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Adoption. Fiction.
Identity. Fiction.
Families. Fiction.
Jews. United States. Fiction.
African Americans. Fiction.
Holocaust, Jewish (1939-1945). Fiction.
Twelve-year-old Imani Mandel, a black adoptee living in an all-white Baltimore neighborhood, prepares for her bat mitzvah and wonders about her birth parents. When her great-grandmother dies, Imani inherits the diary she kept as a 12-year-old fleeing the Nazis in Luxembourg. From journal entries and additional research, Imani comes to identify with Grandma Anna; the two may not share DNA, but their experiences as adoptees connect them. Recounted in first person by Imani (alternating with diary entries from young Anna to her twin), Weissman's newest (Nerd Camp, 2011, and Nerd Camp 2.0, 2014) adds to her oeuvre of middle-grade novels featuring smart kids learning life lessons. Imani is skilled at playing tennis and fielding obnoxious racial questions, curious about her origins, and often at odds with her mother. Anna braves a new life in New York, although she remains connected "by a length of string" to her sister. And although a few plot elements feel a bit contrived (family DNA tests and locating Anna's long-lost brother), they will no doubt please the intended audience.
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Twelve-year-old Imani is preparing for her bat mitzvah and working up the courage to ask her parents for the gift she wants: their help searching for her birth parents. As one of the only black kids in her Baltimore community, Imani is used to insensitive questions about her background and Judaism, and she longs to connect with the biological family who share her DNA. When she discovers her great-grandmother Anna-s diary of her journey from Luxembourg to Brooklyn to escape the Nazis, she finds a kindred spirit. Interspersed journal entries detail Anna-s story: she was the first of her siblings to leave the family, though her
ALA Booklist (Thu Mar 01 00:00:00 CST 2018)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
22 August 1941
t. 1950
Dear Belle,
All my life I've shared with you. Before we were born, we shared Mama's belly, splitting the resources so equally that we weighed the exact same amount at birth. The story of our arrival was our bedtime story for years and years. How the doctor didn't realize there were two of us until nine minutes after I was born, when you followed me into life. (How you have always loved a good surprise!) How in those nine minutes, Mama and Papa had already named me Annabelle. How they were so shocked at your arrival, they didn't think to come up with a second name. Instead, they split mine in two. I became Anna, you Belle.
Twelve years later, we share more than a name. To strangers, we're identical. We have the same straight brown hair cropped to the same place beneath our ears, the same gray-green eyes, the same pattern to our forehead wrinkles when we squint without our same-prescription glasses. We have the same height, the same weight, the same narrow heels that make buying shoes the same type of challenge. Save the mole on my left elbow that you lack, we are mirror replicas. So, like a name, we share our appearance.
We certainly don't share a personality. You are carefree and adventurous, while I am careful and cautious. You are quick to laugh, but also quick to cry. Your emotions flap back and forth like clothes drying on the line. We are both 12 but in many ways you are like our baby sister Mina, lashing out in anger in one moment, then jumping with delight the next, your hurt erased at the sight of something pretty.
Don't be angry at that comparison. You are the fun twin, the mischievous twin, the reckless and funny and passionate twin. I am the dull twin, the quiet twin, the responsible and reserved twin. I'm more careful than you, and more deliberate. I compared you to Mina, but you always compare me to Oliver. That is a compliment as well. Oliver is only 4, but he's wiser than most adults. We all love his story too. How he had so many ear infections as a baby that Mama used to worry he wouldn't hear. How he now hears every whisper, and how nothing escapes his big blue eyes. We know it's more than that, however. He understands. People, ideas, feelings . . . it's as though the tubes the doctor put in his ears made a path all the way to his heart. I am quiet like Oliver, and I like to think I share at least some of his intuition.
Of course I've arrived back at sharing. With so many brothers and sisters, we know nothing besides sharing. Me, you, Oliver, Mina, Greta (who is every bit 9), and Kurt, now 14 . . . Our house was quite full enough with 8 people. When the occupation pushed Grandmother and Grandfather to move in, it became nearly unbearable for us all. I know you too have wished to have something for yourself . . . a bed, a hairbrush, a whole potato, or an entire magazine. The only thing I've ever had for me and me alone are my thoughts. I try to keep them for just me, but in that I even fail, for you, Belle, know me to my core. You speak for me and through me, and often (does this happen to you?) it's as though I don't know my own opinion until I hear you speak yours.
I've often wished for some time alone . . . some moments, belongings, or experiences just for me. I wanted to be like the magician who performs at the Luxembourg Fair and make my 5 siblings, even you, even Oliver, vanish.
Now here I am, crossing the ocean, my wish come regrettably true. Who is vanishing, you or me?
Chapter 1
October 2014
"You're invited!"
Parker Applebaum dangled two postcards over the low shelves in the synagogue library. Even though I couldn't see her from my spot on the floor with Madeline, I knew it was Parker because there was a giant photo of her face taking up half the postcard. Madeline and I looked at each other and suppressed giggles. The picture looked like it was meant for a department store ad. Parker's long red hair was blowing in the wind, and her mouth was open in a hearty grin, like the photographer--no doubt a professional one--had caught her mid-laugh.
Madeline squinted at the postcard. "Where are her braces?"
Parker's actual face appeared over the bookshelf. "Photoshopped out," she explained. "This photographer's amazing. He doesn't usually do bat mitzvahs, but he's willing to do mine because we used him for my modeling portfolio. Let me know if you want his number. I can probably get you guys in too. And," Parker sang, her lips curling up, "guess who else is invited." She cocked her head in the direction of the tables in the center of the library.
"The whole class?" Madeline deadpanned.
The corners of Parker's lips dropped. "I was talking to Imani," she said. She smiled at me and did a double-raise of her eyebrows. "I'm inviting Ethan Bloom."
"Okay," I said, trying to sound casual. Ethan and I are both on our school tennis team, and ever since Parker heard him compliment my backhand a couple weeks ago, she's been convinced that he likes me. I'm not as convinced. It's not like he complimented my serve (which stinks). Everyone compliments my backhand, because it's killer.
"I'm going to sit you and Ethan at the same table," Parker said with some more eyebrow wiggling.
Mrs. Coleman's face appeared above Parker's. "Girls," she said. "Back to your projects, please."
Parker smiled and handed Mrs. Coleman a postcard. "You're invited, Mrs. Coleman."
"December sixth," our teacher said without needing to look. "Will you have your haftorah ready by then? How about the research project you're supposed to be working on as we speak?"
"Yeah, yeah." Parker rolled her eyes and reminded us, "December sixth," before walking away.
Madeline and I went back to our Holocaust books. As if we didn't have to do enough to prepare for our bat mitzvahs (write a speech, know all the prayers, read nine lines of Torah, sing a long haftorah portion . . .), we each had to research some aspect of the Holocaust. Like we hadn't heard enough about the Holocaust every year of our lives. I'm usually pretty good about doing classwork, even for Hebrew school, but this assignment was seriously uninspiring. We couldn't even use the internet to look stuff up the easy way; Mrs. Coleman was making us use actual books, which was why our Hebrew school class had permanently relocated from a classroom to the synagogue library.
Not wanting to think about Ethan or my Holocaust project, I waited till Mrs. Coleman was out of earshot and then poked Madeline with Parker's postcard. "Are you going to have your photo on your invitations?" I whispered.
Madeline blew air through her lips, like a bike tire deflating. "I don't think so. We're not even going to do paper invites; wastes too many trees."
Figures. Madeline's parents are green to the extreme.
"When are you going to tell your parents what you want for your present?" she asked.
I sighed and leaned back into the bookshelf. Instead of having a blowout party for my bat mitzvah (like Parker) or a tasteful luncheon (like Madeline), I'm going to get a big present. My parents said they'd get me whatever gift I want, within reason. I know exactly what I want, but so far I've only worked up the nerve to tell Madeline. I also told Madeline to make sure I don't chicken out of asking, and boy, was she keeping that promise.
"Imani." She poked my arm with her pointer finger. "Just tell them. They said you can have anything."
"Within reason," I reminded her.
"What could be more reasonable than wanting to know who you are?" Madeline flipped through the pages of the book she was holding. It was full of old pictures of white people, emaciated, with sunken cheeks and resigned eyes. "Remember when we used to look at that Children of the World book? The one with the people from all different countries?"
"Oh yeah," I said, as though just now remembering. "You used to hold it up next to me and try to see which country my ancestors might be from." This was always a one-way game, since there's nothing mysterious about where Madeline gets her appearance. She looks exactly like her mom, only shorter.
"We thought that girl from Ghana could be your twin!" Madeline laughed, which made Mrs. Coleman appear again.
"Mayim. Emunah." She said our Hebrew names like she was too tired to be stern, which made me feel worse than if she'd just yelled at us.
"Sorry," I said.
We looked back at our books, but now my mind was with the Children of the World. That book was about how everyone's the same on the inside, but I always liked it more for how different everyone looks on the outside. In my town, everyone looks pretty much the same, and it's not like me. Nobody in my own family even looks like me. My mom is tall and sturdy, like she's built to survive a Nordic winter. My dad is also tall, but angular and spindly, like he'd have to spend that Nordic winter huddled close to the fireplace (probably stocked with wood my mom had chopped). They both have fair skin, thick brown hair, and icy blue eyes.
My brother Jaime's skin is a shade darker. His eyes are brown, and his hair is a shiny black. Not surprising, given that he's adopted from Guatemala.
Then there's me. I'm short and skinny. My arms and legs look like toothpicks no matter how much tennis I play or how many bowls of tortellini I eat. (My records, by the way, are fifteen hours of tennis in one week and five bowls of tortellini in one sitting. I like tennis, but I'm obsessed with tortellini.) My complexion's a little darker than Jaime's, but my light brown eyes are flecked with green. My hair is soft and springy, with tight coils that extend up and out, challenging gravity. Parker says I look "exotic"--she's actually used that word, straight out of an ad for some honeymoon resort--and she's always lamenting that she doesn't. She says I'd get a ton of modeling jobs if I wanted them. Apparently, talent agents want people whose ethnicity "keeps you guessing."
I'm no stranger to guessing. I know I was born in Philadelphia, and I know my birth mother was black. The rest has been left to my imagination, and boy, has my imagination embraced the challenge. Long after Madeline outgrew Children of the World, I kept playing on my own, holding up pages next to my reflection in the mirror. Picture by picture, I'd compare the tone of my skin, the shape of my nose, lips, eyes. Is my father Irish or Italian? Am I a quarter Filipino? Part Indian or Latina or Arab? I never have an answer when people ask, "What are you?" I usually tell them I'm human, but sometimes I also add that I'm Jewish, just to make them more confused.
When Madeline and I were in third grade, and she said that Ghanaian girl looked like my twin, I started to wonder if I really might have a twin somewhere in the world. I imagined that my mother gave birth to twins, but she could only afford to keep one child, so she placed me for adoption. Unlikely, I know, and not the happiest story. But even if it were true--that I was a twin and my birth mother kept my sister but not me--I told myself I could handle it. I just wanted to know.
I still want to know.
That's why, for my bat mitzvah gift, I want to find my family. My first family. My blood-and-guts, double-helix, you're-as-stubborn-as-your-father family.
Does that sound reasonable?
My phone vibrated in my pocket, and I nearly jumped. I glanced around to make sure Mrs. Coleman was out of sight, then I took it out. A text from Madeline, who was still, like, twenty inches away. I rolled my eyes at her, but she was pretending to be very interested in Kristallnacht. (Like, too interested. She was pointing at something in the book and nodding and saying "hmm.")
I opened her text. Tell your parents tonight.
I sighed again. Maybe I shouldn't have asked Madeline to make sure I do this. She wants to be an investigative reporter when she grows up--like one of the people on NPR, this boring radio station her parents always have on in the car--and I was starting to wonder if she was in this for me, or if she was just hoping for her first big story: From NPR News in Baltimore, I'm Madeline Winter with the latest on Imani's adoption story.
I guess I could tell her to back off, but I do want to investigate this too. More than anything. I just wish I could do it in a way that won't hurt my parents beyond repair.
Another vibration. Another text from the reporter-in-training. Play the bat mitzvah card. Adult in Judaism, etc. etc.
This was a convincing point. When we turn thirteen and have our bat mitzvahs, we'll be considered adults in the Jewish religion. It doesn't get us much in the real world--I won't be able to see R-rated movies or buy a scratch-off lotto ticket or anything--but Mrs. Coleman and Rabbi Seider like to remind us that it does mean something symbolically. The symbolism seems extra applicable to me, since the odds that I'm genetically Jewish are probably, like, zero. Madeline thinks I should milk that symbolism for all it's worth. I'm the only black girl in Hebrew school, gamely researching a heritage that has no biological connection to me. The least my parents can do is let me research my real history too, right? If I'm considered an adult in Judaism, I should be old enough to deal with whatever I discover.
Ok, I texted back. I will. I was feeling strong and sure. I was really going to do it. That night.
I watched Madeline's eyes move down to the phone hidden in her book. Then she looked up at me and nodded, her freckled face lit up with satisfaction. "Just don't run away and live with your biological family, wherever they are, okay?" she whispered.
"No way," I said. I held up Parker's invitation. "Then I'd miss the event of the century."
Madeline shook her head. I thought she might bring up Ethan, who I could see cleaning his glasses with the bottom of his T-shirt, but instead she said, "I can't believe her braces are Photoshopped out."
"Parker always looks good in pictures," I said, "even without Photoshop. How come I always look like I'm about to sneeze?"
"You look great in pictures," Madeline insisted. "I'm the one who always has, like, one eye half blinking and the other looking at the wrong camera."
She made a face, trying to demonstrate, and I let out a laugh so loud, the entire class--including Ethan--looked our way. Mrs. Coleman did not look happy. Luckily, the bell rang at that exact moment, and Madeline and I bolted before we could get in trouble. We ran, laughing and puffing, out the side door of the temple and to the corner, where we had to wait for our younger brothers so we could all walk home together.
"Let me know what your parents say," Madeline said, catching her breath.
"I will," I promised. "Tonight."
Excerpted from The Length of a String by Elissa Brent Weissman
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Imani is adopted, and she's ready to search for her birth parents. Anna has left behind her family to escape from Holocaust-era Europe to meet a new family--two journeys, one shared family history, and the bonds that make us who we are. Perfect for fans of The Night Diary.
Imani knows exactly what she wants as her big bat mitzvah gift: to find her birth parents. She loves her family and her Jewish community in Baltimore, but she has always wondered where she came from, especially since she's black and almost everyone she knows is white. Then her mom's grandmother--Imani's great-grandma Anna--passes away, and Imani discovers an old journal among her books. It's Anna's diary from 1941, the year she was twelve and fled Nazi-occupied Luxembourg alone, sent by her parents to seek refuge in Brooklyn, New York. Anna's diary records her journey to America and her new life with an adoptive family of her own. And as Imani reads the diary, she begins to see her family, and her place in it, in a whole new way.