Publisher's Hardcover ©2022 | -- |
World War, 1939-1945. United States. Fiction.
World War, 1939-1945. Japan. Fiction.
Toleration. Fiction.
Friendship. Fiction.
Grief. Fiction.
Thirteen-year-old Nellie Doud shares her daily life in the waning days of WWII. She fears for her father, a soldier serving in the Aleutian Islands; worries about her grieving friend Joey, who recently lost his brother in the war; and interacts with friends, neighbors, and pesky little brothers. In a parallel narrative, set a few months earlier, polio survivor Tamiko Nakoaka worries about her soldier brother Kyo, endures constant hunger, and works long hours at her job constructing mysterious balloons for the Japanese government. The stories converge when one of the balloons (a firebomb designed to cross the Pacific and detonate in the U.S.) is discovered near Nellie's hometown of Bly, Oregon, where it explodes, killing six people. Vernick's story (based on real events) highlights Project Fu-Go, which launched more than 9,000 Japanese air bombs between November 1944 and April 1945. The account reflects the propaganda and prejudices of the day in both the U.S. and Japan; a note to readers clarifies the narrative's historical context and the author's sources.
Kirkus ReviewsTwo girls, separated by the Pacific Ocean, witness World War II from their respective small towns.Fourteen-year-old Nellie Doud, a White American in Bly, Oregon, worries about her father, away in the war; her mother, who hasn't been the same since he left; and her once best friend, whose brother died in combat. Meanwhile, 14-year-old Tamiko Nakaoka, an orphaned Japanese girl, lives with disability due to polio. As the war drags on, she struggles to find food for herself; her older brother, Kyo; and their Auntie. Eager to help both the war effort and their family, Kyo joins the army, and Tamiko and her friend go to a nearby city to make paper balloons for the military. Though the work and housing conditions are poor, she is proud to do something for her country-anything to make the war end sooner. But Tamiko's balloons are bombs, some bound for Oregon. Soon both girls question what's right during wartime, when forgiveness is justified, and when it isn't. Vernick has made an effort to portray both Nellie and Tamiko sympathetically and with historical accuracy even as both navigate the propaganda and biased news around them. However, the conclusion is more expected than earned, and the characters' development feels heavy-handed; the manner in which cultural details are added to Tamiko's chapters is particularly intrusive. Simplicity aside, the overall message about war's human cost is clear.Investigates interesting historical moments but without much depth. (historical and research notes, glossary) (Historical fiction. 12-16)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Vernick’s (
Starred Review for Horn Book (Tue Feb 07 00:00:00 CST 2023)
ALA Booklist (Sat May 01 00:00:00 CDT 2021)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
October 7, 1944
Sweet Suki. She has decided we must go to our public shrine so I can pray for Kyo's good fortune. It's been almost one week since he left with his comrades. Six days, to be exact. Six days and six letters I've written to him at the Hiroshima training center. I picture him with his short-clipped hair and his baggy new uniform, learning how to use weapons, disciplining his body, caring little whether he meets an honorable victory or an honorable death. One week ago, he knew nothing of war except what he heard at the rallies. Now he's a soldier.
Since Suki lives on the other side of town from me--the nicer side--we agreed to meet in the village center, which is really just a short string of storefronts on an old dirt road. By the time I get there, my polio-damaged leg is hurting, up at the top, by my hip. I call it my fire-horse hip because that's how it feels, like a stallion with blazing hoofs is galloping across it. I'm used to it though, so it doesn't slow me down much.
I'm a few minutes early, so I wander past the narrow, two-story buildings, all painted white. I walk under their tile awnings for some shade, passing the coffee house, the boutique, the sake brewery, all closed now, their owners in their homes upstairs trying to figure out how to make ends meet. Ah, the tea and gift shop is still open for business. At least there's that.
"What are you shopping for?" asks Suki, suddenly at my side. She's panting as if she ran all the way here. She probably did--she has two strong legs, after all, and no fire-horse hip.
"The only thing I want isn't for sale--Kyo's safety," I say. "Let's go."
"All right." She glances over her shoulder. Her older sister and little brother are heading our way.
"Are we all going?" I ask.
"No, Fuyumi is getting Nori out of Mother's hair, that's all."
Fuyumi. Nori. Mother. Suki has her whole family. No one has died. No one has gone off to war--her brother is too young and her father is too old. No one even has a horse-fire hip. They all still live together in the house where she was born. I try not to envy her, but it's hard.
Just then, one of Kyo's friends comes out of the tea shop where we stand. He nods to us, then plants his gaze on Fuyumi, the beautiful Fuyumi with the large eyes and cherry mouth and swan neck. All the boys sneak looks at her, just as all the boys used to sneak looks at her mother.
Poor Suki. She takes after her father, with the long face and the large bones. Boys never stop to look at her. They don't stop to look at me either, but at least I don't have it rubbed in my face every day. I wonder if Suki envies me this one thing. No, probably not.
"Come on," I say again. "Let's go."
"We walk for twenty quiet minutes, past the shops, around the corner, on to the small park where the shrine stands. "When were you here last?" I ask her.
" "Too long. You?"
" "Same."
"Several little boys run around the park, some of them playing tag, some of them pretending to be fighter planes. Their mothers sit on a bench nearby, watching and talking. The day is warm and cloudless, a good day for little boys to frolic. We skirt them and step through the shrine's wooden torii gate, stopping at the water fountain to wash our hands.
"Suki pours a ladle-full over her open palm. "The water is cold today."
" "As long as it's fresh," I say.
"She pours more water into her cupped hand and slurps it up. After rinsing her mouth, she spits it on the ground.
I take the ladle from her and do the same. The water feels like the winter to come.
We clasp our wet hands and walk up the stone steps, between the guardian lion dogs, into the shrine--a small, open-air space made of plain wood with a bark roof. The crisp, mossy scent of cypress fills our nostrils as soon as we enter. It's like standing in a forest or inside a single living tree.
We pause to inhale the sacred feeling. No one else is here. It's only us and the powerful kami energy. Such a great force--but is it strength enough to keep my brother safe?
"Go ahead," Suki urges.
"Yes," I say but don't move.
"Tamiko, did you forget your coin?"
"No, I have it." I reach into my pocket and pull out a 10-sen coin. Still, my feet stay put, so Suki links her arm through mine and leads me to the wooden offering box.
"Go ahead," she says. "For Kyo."
I nod, taking my strength from Suki. I need her more than ever now that Kyo is away. I wish I didn't, but I do. I toss my tin coin into the box and listen to the paltry plunk it makes against the other coins inside. Stepping back, I bow two times, clap my hands twice, bow again, and say a silent prayer. Please keep elder brother alive. Please bring him home soon. That's all.
"Did I do it right?" I ask Suki. I've been here many times, but now I can't remember how to pray.
"Exactly right."
"The coin felt heavy in my hand. Like a rock."
"Well, it flew like a butterfly." She takes my hand. "We're done now. Let's go outside."
The cool air feels good on my face as we walk between the guardian lion dogs, through the torii gate, to the grassy park where the little boys are still playing tag. After the hush of the shrine, I'm glad to be back in the daylight, the noise, the wide spaces.
"Let's sit here," I say when we reach an oak tree near where the mothers chat on their bench. I'm about to settle down, when suddenly I jump back.
"Tamiko, what is it?"
"I heard something." My heart beats like a sparrow's wings.
Suki looks behind her and then up at the tree.
"It's gone," I say.
She narrows her eyes at me, then tilts her head to listen. "Ah, I hear it now."
"You do?"
"Yes. It's the sound of Kyo laughing. He heard you had trouble lifting a 10-sen piece."
I fold my arms. "Suki."
"Wait, what's this?" She puts her hand to her ear. "He says he wants you to stop worrying so much." She smiles her smirkiest smile at me.
In this moment, it's hard to resent her for all she has. She's my best and wisest friend, and I cherish her. "Fine. I'll try." I sit down, and she joins me.
"What do you think Kyo is really doing right now?" she asks.
"Training, the poor fellow."
"Is it that bad?"
I swat a bug away. "The soldiers he met at the war rallies said they do marches, drills and weapons practice all day long."
"Kyo isn't used to physical labor. And he's so skinny."
"He was looking forward to it, if you can believe. He said they learn to crawl on their bellies with fake bombs strapped to their backs."
"Why?"
"To practice slipping under the American tanks."
She shakes her head. "He must sleep like the dead at night."
"They do night training too. Full moon, no moon, they're out there."
Suki shakes her head again and gazes at the carefree little boys, standing in a circle for a new game. One of the bigger boys grabs a ball out of a smaller boy's hands.
"That's wrong," I say.
"Yes, that big boy should give the ball back."
"What? No, I mean Kyo." I straighten my legs out in front of me. "Working day and night for the war. And all we do here is sit. I wish we could do something. Something to help. To make a difference."
"Well, we came here," Suki says. "I think that's going to help. It's going to bring good luck to Kyo."
"He needs all the luck he can get. That's why I hid a daruma doll in his rucksack."
"Ha!" she laughs. "How long do you think it took him to find it?"
"I hope he never finds it, or else he might toss it. I want it to stay right there with him."
"Do they let the soldiers keep their belongings?" she asks.
"I don't know. Probably not."
"Well, it doesn't matter." Suki pulls on her pigtail. "That daruma doll has Kyo's name on it. Now you've done two things to help him."
"Do you really think so?"
"I know so."
Suddenly, two little boys come careening at us. We scoot away so they can use our tree to hide from each other. "Bang, bang!" one of them shouts. "I killed you!"
"You missed!" The other boy scampers off.
"I'll get you!" calls the first. "I'm pure, and you're the devil. Bang!"
"That's what Kyo is learning to do." I sigh.
"He's also learning how to keep himself safe." Suki stands up and offers me her hand. "Let's head back. I still have homework."
"Me too." I take her hand, and we head out of the park, leaving the little boys to romp, the mothers to visit, and the kami to look over us all.
Excerpted from Falling Stars by Shirley Reva Vernick
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
In this thoughtful and deftly woven WWII novel, an American and Japanese teen with lives on opposite ends of the world discover that hate for an "enemy" leaves a heavy heart. In southern Japan, Tamiko spends her time writing in her diary, dreaming of making theatrical costumes, and praying her brother Kyo makes it back from the war. She wishes she could be brave like him and help the war effort. In rural Oregon, Nellie spends her time lying in the grass, studying the stars, and wishing for her pa to return from the war. She also wishes the boy next door, Joey, would talk to her again like he used to. Soon the girls' lives become inextricably linked. Tamiko and her classmates are brought to a damp, repurposed theater to make large paper balloons to help the military. No one knows what they are for. Nellie and her classmates ration food, work in salvage drives, and support their community. No one knows what's coming. Based on Japan's Project Fu-Go during the last stretch of World War II, The Sky We Shared uses the alternating perspectives of Nellie and Tamiko to depict the shared tragedies of two countries at war.