Starred Review ALA Booklist (Fri Aug 01 00:00:00 CDT 1997)

Starred Review Almost 20 years after her well-received, award-winning Beauty (1978), McKinley reexplores and reexpands on the Beauty and the Beast fairy tale. This is not a sequel, but a new novelization that is fuller bodied, with richer characterizations and a more mystical, darker edge. Although the Library of Congress catalogs it in the 398s, the book really belongs on the fiction shelves alongside Beauty The familiar plot is here, but the slant is quite different, though Beauty's sisters are once again loving rather than hostile as in de Beaumont's original version. A few scenes are reminiscent of Beauty For example, in the dining room scenes in the castle, Beauty eats but the Beast merely is present: I am a Beast; I cannot eat like a man. In Rose Daughter Beauty has an affinity for flower gardening, particularly roses, because of her memories of her deceased mother; it is a talent that serves her in good stead as she nurtures the Beast's dying rose garden. Also, in some nicely done foreshadowing, Beauty suffers from recurring dreams of a long, dark corridor and something--a monster?--waiting for her at the end. Rose Cottage, where Beauty and her family settle after the father's financial downfall, and the nearby town and its residents, as well as the opulence of the Beast's castle and the devastation of his rose garden, are vividly depicted. Among the fantasy elements are a prescient cat, the spirit of the greenwitch who willed Rose Cottage to Beauty's family, unicorns, and preternatural Guardians. There is more background on the Beast in this version, allowing readers to see how he came to be bewitched, and Beauty's choice at the end, a departure from that in Beauty is just so right. Readers will be enchanted, in the best sense of the word. (Reviewed Aug. 1997)

Horn Book (Tue Apr 01 00:00:00 CST 1997)

Nearly twenty years after the publication of 'Beauty: A Retelling of the Story of Beauty and the Beast', McKinley has, quizzically, produced another full-length novel retelling the same tale. While the length, slow pace, and luxurious detail will daunt many readers, those who persevere may find a quiet satisfaction in McKinley's mature meditation on a story that continues to possess her.

Kirkus Reviews

This luxuriant retelling of the story of the Beauty and the Beast is very different from McKinley's own Beauty (1978). While sticking to the tale's traditional outlines, this version by turns rushes headlong and slows to a stately pace, is full of asides and surprises, and is suffused with obsession for the rose and thorn as flora, metaphor, and symbol. Beauty can make anything grow, especially roses; her memories of her dead mother are always accompanied by her mother's elusive rose scent. The Beast's aroma is also of roses, as is the scent of a sorcerer and a greenwitch. Eroticism, comfort, hard work, and the heart's deep love are all bound in rose imagery, from the curtains and tapestries of the Beast's palace to the Rose Cottage home of Beauty's family. Roses stand for all the many different facets of love (the text is specific on that): Beauty's for her father and her vividly etched sisters Lionheart and Jeweltongue; for a family hearth and safe home; for a puppy named Tea-cosy; and most incredibly but satisfyingly, for the Beast who has haunted her nightmares since childhood. While the story is full of silvery images and quotable lines, it will strike some as overlong and overblown; for others, perhaps those who were bewitched by Donna Jo Napoli's Zel (1996), it is surely the perfect book. (Fiction. 12+)"

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Nearly 20 years after the publication of Beauty: A Retelling of the Story of Beauty and the Beast, Newbery Medalist McKinley returns to a tale she obviously loves and tells it once again. This time the adventure unfolds at a more leisurely pace and revolves mostly around gardening, especially the raising of roses. As before, McKinley takes the essentials of the traditional tale and embellishes them with vivid and quirky particulars. For example, Beauty's formerly haughty older sisters--fearless Lionheart and witty Jeweltongue--learn to relish their humble new life in a rural cottage while Beauty tends the cottage's gardens and brings its thickets of magical roses back to life. Similarly, when Beauty arrives at Beast's enchanted palace and discovers that his roses are dying, she sets to work and--with the help of some unicorn dung and the garden-friendly animals that flock back to the formerly barren land--restores their bloom. Beauty's visit home is here prompted by not just loneliness but also a puzzling legend and a series of disturbing visions. Action-minded readers may wish for more narrative zip: dazzling though they are, the novel's lavishly imagined descriptions can be fairly slow going (""""The butterflies converged in great shimmering, radiant clouds, and their wings flickered as they crowded together, and it was as if they were tiny fractured prisms, instead of butterflies, throwing off sparks of all the colours of the rainbow""""). Still, this heady mix of fairy tale, magic and romance has the power to exhilarate. Ages 10-up. (Sept.)

School Library Journal

Gr 8 Up--Gertrude Stein's famous quote, "Rose is a rose is a rose...," is dispelled by McKinley in her second novelization of the tale "Beauty and the Beast." (Beauty was her first novel, published 20 years ago.) Both books have the same plot and elements; what is different is the complexity of matured writing and the patina of emotional experience. Here, she has embellished and embodied the whys, whos, and hows of the magic forces at work. The telling is layered like rose petals with subtleties, sensory descriptions, and shadow imagery. Every detail holds significance, including the character names: her sisters, Jeweltongue and Lionheart; the villagers, Miss Trueword, Mrs. Bestcloth, and Mrs. Words-Without-End. Mannerisms of language and intricacies of writing style are key in this exposition. The convoluted sentences often ramble like a rose and occasionally prick at the smoothness of the pace. Word choices such as feculence, sororal sedition, numen, ensorcell, and simulacrum will command readers' attention. McKinley is at home in a world where magic is a mainstay and, with her passion for roses, she's grafted a fully dimensional espalier that is a tangled, thorny web of love, loyalty, and storytelling sorcery. Fullest appreciation of Rose Daughter may be at an adult level.--Julie Cummins, New York Public Library