Perma-Bound from Publisher's Hardcover ©2019 | -- |
Publisher's Hardcover ©2019 | -- |
Slavery. Fiction.
Fugitive slaves. Fiction.
African Americans. Fiction.
Family life. Fiction.
Starred Review Every dawn begins the same for the enslaved family of four featured in this book: "The bell rings, / and no sun in the sky. / Daddy gathers wood. / Mama cooks. / We eat." The father, mother, and son go to work in the fields, while the daughter spends her days with the younger children. One morning, her brother presents his sister with a handmade doll, a kiss, and a "good-bye." The next day, the family discovers that Ben has run away. Tears, fear, and sorrow overtake the family as they wonder about the fate of their beloved son and brother. Beautifully rendered acrylic paintings reveal the closeness of the family, whose pleasure at being together is evident. The richly colored vignettes in Coretta Scott King Award winning Ransome's single- and double-page-spread paintings clearly picture the emotions felt by the family and the day-to-day monotony of their lives. Swallows are seen flying on the endpapers and over the Sunday prayer gathering, signaling the freedom the family hopes Ben has achieved. The last illustration shows the girl looking at the detested bell, leaving readers to wonder if she is thinking of the day she might choose to run away also. A powerful tale of slavery and its two terrible options: stay or run.
Starred Review for Kirkus ReviewsA girl's family life and plantation routines are interrupted when three enslaved boys run away. Most days start the same way: The bell rings, Daddy collects wood, Mama prepares breakfast, they eat together. The narrator's brother, Ben, her parents, and the other slaves go to the fields while the girl stays with the young ones to play. On Wednesday, Ben surprises her with a handmade doll. On Thursday, Ben and his two friends are gone. There are tears; the narrator's parents are beaten, and other slaves look mad or sad. On Friday, the girl cannot eat or talk. On Saturday, there are horses and dogs; Ben's friends have been caught, but there is no sign of Ben. "Out comes the whip. / All night we cry and pray for Ben." On Sunday, Big Sam preaches near the creek, "of being free. / We sing. / We hope. / We pray / Ben made it. / Free like the birds. / Free like Moses. / No more bells." The final spread shows the girl looking out, with the single word "Monday…" and a bird flying away on the endpaper. The richly textured paintings make masterful use of light and space to create the narrator's world and interior life, from the glimmer of dawn as her father chops wood to her mother's fatigue and her own knowing eyes. Ransome's free-verse text is as accomplished as his glowing acrylics.With spare text and gorgeous illustrations, this work represents a unique and engaging perspective on enslaved families. (author's note) (Picture book. 4-8)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)A girl's family life and plantation routines are interrupted when three enslaved boys run away. Most days start the same way: The bell rings, Daddy collects wood, Mama prepares breakfast, they eat together. The narrator's brother, Ben, her parents, and the other slaves go to the fields while the girl stays with the young ones to play. On Wednesday, Ben surprises her with a handmade doll. On Thursday, Ben and his two friends are gone. There are tears; the narrator's parents are beaten, and other slaves look mad or sad. On Friday, the girl cannot eat or talk. On Saturday, there are horses and dogs; Ben's friends have been caught, but there is no sign of Ben. "Out comes the whip. / All night we cry and pray for Ben." On Sunday, Big Sam preaches near the creek, "of being free. / We sing. / We hope. / We pray / Ben made it. / Free like the birds. / Free like Moses. / No more bells." The final spread shows the girl looking out, with the single word "Monday…" and a bird flying away on the endpaper. The richly textured paintings make masterful use of light and space to create the narrator's world and interior life, from the glimmer of dawn as her father chops wood to her mother's fatigue and her own knowing eyes. Ransome's free-verse text is as accomplished as his glowing acrylics.With spare text and gorgeous illustrations, this work represents a unique and engaging perspective on enslaved families. (author's note) (Picture book. 4-8)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Bold, painterly spreads by Ransome
Starred Review ALA Booklist (Thu Nov 01 00:00:00 CDT 2018)
Starred Review for Kirkus Reviews
Starred Review for Publishers Weekly
Bulletin of the Center for Children's Books
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Wilson's Children's Catalog
Recipient of a Coretta Scott King Illustrator Honor Award
A Kirkus Reviews Best Picture Book of 2019
A young slave girl witnesses the heartbreak and hopefulness of her family and their plantation community when her brother escapes for freedom in this brilliantly conceived picture book by Coretta Scott King Award winner James E. Ransome.
Every single morning, the overseer of the plantation rings the bell. Daddy gathers wood. Mama cooks. Ben and the other slaves go out to work. Each day is the same. Full of grueling work and sweltering heat. Every day, except one, when the bell rings and Ben is nowhere to be found. Because Ben ran. Yet, despite their fear and sadness, his family remains hopeful that maybe, just maybe, he made it North. That he is free.
An ode to hope and a powerful tribute to the courage of those who ran for freedom, The Bell Rang is a stunning reminder that our past can never be forgotten.