Publisher's Hardcover ©1995 | -- |
Ousseimi, a documentary filmmaker whose family left Lebanon before civil war erupted, explores war and violence and its impact on children. Poignant, graphic, black-and-white photographs of children and their homes in Lebanon, El Salvador, Mozambique, Bosnia-Herzegovina, and Washington, D.C., amplify a readable text that explores the causes of these often grisly situations. Ind.
Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)Five chapters about the lives of children growing up in five war zonesBosnia, El Salvador, Lebanon, Mozambique, and Washington, D.C. The text is organized around quotes from interviews with children. <p> Five chapters about the lives of children growing up in five war zonesBosnia, El Salvador, Lebanon, Mozambique, and Washington, D.C. The text is organized around quotes from interviews with children. For the most part, these quotes are just long enough to relate a snippet of an emotion or an opinion, too short for factual information or to tell a story. Ousseimi provides context in her accompanying observations and in the brief history of each war that is worked into its chapter. The narrative is most effective when she sticks to this division of labor: remaining dry and factual; leaving the emotions to the victims. When the distinction is blurred (particularly in the chapters on Bosnia-Herzegovina and Washington, D.C.), the book reads like a pamphlet. This shortcoming is not all that serious; the text frames the b&w pictures that appear on almost every page of children in war zones, and these are breathtaking, conveying in many cases what words cannot. (index) (Nonfiction. 10+)</p> "
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)Ousseimi, whose family left Lebanon at the beginning of that country's 17-year civil war, here considers children around the world who cannot escape war. To serve as a witness to children's suffering, she returns to Lebanon and travels also to El Salvador, Mozambique, Bosnia and the violent streets of Washington, D.C., a war zone ``of a different kind.'' For each region, she supplies background information and often harrowing personal accounts; ambiguities in her acknowledgments and an absence of source notes, however, obscure the boundaries between her own interviews and the research of others. The children she quotes have been victims of war and, sometimes, participants too, such as the brutalized wolf children of Mozambique. Strong and angry, her authorial voice decries the horrors of war, from the massacre of an entire village in El Salvador to the rape of women and young girls in Bosnia. Her outrage at the circumstances of war, unfortunately, sometimes exceeds her ability to drive home the depth of an individual's pain and loss. Stark black-and-white photographs introduce the speakers, who may be shown holding a gun or lying in a hospital bed, and otherwise document the settings. Ages 10-up. (Aug.)
School Library JournalGr 8 Up--Ousseimi presents some stark realities of what it's like to live in a war zone in five areas--Lebanon, El Salvador, Mozambique, Bosnia-Herzegovina, and Washington, D.C. Numerous black-and-white photos, some of which are filled with contrasts of bombed-out buildings and youngsters attempting a semblance of play or struggling to survive, are combined with the words of the children themselves. A few of the young people, such as those who were involved in the Lebanese conflict, can look back at those awful years with wisdom born of maturity. Others remain filled with the rage, hopelessness, and the need for revenge. Although there is some criticism of the role of the U.S. in the El Salvador conflict, for the most part the author avoids political commentary. She explains the sources of the territorial, governmental, economic, or ethnic conflicts, but focuses more on pointing out the toll they take on the youngest citizens than on debating issues. While many of her observations and those of the interviewees are poignant, the book has some problems. Other than presenting a relentless barrage of horrific images and statements, Ousseimi offers little insight as to how such tragedies can be avoided or remedied. The lack of documentation is also disturbing. In her assessment of Washington, D.C.--by far the book's weakest section--it is sometimes difficult to determine whether she is talking specifically about the nation's capital or inner cities as a whole. And generalizations such as ``Most children who live in inner cities never fully recover from the pain they have experienced'' do a disservice to the young people that the author purports to champion. Finally, there are no maps of the areas under discussion. A visually powerful, but misguided effort.--Susan Knorr, Milwaukee Public Library, WI
Horn Book (Sat Apr 01 00:00:00 CST 1995)
Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
-- Bologna Ragazzi Non-Fiction-Young Adult Prize-- ALA Best Books for Young Adults-- New York Public Library Book for the Teen Age"An important (book) that should be included in most library collections... good discussion material in classrooms investigating global conflicts". -- BL (boxed). "The b & w pictures are breathtaking, conveying in many cases what words cannot". -- KR.