Perma-Bound Edition ©2006 | -- |
Life has turned sour for Jamie Reardon. His father has taken off, and now Jamie lives with his mother in his aunt Sapphy's trailer. Sapphy, who was hit in the head at her factory job, has lost her short-term memory, so every day, Jamie or his mother must explain again why they are with her. If Jamie's trials at home aren't enough, he is teased at school, and his diffidence is the bane of his teacher's existence. The best part of the story is Jamie's relationship with Sapphy, one vaguely suggestive of the daughter and mother in Weeks' So. Be. It. (2004). Jamie transcends the repetitiveness of their relationship by coming up with sensory clues to jump-start Sapphy's memory, at first with no success. Then a neighbor girl hypnotizes Jamie, evoking the memory of his recent abuse by a caretaker at the trailer park. Jamie's emotional reaction to the incident he was trying to suppress shakes Sapphy and returns her memory. The abuse story, mostly a device, is not well integrated into the narrative, with almost everything happening offstage. But the characters are well drawn; readers will care about them and applaud their well-deserved triumphs.
Horn BookAfter his father leaves and his aunt Sapphy suffers brain damage from an accident, eleven-year-old Jamie and his mother move into Sapphy's trailer. Jamie helps Sapphy regain her short-term memory, while he is tries to forget an episode of sexual abuse at the trailer park. The ending is predictable and feels rushed, but endearing secondary characters strengthen the story.
Kirkus ReviewsJamie's aunt has a strange kind of amnesia following a severe head injury. Jamie likens it to a needle stuck in a record scratch, repeating a tiny piece of music over and over again. Aunt Sapphy needs to remember, but all Jamie wants to do is forget. Something worse than his parents' divorce, his pet's death and coming to live in a trailer park, is torturing him. He avoids certain areas and people and has difficulty concentrating. He reluctantly accepts the friendship of an eccentric classmate who begins the healing process, but finally he and Sapphy help each other recover when his nightmare screams bring her into the present and he is able to tell her that he has been molested. A powerful story of a child's pain. (Fiction. 10+)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)It has been a rough year for 11-year-old Jamie Reardon. In short order, his cat, Mister, died, his father ran off with another woman, and the boy and his mother moved to a trailer park to live with his aunt Sapphy who, because of an accident at the cherry factory where she used to work, has lost her short-term memory and needs them to take care of her. Jamie is also suffering from being the new kid in school and bearing the brunt of a bully's attention. But worst of all is the dark secret that sits deep in Jamie's heart, a secret that he can't share with anyone, and that he would give anything to forget. Spinella brings a lovely sensitive quality to his narration of Weeks's novel, which is reminiscent of the old 1980s television series <EMPHASIS TYPE=""ITALIC"">The Wonder Years, as an older, wiser Jamie looks back at an important, troubling and powerful earlier time in his life. Spinella's insightful performance brings notes of pre-teen innocence and angst to his characterization of Jamie, and is sure to connect with young listeners. Ages 10-up.<EMPHASIS TYPE=""ITALIC"">(May)
School Library JournalGr 5-7-After his father runs off with the cashier at the MicroMart, Jamie Reardon and his mother move from Battle Creek to Traverse City in northern Michigan to live with Aunt Sapphy at the Wondrous Acres trailer park. His aunt had an accident at the cherry factory and is unable to make any new memories. Jamie wants to find the magic trigger that will help her memory get unstuck, or jump the scratch, like a needle on a record. Ironically, he is trying to forget what happened on Christmas Eve involving a button pressed into his cheek, the taste of butterscotch candy, and Old Gray, the manager of the trailer park. The memory haunts his days and inhibits his making friends or doing well in school. Weeks alludes to sexual abuse, but with a broad brush and no graphic details. When Jamie tells Aunt Sapphy, just to unload his guilt and speak the words, she jumps the scratch and gets him help. Weeks perfectly captures not only the guilt, shame, and pain of the abused boy but also the tenor of a fifth-grade classroom from the point of view of a new student who is friendless, targeted, and belittled by an insensitive teacher. Touches of humor ameliorate the pain and poignancy. Another winner from the author of So Be It (HarperCollins, 2005), which also looks at the redemptive power of memory.-Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME Copyright 2006 Reed Business Information.
ALA Booklist (Wed Feb 01 00:00:00 CST 2006)
Horn Book
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Wilson's High School Catalog
Wilson's Junior High Catalog
Chapter One
I have a pretty good memory, but it's got a mind of its own. It has never been very interested in holding on to anything having to do with numbers or spelling or ways of knowing when it's appropriate to use a semicolon. It's impossible to predict what it will decide is important. Sometimes whole years of my life have whizzed by and very little of what's happened has stuck. But there is one year I remember in such vivid detail, I sometimes feel as though I'm still in the middle of it even though it all happened a long time ago.
I was eleven years old and in the fifth grade at Pine Tree Elementary when Arthur came to visit. I didn't see what the big fuss was about. Just because some guy named Arthur was coming to our class, we were supposed to wear our best clothes and be on our best behavior and not shout out and a lot of other things I didn't bother to listen to when Miss Miller told us about his coming. I didn't listen to much of anything she said that year. I wasn't interested, and I didn't care. Looking back on it now, I guess that might have had something to do with why she was always yelling at me.
"Are you listening, James? Best behavior," Miss Miller said, giving me the big fisheye.
My name is not James; it's Jamie. It says so right on my birth certificate, but I never bothered to tell Miss Miller that. Somehow it seemed right for her to call me by the wrong name. She didn't have any idea who I was.
That day, while she talked on and on about Arthur's visit, I did what I always did: reached back with my thumbs and plugged my earholes closed. But Miss Miller's voice found its way inside my head somehow anyway, like smoke curling under a locked door. Arthur this. Arthur that. I pressed my thumbs down harder, then let go. Open, closed, open, closed, faster and faster until it chopped up the words like cabbage for slaw and made it sound like she was speaking Chinese. I just kept doing that until she was done talking and it was finally time for us to go home.
I hated everything about that year in Miss Miller's class. We'd moved to Traverse City in November, two months after the school year had begun, and by the time spring rolled around, I still hadn't made a single friend. It was my own fault. It's hard for people to like you when you can't stand yourself.
"Best clothes," Miss Miller had said. That was a joke. I had two kinds of clothes at home: clean and dirty. I didn't plan on telling my mother what Miss Miller had said. I knew she would just say, "Make do, Jamie." She said that all the time after we moved in with my aunt Sapphy, at the Wondrous Acres trailer park on the south side of town.
Wondrous Acres was anything but wondrous. Ours was the fifth trailer in a line of fifteen single-wides that sat on a flat strip of asphalt baking in the sun or rattling in the wind depending on the season. Some of the trailers had names over their doors instead of numbers, Tin Heaven and Dolly's Spot. Ours was just plain old number five, but if it had been mine to name, I would have called it Make Do.
We had a real house back when we lived in Battle Creek. I had a room of my own and, best of all, a cat named Mister. Mister was just a stray, somebody else's cat that had run away, but after I fed him tuna fish and milk, he didn't run away from me, so my mom said she guessed he was mine. Mister was the first friend I had who liked me best. He didn't like anybody else to pick him up or even touch him. He slept on my pillow at night. I'd lie in the dark, rubbing him behind his soft black ears, telling him everything, while he lay there purring until I was all talked out. I can close my eyes and, to this day, still recall the way Mister smelled behind his ears.
One night Mister didn't come home. I called and called for him, but he didn't come.
"Probably out looking for some female companionship," my dad told me. "Can't blame a fella for wanting a little of that now, can you?" Then he winked at me and laughed until his breath ran out and he had to cough. My mother shot him one of her looks, but she didn't say anything.
With some people you can tell when they're mad, because they yell at you and say things they try to take back later on, but my mother is the opposite. The madder she gets, the less she says. I don't remember her saying much of anything that whole last year in Battle Creek.
The next morning when Mister still hadn't come back, I went out to try to find him. It didn't take long. He was lying on his side out in the ditch beside the road in front of my house. At first I thought he was sleeping, but when I picked him up, I knew right away that he was dead. I sat there by the road for a while, holding him and telling him how sorry I was that I hadn't been there to protect him. Then I took him inside, wrapped him up in a blue and white checkered dish towel, and put him in a shoe box along with a couple of cans of tuna. I got a shovel out of the garage, dug a hole, and buried him out in the backyard. Then I cried so hard, my eyes swelled shut and it looked like somebody had punched me in the face.
Jumping the Scratch. Copyright © by Sarah Weeks. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.
Excerpted from Jumping the Scratch by Sarah Weeks
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Jamie Reardon has always heard that bad things come in threes. So after his cat, Mister, dies, his father leaves, and his aunt Sapphy has an accident that causes her memory to develop a skip, Jamie hopes his life will go back to being as normal as cornflakes. But unfortunately there's one more bad thing in store for Jamie—something he'd give anything to be able to forget—and this one leaves him feeling like a stranger to himself. Jamie tries in vain to find the magic trigger that will help Sapphy's memory jump the scratch, but in the end it's Aunt Sapphy who, along with a curious girl named Audrey Krouch, helps Jamie unravel the mysteries of memory and jump the scratch in his own life.