggles, achievements, heartaches, and joys of a host of black teens who are authentically and lovingly portrayed. From the kid with two black parents to the mixed-race kid with one black parent, all of the characters grapple with the heart-wrenching question most real-life black teens struggle with (and never should need to): Am I black enough? The additional magic of this collection is that it shirks off the literary world's tired obsession with only depicting the struggles of black teens. With this, readers see everyday struggles as well as the ordinary yet remarkable joys of black teens that have nothing to do with the trauma of their history.