Perma-Bound Edition ©2001 | -- |
Paperback ©2001 | -- |
Mothers and daughters. Fiction.
Actors and actresses. Fiction.
Hollywood (Los Angeles, Calif.). Fiction.
Sammy and her best friend Marissa visit Hollywood to check up on Sammy's mom, an aspiring actress living with nearly a dozen other ingenues in a villa run by a shady, iron-fisted agent. When one of the actresses is murdered, the young detective gets on the case. Sammy's distinctive first-person voice reveals her grit and humor as she describes exciting car chases, narrow escapes, and creepy villains.
School Library JournalGr 5-8-When Grams returns from a visit to her daughter and she tells Sammy that she was treated badly, the girl is determined to set things straight between the grandmother with whom she lives and her mother, an aspiring actress. The protagonist and her friend Marissa take off for Hollywood by bus, where they are surprised to find Sammy's mother living in a ritzy neighborhood, but under an unusual arrangement. She agrees to let the girls spend one night with her, but before the night is over, one of her housemates is murdered. For good reason, Sammy suspects her mother. The writing is clever and fast paced, and the book is filled with cliff-hanger chapter endings and characters with secrets. Between deciphering clues and conversations, Sammy must also deal with some very real feelings of abandonment. Although there are a few references to events from previous books, this story stands alone. Readers will enjoy the escapades of this daring, strong-willed, and bright sleuth, and identify with some of the mother/daughter issues raised.-Wanda Meyers-Hines, Ridgecrest Elementary, Huntsville, AL Copyright 2001 Cahners Business Information.
ALA Booklist (Thu Mar 01 00:00:00 CST 2001)As in Sammy's last adventure, this sixth title in the series finds the precocious, street-smart detective wading into more YA, even adult waters. Sammy and best friend Marissa board a Greyhound to Hollywood to surprise Sammy's long-absent mother. Desperate to become a soap-opera star, Mom has lied about her identity and moved into a dormitory-style mansion for aspiring actresses presided over by a sociopathic Henry Higgins type. When one of the other residents is murdered, Sammy ventures into Hollywood's sleazier neighborhoods, learning disturbing truths about families, her mother, and society's expectations of women's beauty as she solves the crime. As always, Van Draanen injects some weighty social commentary into the plot's clever suspense, creating well-rounded secondary characters while she develops Sammy into an intelligent, gutsy, flawed, and utterly likable heroine. Another edgy, affecting page-turner for both older readers of the series and newcomers.
Kirkus ReviewsWith doughty sidekick Marissa in tow, resourceful, fast-talking Sammy sets out for Tinsel Town, to pay a surprise visit to her wayward, star-struck mother, Lana. It's a surprise all right: her mother, passing herself off as a 25-year-old, is living with 11 other aspiring actresses in the palatial home, and firmly under the thumb, of aging but legendary agent Max Mueller. The very morning after the young folks' unwelcome arrival, one of those actresses is found dead—in circumstances that, to Sammy's dismay, strongly implicate her mother. Or was Lana actually the intended victim? Max's home, filled with Egyptian antiquities, makes a properly oddball setting into which Van Draanen throws a fine array of suspects and complicating side plots, from stolen jewels and a hidden burial chamber to a fiery young Jamaican housemaid's appalling discovery that she is Max's daughter. Sammy puts the pieces together just in time for a (literally) explosive climactic rescue, as she hurtles into a crowded, trendy restaurant to force the old salt-and-coffee purge down her mother's throat to keep her from swallowing poisoned wine. Sammy's sixth high-energy whodunit keeps up the breathless pace of its predecessors, and by the end, Sammy has gone a long way toward forgiving Lana for deserting her. (Fiction. 11-13)
Horn Book (Wed Aug 01 00:00:00 CDT 2001)
School Library Journal
ALA Booklist (Thu Mar 01 00:00:00 CST 2001)
Wilson's Junior High Catalog
Kirkus Reviews
I couldn't exactly walk from Santa Martina to Hollywood. Couldn't fly, either--not with the amount of money I had jingling in my jeans, anyway. And since I'm not old enough to drive and didn't want to jump a freight train or hitchhike, there was really only one way out of Santa Martina--the bus.
I'd never been on the bus before. Neither had Marissa. Me, I'd never even been out of Santa Martina. Sure, when Lady Lana was still around, she'd drive me up to Santa Luisa once in a while, but I'm talking out of town. Really out of town. I'd never been.
Marissa McKenze, on the other hand, has been everywhere. From Honolulu to Hoover Dam, she's seen it all. And even though she's been on buses before, they've always been youth-group buses or double-decker tour buses. She'd never actually been on the real bus. That's right, she'd never ridden the Big Dog.
Getting to the Greyhound station wasn't the hard part. Shoot, it's only a few blocks up from the Heavenly Hotel, so it's practically right across the street from Grams'. Well, almost.
The hard part was catching the bus without cutting school. That, and not spilling the beans to Grams. And even though I tried to pack light, my backpack still looked like a laundry duffel, and my lunch sack was so stuffed with peanut butter and jelly, I was afraid it would rip before I made it out the door.
Grams didn't seem to notice, though. She was in the middle of brushing her teeth when I gave her a quick kiss good-bye, so all she could do was say, "Hrmm grumm!" and smile at me through foam.
I hurried to school and found Marissa sneaking into homeroom early with a suitcase.
A pink suitcase.
Now, there are pinks and then there are pinks. Marissa's suitcase was of the flashy flamingo variety. And it wasn't your average snap-close rectangular model, either. It was a big three-foot tube with a handle on top and fat black zippers everywhere. It looked like something out of CeCe's Thrift Store, except that CeCe would never have stocked it. One side was bashed in, and there was a skid mark right across the middle.
Pink or not, zippers or not, this was a problem. "Marissa! You promised me you'd pack light!"
Marissa did a bit of the McKenze dance, squirming from side to side as she whispered, "It wouldn't all fit. What was I supposed to do?"
"But...Marissa, it's pink! And what did you do? Run over the thing on the way to school?"
I might as well have caught her in the act. She blushed. "Well, it was hard to balance. I tried holding it with my legs, but then I couldn't pedal...."
"So you balanced it on your handlebars?"
She shrugged and nodded and blushed some more.
I've been on Marissa's handlebars. It is one wobbly ride, let me tell you. And every time I do it, I wind up looking about as tattered as her suitcase and I swear I'll never do it again.
"Besides, we're going to Hollywood." She checks around to make sure nobody's listening, then sings, "Hol-ly-wood!"
I whisper, "Marissa! We're not going there to get discovered! We're going there to shake some bubbles out of the GasAway Lady's head!"
"Who said anything about getting discovered? People down there are just different. You know, fancy. Didn't you say your mom's staying in some ritzy villa? I don't want to get kicked out for looking like a bum, that's all!"
I look from her to the bulging zippers and back again. "Don't tell me you brought a...a dress!"
She starts dancing a little faster. "As a matter of fact, I've got two."
"Two?"
"One for me and one for you."
I threw my hands up. "Marissa!"
"Well...! I just thought we should be prepared."
"Whatever. Just don't ask me to carry that thing. It makes you look like you're running away from home."
She stashed the suitcase behind the coat rack and threw some lost-and-found clothes on top of it, and that's where it stayed until everyone had filed out after the end-of-school dismissal bell rang. But when Mrs. Ambler saw her digging it out, she did a double take, then asked, "Going away for your three-day weekend?"
Marissa says, "Um, yeah."
"Oh?"
Now, when a teacher says Oh? to you like Mrs. Ambler was saying Oh? to Marissa, you can't just pretend you didn't hear. Or nod and smile and leave it at that. You have to say something. And the longer a teacher stands there with that Oh? lingering in the air, the harder it is to snow her with something less than the truth.
Sure enough, Marissa stammers, "Yeah...we're going to Holly--" She glances at me for help, but it's too late to bail us out. So she finishes, "--wood."
Up went an eyebrow and out came another "Oh?" And then, "You're both going?"
It seemed to me that Mrs. Ambler was going from curious to nosy in an awful hurry, so I started nudging Marissa toward the door, saying, "Yeah, and if we don't get moving, we're going to miss our ride. Have a nice weekend, Mrs. Ambler. See you on Tuesday!"
But she hurried to follow us, locking up the classroom and falling in step beside us. Suddenly she whips around and blocks our path, whispering, "You girls aren't running away, are you?"
I laugh. "Mrs. Ambler! No! We're just going to visit relatives."
She searches my eyes. "Really?"
I say, "Really," and since I'm not lying, there's not much she can do but believe me.
She lets out a big sigh and says, "For a minute there..."
Excerpted from Sammy Keyes and the Hollywood Mummy by Wendelin Van Draanen
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
"The most winning junior detective ever in teen lit. (Take that, Nancy Drew!)" —Midwest Children's Book Review
When Sammy finds out that her mother has changed her name, dyed her hair, and shaved ten years off her age, she knows it's time for Lady Lana to get reacquainted with reality.
Sammy hops a bus to Hollywood and finds her mother in deeper trouble than she imagined. Lana's phony persona is crumbling just as she is being considered for the part of a lifetime. So when one of Lana's competitors for the big role is found dead in the room next door, Sammy can't help wondering: Is her mother the next likely victim . . . or the prime suspect?
The Sammy Keyes mysteries are fast-paced, funny, thoroughly modern, and true whodunits. Each mystery is exciting and dramatic, but it's the drama in Sammy's personal life that keeps readers coming back to see what happens next with her love interest Casey, her soap-star mother, and her mysterious father.