Gr 2-5 Cat Kid and his sidekick Molly are running a comic club for Flippy Frog's many children. The kids bicker, disrupt, argue, complain, and generally behave as delightfully as any batch of after-school club members. Can Cat Kid inspire them to create well-thought-out, tightly plotted stories and classic comic art? Wellspoilerno. Instead, after Cat Kid shows them how to come up with ideas, gives them permission to fail, and explains that any way they want to work is perfectly OK, whether it's as a team, individually, using photos or drawings, or even in verse, the club kids produce action ninja poop joke sketches, merry mayhem, and cutely morbid comics. These delight the club but cause dad Flippy to flip out and call the doctor. Pilkey never turns his stories into kids-versus-adults conflicts, and in this one, the doctor and the nurse pause to read the comics, laugh their heads off, and reassure Flippy that there's nothing wrong with his children. They remind him that adult creators write about death and poop all the time, and admonish him to be more chill. Bright colors and reasonably convincing kid-made comics add to the considerable appeal of this chapter book. Vocabulary stretch words such as vegetarian , ambitious , and, most important, autobiographical are scattered throughout. VERDICT Sure to be immensely popular, this title also serves as a great introduction to the creative process and to the evolving question of "what is a comic?" Colorful, compelling, and laugh-out-loud funny. Every elementary school library needs this graphic novel. Paula Willey, Enoch Pratt Free Lib., Baltimore

Crime takes a back seat to craft in Cat Kid's series debut.Cat Kid, aka Li'l Petey, steps out of his Dog Man sidekick role as president of the titular comic club, with psychokinetic tadpole Molly as vice-president, her 21 baby-frog siblings as members, and their dad, Flippy the fish, as anxious arbiter of literary excellence. Readers new to the Pilkeyverse will be won over by its genial looniness as Li'l Petey works valiantly to teach his club members how to make comics. When Melvin's first effort, Dennis the Toothbrush Who Wanted To Be a Dinosaur Lawyer, is judged "dumb" (it is a tad thin on plot), Li'l Petey and Molly encourage all the froglets to get over their fears by failing utterly: "Worst comic gets a prize!" yells Molly. Flippy wrings his bionic claws at the results, pronouncing them "violent," "disgusting," and "offensive"; The Cute, Little Fluffy Cloud of Death has Flippy calling in the medical authorities. Fortunately, Nurse Lady talks some sense into him ("Look at Shakespeare: It's all DEATH and VIOLENCE and FART JOKES!...Take a chill pill, dude"), and the club continues, producing a legal drama, a startlingly beautiful sequence of nature photos and haiku, and sneak peeks at a buddy story, a biography, an apocalyptic thriller, and a superhero adventure. Few are "wholesome," but all are believably childlike. Pilkey effectively mixes instruction and empowerment into the chaos, the frenetic panels (with Garibaldi contributing colors) making both immensely enjoyable.Supa fun. (Graphic fiction. 8-12)

Dog Man sidekick Li-l Petey and tadpole Molly are running a weeklong comics workshop for 21 quarrelsome froggies while the frogs- father, bionic fish Flippy, tries to enforce decorum. (Flippy admonishes the kids, -There is NOTHING funny about POO-POO!!!--to which they reply only with laughter.) As the froggies wrestle and eventually conquer their stymied or fearful imaginations, readers are treated to the wonderful variety of their work through brief mini-comics, from pencil drawings reminiscent of the Captain Underpants series to photocomics made with broken, hybridized action figures, all with classic Pilkey titles such as Supa Fail and The Cute, Little, Fluffy Cloud of Death. Amid this riotous creativity (awards are given for the craziest, grossest and -Most Violentest- comic), there-s a lesson for Flippy, too: -be more chill,- and don-t play thought police. As wise Nurse Lady reminds him, -Look at Shakespeare: It-s all death and violence and fart jokes!- Irreverent, laugh-out-loud funny and-gosh darn it-downright moving, it-s a heartfelt celebration of coming into one-s own as an artist, with all its frustrations and joys. Ages 7-up. (Dec.)