Thirty Talks Weird Love
Thirty Talks Weird Love
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Publisher's Hardcover ©2021--
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Cinco Puntos Press
Annotation: A 13-year-old girl growing up in Mexico is visited by her 30-year-old future self in this powerful Young Adult novel in verse about accepting and loving yourself.
 
Reviews: 3
Catalog Number: #218595
Format: Publisher's Hardcover
Copyright Date: 2021
Edition Date: 2021 Release Date: 01/01/21
ISBN: 1-947627-48-1
ISBN 13: 978-1-947627-48-2
Dewey: Fic
Language: English
Reviews:
Starred Review ALA Booklist (Fri Jan 01 00:00:00 CST 2021)

Starred Review Narváez Varela's poignant debut, a novel in verse, tells of Anamaria Aragón Sosa, a 13-year-old girl living in Ciudad Juárez, Mexico, in 1999, whose life is forever altered by the appearance of her 30-year-old self during one of the darkest periods of her existence. Young Anamaria's life is full of worry, fear, and doubt. News of the terrifying femicides in Ciudad Juárez surrounds her, determining her liberties (or lack thereof), and the pressure of performing at the academy she attends threatens to crush her in every waking moment, even as she suffers from bullying classmates and works at her family's taqueria in any spare moments outside of school. Telling her story through a series of alternately cheeky, macabre, and serious vignettes about her family members, the city, and her classmates, Anamaria experiments with poetry structures and formats as she explores young womanhood and self-love, composing sentimental letters to her current and older selves and salvaging friendships gone sour. As readers meet her parents, friends, and other allies, she opens up about serious mental-health concerns and personal trauma, all conveyed through her relatable persona. Fans of The House on Mango Street or The House of the Spirits will be riveted by the question of whether Anamaria can protect the girls of Ciudad Juárez d herself om horrifying fates.

School Library Journal Starred Review (Mon Mar 01 00:00:00 CST 2021)

Gr 7 Up-This novel uses magical realism and multiple poetic forms in telling 13-year-old Anamaria Aragón Sosa's story. Set in Cuidad Juárez, Mexico in 1999, the work focuses on a time of fear as girls and women disappear daily, particularly those who are poor with dark skin. The sudden appearance of a woman claiming to be Anamaria's own 30-year-old self lends mystery to the plot. Thirty speaks cryptically to Anamaria, offering advice, encouragement, and a composition notebook for writing poetry. Mostly, she urges her to "just love you," a phrase the girl considers as her parents work long hours at their restaurant to afford her private school. Yet Anamaria's self-loathing increases as she experiences constant humiliation from a girl in her class, and the cold ambivalence of teachers and administrators. Her parents think she was born with an old soul, a seriousness that grows into severe anxiety with vivid nightmares, sleeplessness, academic obsession, and uncontrollable scratching. Thirty repeatedly urges Anamaria to speak to her parents and to tell them she is depressed. This is a moving story of a girl on the cusp of womanhood who learns to empathize with others' sadness and finally to care for herself. VERDICT A must for every library given its timely themes, international setting, and authentic protagonist voice. Ruth Quiroa, National Louis Univ., Lisle, IL

Kirkus Reviews

Thirteen-year-old Anamaria grapples with conflicting demands and desires in this novel in verse.In the '90s, Anamaria's hometown of Ciudad Juárez, Mexico, just across the border from El Paso, Texas, is rampant with missing girls and women. A cloud of fear looms over Anamaria's daily movements and is reflected in the worried eyes of the adults who love her. Amid all this she is an honor roll student at Instituto Sor Juana Inés de la Cruz, one of the top private schools in the city. Into all this drops Thirty, a 17-years-older Anamaria who arrives as a mentor-cum–fairy godmother to help young Anamaria avoid some of the mistakes she feels she made in her youth. Writing predominantly in short lines of free verse, Narváez Varela weaves a story of a girl on the edge: on the edge of womanhood, on the edge due to fear, on the edge with her friends, and on the edge of deciding what she wants from life. With shape poems and blackout poetry adding variety, the author tackles classism and colorism in Mexican culture, the community's collective anxiety around the missing girls, and internal fears brought about by social and academic stress. From the loss of a dear friend to suicidality, many heavy issues are addressed through Anamaria's humanizing teenage eyes in this novel loosely inspired by Narváez Varela's own experiences growing up in Ciudad Juárez.A gritty and absorbing tale of learning to love oneself and one's roots, warts and all. (Verse novel. 12-18)

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review ALA Booklist (Fri Jan 01 00:00:00 CST 2021)
School Library Journal Starred Review (Mon Mar 01 00:00:00 CST 2021)
Kirkus Reviews
Reading Level: 5.0
Interest Level: 7-12
Lexile: NP

Chachita's name is Amanda Sosa (mi mami). Papiringo's name is Carlos Aragón (mi papi). But who is Thirty? A sour, former employee? You see, Chachita and Papiringo own El Colorín: a taquería on Adolfo López Mateos Street. I could ask them. But I shouldn't. They work hard, as in Chachita's orthopedic, Frankenstein shoes can't really support her flat feet for more than a month, though she sticks to old pairs for years. Hard as in Papiringo's hands are swollen Oscar Mayers he can't bend when he comes home--the grill he handles for hours is too hot--and his back goes kaput every month so he can't get up and has to pee in Leche Lucerna empty gallons. No, I shouldn't ask them. Yes, they will worry I dreamt Thirty.
           I must've dreamt Thirty: ragged poet, raging ghost.

....................

I'm not taught to "love me" at prison--I mean, school, I mean, Sor--whatever that means. If it were in a book, I'd consider going for it, but Thirty's rollo (mumbo jumbo) can't be touched. Let me explain. If you want to learn about DNA, you get the Biology book from your backpack. Check. You go to the index and look for "DNA: The Unit of Life." Check. Find the page, start reading, take notes in different colors, highlight with different colors, make flashcards, memorize, ask Chachita or Papiringo to quiz you, quiz yourself, dream about DNA, wake up one hour early to review material for the test. Check times ten. Where's Thirty getting this from? Give me a book, and I'll give you the world, someone smart must've said. She gives me a Hallmark card instead: Anamaria, I want you to love you! I can hear the blue birds tweeting, the bunnies jumping in the grass, the unicorn munching on carrots. Her grip on reality is gone, and reality is all we have, I, who will become a famous doctor, say! Speaking of, this Thirty business is the kind of thing prison--I mean, Sor--warns us about.

....................

Name: Instituto Sor Juana Inés de la Cruz. AKA: Sor. Dress code: like nuns,
           but we don't pray. Blue calcetas
one inch below our knees, a gray jumper covering half
           our calves, hair
to be worn up, not down or in pigtails like Britney Spears in "Baby
           One More Time." Forget
about pink pom-poms or midriffs exposed or lip gloss or dancing or
           looking bored
at the teacher or the clock. "Honor a quien honor merece" is Sor's motto,
           and if you honor those who deserve
it, then it means your books should be swollen by the blots or,
           better yet, the pools
of saliva you left at midnight, when your neck proved a
           useless crane
for your tired, tired brain. And whyyyy are you tired, little girl?
           You work hard for honor,
if you want to be honored. So strain your eyes, drink coffee
           like an adult, no one will play
the tiniest violin in the world for you. Do you want to be on
           the honor roll or be an honor roll wannabee?

....................

Thirty: Hey, psst! [a hat and sunglasses a-lá-Carmen Sandiego hide her]
Me: What--

Thirty: Come outside! [she throws a tostada at my shoulder]
Me: I told you, no! They'll see you and faint again!

Thirty: That's why I'm asking you to come outside!
Me: I will stab your eye with this tostada if you try to take me!

Thirty: Sure, sure!
Me: I'm doing homework. I'm busy!

Thirty: That doesn't look like homework...it's a po--
Me: It's not a poem. You're spying on me now?

Thirty: No. Yes. You know why!
Me: Here we go again! No, I don't. You're not from the future. You're definitely not me.

Thirty: What if I tell you there's more to this than you and me?
Me: I don't like riddles. Speak like a person-person, poet!

Thirty: Come outside, and I'll do whatever you want!
Me: I bet that's what the lost girls were told when they were taken!

Thirty: [she sighs, walks outside, grabs the tostada from my hand, and crunches on it. Hard].

....................

"Ciudad Juárez es número uno, Ciudad Juárez es el number one, la frontera más fabulosa y bella del mundo," Juan Gabriel sings, purple sequins shaking on his shoulders. I agree with him. Despite the lost girls, the fear you feel as a girl, the potholes, and crooked streets, Ciudad Juárez is the most beautiful border town in the world. Mi casa. Home. Juarenses are the warmest norteños, (Northern Mexicans) and some say the handsomest (wink). Ciudad Juárez is also a never-ending abrazo, an embrace, to our sisters and brothers from the South, or people from Central and South América. We are getting a bad rap because of the kidnappings, but we fight back with our sense of humor, our will to find the beauty in the bad, and a caffeinated work ethic (just look at my parents). And always, no matter how hard our times, by being the biggest door to the most beautiful country. Juan Gabriel also wrote that. He's our sweet prince of sung heartache and love.

Can poems be in paragraphs? Do poems have to rhyme perfectly all the time? Is this a poem at all? I have Biology homework to do! The weird-poet-lady known as Thirty is ruining my life!

....................

Pipina and I became friends the first day I started at Sor in the 3rd grade. I remember pulling on the hem of my new uniform, and cleaning my shoes on the back of my knee-high socks constantly. Even in class. Enter Pipina's elbow, getting my attention away from the green board. I prepared to be grilled about the long multiplication we were being taught. Sor was famous for cutthroat kids. "What did one balloon tell the other?" I stared at her. "Be careful with the cactussss." I burst into inside-laugher-turned-faked-coughing. I even peed myself a little. Pipina and I became like Butch Cassidy and the Sundance Kid (I love Robert Redford). All while keeping our joking under wraps. All while learning we came from different worlds. Her family was old money, like people say. My family owned a taquería. But Pipina never acted like a preppy fresa freak. She became the sister I never had, the sister I never knew I wanted until she came along.

....

Until Margarita came into the mix,
and she became "Mamá Margarita"

to Pipina's and my too-silly sister act.
We might've even called her that out

loud once! "Shhh," she'd say, eyeing us
with her big dark brown eyes when we

told jokes during class or even recess.
I thought we were being very smart

and stealth: Pipina and I graduated
fast to passing notes with hangmen

about movies (we loved movie-
quizzing), drawings of Principal

Martinez with a scythe, horns
and tail, and glitter-full cards

that said "I'm so tired! Can you
cover for me while I nap?"

and that made us feel less like
middle school girls who studied

as if they were already in universidad.
I stopped cold with the Pipina-Anamaria

Shenanigans in 5th grade when Margarita
asked, "Your parents are poor, why
aren't you taking this with seriedad?"



Excerpted from Thirty Talks Weird Love by Alessandra Narvaez Varela
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

A 13-year-old girl growing up in Mexico is visited by her 30-year-old future self in this powerful YA novel in verse about handling depression. Out of nowhere, a lady comes up to Anamaria and says she's her , from the future . But Anamaria's thirteen, she knows better than to talk to a stranger. Girls need to be careful, especially in Ciudad Juárez, Mexico--it's the 90's and fear is overtaking her beloved city as cases of kidnapped girls and women become alarmingly common. This thirty-year-old "future" lady doesn't seem to be dangerous but she won't stop bothering her, switching between cheesy Hallmark advice about being kind to yourself, and some mysterious talk about saving a girl. Anamaria definitely doesn't need any saving, she's doing just fine. She works hard at her strict, grade-obsessed middle school--so hard that she hardly gets any sleep; so hard that the stress makes her snap not just at mean girls but even her own (few) friends; so hard that when she does sleep she dreams about dying--but she just wants to do the best she can so she can grow up to be successful. Maybe Thirty's right, maybe she's not supposed to be so exhausted with her life, but how can she ask for help when her city is mourning the much bigger tragedy of its stolen girls? This thought-provoking, moving novel in verse will lead adult and young adult readers alike to vital discussions on important topics--like dealing with depression and how to recognize this in yourself and others--through the accessible voice of a thirteen-year-old girl.


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