All the Lovely Bad Ones
All the Lovely Bad Ones
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Houghton Mifflin
Annotation: While spending the summer at their grandmother's Vermont inn, two prankster siblings awaken young ghosts from the inn's distant past who refuse to "rest in peace."
Genre: [Horror fiction]
 
Reviews: 8
Catalog Number: #26401
Format: Perma-Bound Edition
Publisher: Houghton Mifflin
Copyright Date: 2008
Edition Date: 2008 Release Date: 08/17/09
Pages: 182 pages
ISBN: Publisher: 0-547-24878-4 Perma-Bound: 0-605-19130-1
ISBN 13: Publisher: 978-0-547-24878-3 Perma-Bound: 978-0-605-19130-3
Dewey: Fic
LCCN: 2007037932
Dimensions: 19 cm.
Language: English
Reviews:
ALA Booklist (Thu May 01 00:00:00 CDT 2008)

Hahn has mastered the art of the not-too-creepy ghost story for upper-elementary-school readers, and this latest offering combines chills, thrills, and poignant historical fiction. Twelve-year-old Travis and his younger sister, Corey, are spending the summer with their grandmother at her Vermont bed-and-breakfast. Born mischief makers, the siblings hear that the inn is rumored to be haunted and decide to manufacture some ghostly effects for the guests. Unfortunately, they arouse the real ghosts: young boys who died in the early 1800s, when the property was the county poor farm, and Miss Ada, the evil spinster who caused their deaths. The rambunctious young ghosts cause a lot of ruckus, but they are ultimately endearing beings, whereas Miss Ada is deliciously horrible. Readers will learn about the history of poor farms while reveling in the genuinely creepy hauntings Hahn describes so well. The truly scary cover may deter some readers; reassure them this title belongs to the same comfortably spooky genre as The Doll in the Garden (1986) and Wait till Helen Comes (1989).

Horn Book (Fri Aug 01 00:00:00 CDT 2008)

For mischief-makers Travis and Corey, a stay at their grandmother's reputedly haunted inn holds promise. Soon, though, the game isn't funny: "...the ghosts are awake now. Putting them back to sleep will not be easy." Hahn expertly combines the comedy of spectral hijinks and bumbling ghost-busters with a dark backstory of abused children and the malevolent guardian who torments them.

Kirkus Reviews

Taking her title from a poem by James Whitcomb Riley, veteran author Hahn spins a deliciously spooky tale about restless spirits haunting the site of a former Vermont poor farm. Travis and his little sister Corey are confirmed "bad ones"—so bad, in fact, that their summer camp won't let them come back, so they find themselves this summer at their grandmother's rural inn. When they learn of its supposedly ghost-filled past, they decide to play a prank or two, but in the process they wake both the mischievous long-dead children and the malevolent woman who supervised the children of the farm. Soon the inn swarms with spiritualists hoping for a genuine sighting, much to the dismay of its skeptical proprietor. This clash of cultures allows Hahn to leaven the chills of the ghost story with generous dollops of humor, resulting in a tale that keeps the creepiness factor within reasonable bounds for the audience. Believable characters, both live and undead, and a classic resolution make this a highly satisfying introduction to the genre. (Fiction. 9-12)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Ghost story veteran Hahn (<EMPHASIS TYPE=""ITALIC"">Deep and Dark and Dangerous) spins another novel filled with things that moan and creek in the night. In an old, reputedly haunted bed and breakfast in the woods of Vermont, the chandeliers swing seemingly at random. The lights blink on and off, the radio zips through its stations at top volume, and “shadows race around the walls, laughing and taunting [guests] with insults relating to the size of [their] rear end[s].” What sets this apart from a run-of-the-mill spooky tale is not simply that the protagonists, 11-year-old Corey and 12-year-old Travis, have provoked the dead by faking a haunting, but that they then feel obliged to help resolve the spirits’ problems and lay them to rest, no matter what the cost. When Corey and Travis discover the inn was an poorhouse in the 19th century, and that the ghosts that now roam its corridors were children who died there at the hands of abusive owners, readers might be inspired by Hahn’s colorful historical investigation to learn more about what actually happened during those times. In addition to crafting some genuinely spine-chilling moments, the author takes a unique approach to a well-traversed genre. Ages 9-12. <EMPHASIS TYPE=""ITALIC"">(Apr.)

School Library Journal (Thu May 01 00:00:00 CDT 2008)

Gr 4-7 Travis, 12, and his younger sister, Corey, are high-spirited youngsters who love to play tricks on unsuspecting targets. When they discover that their grandmother's Vermont inn, Fox Hill, is reportedly haunted, they can't wait to cook up some ghostly manifestations to scare the guests and liven up their summer vacation. But their pranks turn terrifyingly real when they awaken Ada Jaggs, an evil and vengeful spirit. The shadows of children she tormented and mistreated in the past when the county poor farm was located at Fox Hill are also roused. Events soon spiral out of control, frightening the staff and guests of the inn, and Travis and Corey must discover a way to get rid of Ada and release the children to their final rest. Part of this plan includes opening her gravea task that, of course, must be done at midnight. Hahn has written another fast-paced ghost story that readers will relish, shivering all the while. An interesting thread is the comparison of the lively children whom Ada hated and targeted with Travis and Coreyall are boisterous, energetic kids with a mischievous gleam in their eye. Terrie Dorio, Santa Monica Public Library, CA

Voice of Youth Advocates

Corey and Travis are two young siblings who enjoy being pranksters but do not think of themselves as truly bad children. They cause serious problems, however, when they spend the summer at their grandmotherÆs inn in Vermont. The two are inspired to stir up some mischief and perhaps help GrandmotherÆs business by haunting the inn. Odd things begin to happen, and soon it is no longer a jokeùtheir tricks have lead to the awakening of something terrifying. The story line moves quickly in this book, which means that it will hold the attention of even those middle school readers without much patience, making it a particularly great fit. The spookiness of the well-written story is enough to raise a few goose bumps, without being over-the-top or horrific. Hahn strikes a great balance for readers in the young adolescent age, but those in their late teens might not find the story scary enough. At parts, the pages beg to be turned as the suspense rises, with readers anxiously wondering what will happen next. Because the main characters are a boy and a girl, both genders have someone with whom they can identify, easily placing themselves in the story. It is no Steven King piece, however, and more mature readers will probably find it too predictable.ùDawn Talbott.

Reviewing Agencies: - Find Other Reviewed Titles
ALA Booklist (Thu May 01 00:00:00 CDT 2008)
Horn Book (Fri Aug 01 00:00:00 CDT 2008)
Kirkus Reviews
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal (Thu May 01 00:00:00 CDT 2008)
Voice of Youth Advocates
Wilson's Children's Catalog
Wilson's Junior High Catalog
Word Count: 43,252
Reading Level: 4.5
Interest Level: 4-7
Accelerated Reader: reading level: 4.5 / points: 6.0 / quiz: 121675 / grade: Middle Grades
Reading Counts!: reading level:4.2 / points:12.0 / quiz:Q44091
Lexile: 670L

7
The Jennings gang followed Miss Duvall and Chester, twittering about the grove and what they might see. Mrs. Jennings paused and smiled at me.
   "I know you're a skeptic, Travis, but I hope you and Corey will join us tonight.
   Eleanor is convinced we'll have a better chance of seeing the ghost if your sister's with us." "Don't count on it," I told her.
   Mrs. Jennings sighed. "Chester was very tactless at dinner, but then I suppose that's how it is when you're a genius.
   The ordinary rules don't apply." With another smile and a pat on my shoulder, she hastened after the others, leaving a trail of sickeningly sweet perfume behind her.
   Across the room, Tracy cleared tables.
   The setting sun shone through the windows and backlit her hair, making it shine like fine threads of gold. She turned and caught me staring at her. "What do you think of Chester and Eleanor?" she asked.
   "Bona fide nut cases, both of them." With a serious face, she set her heavy tray on my table. "If you'd been in the grove last night, you wouldn't sound so smug." More embarrassed than smug, I scraped the last bit of chocolate icing from my plate and licked it off my fork, tine by tine. "It's all fake," I said. "Corey and I wanted to make people think the inn was haunted so Grandmother would get more guests. She dressed up like a ghost and--" Tracy shoved her face so close to mine we were almost nose to nose. Which would have been a thrill if she hadn't been so mad. "There was something in the grove last night--and it wasn't Corey!" She snatched up my plate and fork, dumped them on her tray with a clatter, and huffed out of the dining room.
   There I was, all by myself, surrounded by empty tables covered with dirty linen and crumpled napkins. It was obvious Tracy was never going to be my girl friend. Not only was I tactless and offensive, but I was shorter and younger than she was.
   "It was your imagination," I called after her, but the only answer I got was the whop, whop, whop of the kitchen door swinging back and forth.
   "But what if it wasn't?" the little voice asked, a little louder this time.
   "What if . . . What if . . . ?" Exasperated, I tossed my napkin on the table and went to find Corey. I wished we'd never thought of the ghost game.
   
   As it turned out, Corey agreed with me.
   I finally found her sitting on the patio in the dark all by herself. At first she refused to look at me or answer any questions. "Why are you mad at me?" I asked her.
   "What did I do?" She turned to face me. "I told you I wanted to read, but you made funny noises outside my door, threw apples at my window, and thumped on my wall. You even unplugged my light and my radio and changed the time on my clock." I stared at her. "Are you crazy? I knocked on your door once and you told me to go away and I did. I never made funny noises or threw apples or thumped on your wall or anything." "Then who did? Mr. Brewster?" "Corey, I swear to you I did not do that stuff." "Oh," she said sarcastically, "then it must have been the ghost." We looked at each other in the moonlight, electrified by the same thought. "No joke," I whispered. "No." Corey folded her arms across her chest and shivered. "No joke." Delicate shadows from the wisteria vine patterned the table and Corey's face, shifting as the breeze blew. From somewhere in the darkness, an owl hooted and another answered. Much closer, I heard something that sounded like a muffled giggle.
   "Did you hear that?" I whispered.
   Corey shuddered. "A mouse," she said.
   "A cat, a bird. Nothing to be scared of." "Admit it," I said. "You're scared--and so am I." She shook her head stubbornly. "Speak for yourself." At the same moment, we heard a whispering sound in the bushes and then the giggle--louder this time, followed by an eddy of cold air that tousled my hair and then Corey's.
   My sister jumped to her feet. "Let's go inside." The two of us ran to the inn and dashed through the kitchen door, sure we were being chased by an invisible gang of ghosts. Mrs. Brewster was scrubbing the sink.
   She frowned when the screen door slammed shut. "What's the big rush?" she asked.
   "A person would think something was after you." Neither Corey nor I knew what to say.
   We just stood and stared at Mrs.
   Brewster, wishing we were safely home in New York or even at Camp Willow Tree--anywhere but here.
   "I thought you two were out there with them so-called psychics." She waved a hand in the direction of the grove, where flashlights bobbed about in the dark. "They're aiming to take pictures of things that don't want their pictures taken,," she muttered.
   Grandmother opened the door to her apartment and poked her head into the kitchen. "Corey and Travis," she said, "it's time you were in bed." At that moment, the power went off, and the inn became totally dark and silent--no lights, no radios, nnnnno humming refrigerator. Not a sound.
   "Go get Henry," Grandmother told Mrs.
   Brewster. "The power's out again. I meant to get the wiring checked the last time this happened." Grandmother had no sooner lit a candle than we heard a commotion outside--shouts, screams, the sound of people running toward us as if they feared for their lives.
   Tripping over each other in their haste to get inside, the Jennings gang poured into the kitchen. Behind them, Chester was yelling, "We got an image!" Grandmother closed her eyes and shook her head. "I don't believe this." In a louder voice, she repeated herself. "I do not believe this." Someone giggled, and Grandmother glared at me, her face stern in the candle light. "This isn't funny, Travis!" "I didn't laugh." The guests milled around the kitchen, stumbling over things in the darkness.
   "Why are the lights off?" Mrs. Jennings cried. "Please turn them on," Mrs. Frothingham begged. "We've had a terrible scare." "Serves you right, you silly old scaredy-cat," someone whispered, causing an outburst of giggles.
   "Travis, apologize at once!" Grandmother said, shocked.
   "It wasn't me!" "I don't care who said it," Mrs.
   Frothingham cried. "Just turn the lights back on." "I'm sorry, but the power's off." Grandmother lit more candles. As the kitchen brightened, something scurried into the shadows, too quickly to be seen.
   "I can fix tea," Grandmother offered. Some wanted tea. Others wanted something stronger. Two or three wanted to leave the inn at once. The only ones in need of nothing were Eleanor Duvall and Chester Coakley. They were ecstatic. Not only had they seen something, but they'd captured its image on video.
   "See?" Chester showed us a grainy image in the camera's monitor. Whatever it was wore a long dress, and its hair was loose, but its face was too blurred to make out any features.
   "She came like a blast of cold air," Miss Duvall said. "Silent, not a sound, but emanating malice." "You probably saw the strobes light up," Chester put in. "She tripped the wires like I hoped and triggered the camera. It's the best paranormal experience I've ever had--and the best footage I've ever shot. Or seen, for that matter." Mrs. Jennings clutched her teacup with shaking hands. "I'm very glad you children were not with us," she quavered. "I'll never get another good night's sleep." Her friends nodded and cooed to each other in soft, comforting voices. Mrs.
   Frothingham sobbed into a wine glass.
   The wives were done with ghosts. No one wanted to see another one. In fact, they wished they hadn't seen the one they just saw. The husbands laughed and talked too loud, already beginning to doubt they'd really seen a ghost. "The image on that videotape," Mr.
   Bennett said. "It was probably the strobe lights. They caused a glare in the camera lens or something." "Trick photography," Mr. Frothingham declared. "Double exposures. Easy to fake." Mr. Jennings was the only husband to disagree. "No, it was the real thing," he insisted, gulping down a glass of something that made him cough. "I'm glad I saw it, but I don't care to see another." Just then, every light came on, almost blinding us with their brilliance. The refrigerator began humming, and the dishwasher started--even though it hadn't been running before the power failure.
   Radios and TVs all over the inn came on, blasting noise at top volume. Mr. Brewster stood at the top of the basement steps looking gloomier than usual. "I went to the fuse box," he said, "but before I so much as touched it, the power come back." "How odd," Grandmother said.
   "Nothing odd about it, ma'am." Mr.
   Brewster shook his head. "They been stirred up good and proper now." Without another word, he trudged out of the kitchen, accompanied by a giggle that earned me a dirty look from Grandmother. I shook my head in protest, but she'd already turned her attention to Mrs. Brewster.
   "What on earth was he talking about?" Grandmother asked.
   "You'll find out soon enough." Squaring her shoulders, Mrs. Brewster strode out the door behind her husband.
   Clearly bewildered, Grandmother looked at the guests. "Has everyone gone crazy?" Chester patted her shoulder. "It's the ghosts," he said. "I told you, the girl's a catalyst." Grandmother shrugged Chester's hand off. "I want you and your equipment out of here tomorrow morning. We've had nothing but trouble since you and that woman showed up." Taking Corey and me by our arms, Grandmother ushered us out of the kitchen. In the doorway, she paused.
   "Will someone please turn off the radios and the television? Or at least turn them down?" Snapping off her own television and radio, Grandmother frowned at me. "I expect you to apologize to Mrs.
   Frothingham tomorrow. You were very rude." "But, Grandmother, I didn't--" Silencing me with a look, she said, "If you continue to lie to me, I shall be forced to call your parents." She opened her bedroom door. "I need a good night's sleep. Please don't disturb me." With that, she walked into her room and shut the door.
   I followed my sister into her room and sat beside her on the bed. "She hates us," Corey said. "We'll have to go to summer school now." I shook my head. "She's just upset. And you can't blame her. This has been a really weird night. Especially for someone who doesn't believe in ghosts." Corey sighed. "I wish we knew what Mr.
   Brewster thinks we stirred up." Before I could come up with an answer, the light went off and the bed began to shake. Back and forth, up and down, jolting us like a carnival ride, harder and faster. We tried to hold on to the headboard, but in seconds we were thrown to the floor with a loud, bone-jarring thud. Too stunned to move, we cowered together while invisible fingers pinched us and pulled our hair and tweaked our clothes. "Stop it," Corey yelled at me. "You're hurting me, stop it!" "You stop it," I shouted, pushing her away.
   At that, the room's dark corners rang with laughter. The empty bed bounced as if a gang of kids were jumping on it.
   The radio blared from one end of the dial to the other, and the bedside lamp flashed on and off. The closet door opened and slammed shut, opened and slammed shut, over and over again.
   Things thudded and thumped all around us. A book hit me in the head. A picture fell, and the glass in the frame broke.
   "Who are you?" I cried in a voice so high and shaky I hardly recognized it as mine. "What do you want?" An outburst of laughter answered me.
   Somebody yelled a string of cuss words "I told you to go to sleep!" Grandmother stepped into the room and gasped, her face pale with shock. "What on earth have you done? Have you gone crazy?" The closet door lay on the floor, the wood splintered from the hinges. Corey's clothes were scattered everywhere, some no more than ripped rags. Bureau drawers hung open, spilling their contents.
   Pages torn from books lay in drifts on the floor. Feathers from pillows still floated in the air. My sister covered her face with her hands and began to cry.
   Grandmother stared at us as if we were monsters. "Why did you do this? What kind of children are you?" "Bad children," a kid's voice whispered. "Lovely bad children!" "What did you say?" Grandmother asked me.
   "Nothing," I whispered. Out of the corner of my eye, I saw the shadows in the corner move, shifting the darkness from one place to another.
   "It wasn't us," Corey sobbed. "We didn't do anything." "Of course it wasn't the children." Chester peered over Grandmother's shoulder, grinning with apparent delight at the state of our room.
   Grandmother whirled to face Chester, eager to take out her anger on him.
   "What are you doing here? This is my apartment, not part of the inn. Please leave at once!" "Let him speak, Mrs. Donovan." Miss Duvall floated into the room on her tiny little feet, wearing her usual layers of filmy clothes. "Chester is the only one who can get to the bottom of this." Her words caused an outburst of giggles from the corner. The same kid's voice whispered, "Fat bottom, fat bottom, fatty, fatty, fat bottom!" The giggles grew louder. Somebody said a rude word, which provoked even louder giggling.
   Grandmother looked at Corey and me, alarmed for the first time. "Stop it," she ordered. "Or I'm sending you home tomorrow." "Don't blame Travis and Corey," Chester said. "Can't you see they're just as scared as you are?" "Ouch!" Miss Duvall began slapping at her rear end as if she were being pinched. "Stop it, stop it right now, you imps of Satan!" The shadows raced around the walls, laughing and taunting her with insults relating to the size of her rear end.
   Ignoring Miss Duvall, Grandmother looked at Chester as if she wished she could send him to the principal's office. "I am not scared!" she said, but the tremor in her voice gave her away. "Old granny scaredy-cat!" An invisible hand tugged at grandmother's sweater.
   "Nyah, nyah, nyah!" Grandmother whirled around to stare at Corey, still crying on her bed, and me, sitting beside her. It was obvious we couldn't have been responsible for the tug on her sweater.
   "Who did that?" she yelled. "What sort of tricks are you playing?" For an answer she got a series of rude noises and a loud outburst of giggles, along with more cuss words. While this was going on, Chester was aiming his camera at the corner where most of the noise came from. "Wow! Oh, wow!" "Amazing manifestation," Miss Duvall whispered into her microphone.
   "Laughter, voices, poltergeist activity.
   My hair is standing up . . . the air is electrifying!" Suddenly, a cold wind shot into the room. The curtains blew out straight from the windows, and the clothing and torn pages rose from the floor and spun around like tiny tornadoes. A low moan, almost a sob, rose from the corner. The shadows twisted and turned, now long, now short, and raced around the walls as if they were being chased. Then the lights went out, and a harsh voice cried, "Enough! Back to where you belong. You will be punished for this!" The moaning changed to high-pitched squeaks and yelps. Invisible hands pushed me out of their way, invisible feet stepped on mine, elbows poked my sides. The moonlight streaming through the window dimmed as shadowy shapes fled into the night, followed by something bigger and darker and far more terrifying. After a sudden silence, the lights came on again. Torn clothing and shredded paper fell back to the floor. The curtains drooped. Whatever had been among us was gone. Chester and Miss Duvall huddled together, elated by the activities they'd witnessed, but Grandmother sank down on the bed beside Corey and closed her eyes. My sister continued to sob. I went to the window. The grove was a patch of inky shadows on the moonlit grass. "Who are you?" I whispered. "What do you want? Why are you here?" Nothing answered. Nothing stirred. A blanket of darkness lay over the earth, hiding everything. Shivering, I crept closer to Grandmother.


Excerpted from All the Lovely Bad Ones by Mary Downing Hahn
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Master storyteller Mary Downing Hahn tells the eerie tale of a mischievous brother and sister who pretend their grandmother's Vermont inn is haunted and awaken the real spirits who inhabit the place.

Travis and his sister, Corey, can't resist a good trick. When they learn that their grandmother's quiet Vermont inn, where they're spending the summer, has a history of ghost sightings, they decide to do a little "haunting" of their own. Before long, their supernatural pranks have tourists flocking to the inn, and business booms.

But Travis and Corey soon find out that they aren't the only ghosts at Fox Hill Inn. Their thoughtless games have awakened something dangerous, something that should have stayed asleep. Can these siblings lay to rest the ghosts they’ve stirred?

Also available as a graphic novel!


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