Perma-Bound Edition ©1991 | -- |
Publisher's Trade ©1991 | -- |
Paperback ©2000 | -- |
Dogs. Fiction.
Animals. Treatment. Fiction.
Dogs. Juvenile fiction.
Animals. Treatment. Juvenile fiction.
West Virginia. Fiction.
West Virginia. Juvenile fiction.
Starred Review In the West Virginia hill country, folks mind each other's privacy and personal rights, a principle that is respected in 11-year-old Marty Preston's family and reinforced by a strict code of honor--no lying, cheating, or taking what isn't yours. When a beagle he names Shiloh follows him home, Marty painfully learns that right and wrong are not always black and white. Marty's dad realizes that the beagle is Judd Travers' new hunting dog and insists they return Shiloh to his rightful owner, even though they both know that Judd keeps his dogs chained and hungry to make them more eager hunters. Sure enough, Judd claims the dog and greets him with a hard kick to his scrawny sides. Marty worries about Shiloh being abused and makes plans to buy the dog . . . if Judd will sell him. Then Shiloh runs away again, and Marty secretly shelters the dog, beginning a chain of lies as he takes food and covers his tracks. Though troubled about deceiving his family, Marty reasons, a lie don't seem a lie anymore when it's meant to save a dog. The West Virginia dialect richly seasons the true-to-life dialogue. Even when the Prestons care for Shiloh after he is nearly killed by another dog, Mr. Preston insists Shiloh be returned to Judd if he recovers; however, Marty makes a deal with the malicious Judd to earn Shiloh for his own. Not until the final paragraph can readers relax--every turn of the plot confronts them with questions. Like Marty, readers gain understanding, though not acceptance, of Judd's tarnished character. Fueled by the love and trust of Shiloh, Marty displays a wisdom and strength beyond his years. Naylor offers a moving and powerful look at the best and the worst of human nature as well as the shades of gray that color most of life's dilemmas.
Horn BookA young boy saves a mistreated dog by facing down a bullying adult and standing on principles he knows are right - in the face of laws that may be wrong. Narrated in a believable rural southern voice, the reminiscence engages the reader's sympathy. Credible plot and characters, a well-drawn setting, and nicely paced narration.
Kirkus ReviewsA gripping account of a mountain boy's love for a dog he's hiding from its owner. Marty, 11, tells how Shiloh, the runaway, first caught his heart; still, his bone-poor West Virginia family has a strong sense of honor, and the dog is returned to its owner. After it runs back to Marty, he hides it in the woods. As Marty's structure of lies to his parents compounds, the villainous owner circles closer. By the time Judd finds Shiloh, the whole family is compromised and the dog has been injured. Marty does get the dog, partly by another lie of omission: he blackmails Judd when he finds him poaching and makes a deal to work for Judd to pay for the dog, but tells his parents another version. Fine lines are explored here: How necessary is it to adhere to the strict truth? What kind of law is it...that lets a man mistreat his dog?'' Has the dog been
saved'' if this leads to its injury? Marty concludes that ``nothing is as simple as you guess—not right or wrong, not Judd Travers, not even me or this dog.'' Meanwhile, young readers will rejoice that Shiloh and Marty end up together. (Fiction. 8-12)"
In the tradition of Sounder and Where the Red Fern Grows comes this boy-and-his-dog story set in rural West Virginia. When he finds a mistreated beagle pup, 11-year-old Marty knows that the animal should be returned to its rightful owner. But he also realizes that the dog will only be further abused. So he doesn't tell his parents about his discovery, sneaks food for the dog and gets himself into a moral dilemma in trying to do the right thing. Without breaking new ground, Marty's tale is well told, with a strong emphasis on family and religious values. This heartwarming novel should win new fans for the popular Naylor. Ages 8-12. (Sept.)
School Library JournalGr 4-6-- Marty Preston, 11, is a country boy who learns that things are often not what they seem, and that adults are not always ``fair'' in their dealings with other people. Marty finds a stray dog that seems to be abused and is determined to keep it at all costs. Because his family is very poor, without money to feed another mouth, his parents don't want any pets. Subsequently, there is a lot of conflict over the animal within the family and between Marty and Judd Travers, the dog's owner. Honesty and personal relations are both mixed into the story. Naylor has again written a warm, appealing book. However, readers may have difficulty understanding some of the first-person narration as it is written in rural West Virginian dialect. Marty's father is a postman--usually one of the better paying positions in rural areas--yet the family is extremely poor. There seems to be an inconsistency here. This title is not up to Naylor's usual high quality. --Kenneth E. Kowen, Atascocita Middle School Library, Humble, TX
Starred Review ALA Booklist
Newbery Medal
Bulletin of the Center for Children's Books
Horn Book
Kirkus Reviews
New York Times Book Review
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
School Library Journal
Wilson's Children's Catalog
Wilson's Junior High Catalog
And this particular afternoon, I'm about half-way up the road along the river when I see something out of the corner of my eye. Something moves. I look, and about fifteen yards off, there's this shorthaired dog -- white with brown and black spots -- not making any kind of noise, just slinking along with his head down, watching me, tall between his legs like he's hardly got the right to breathe. A beagle, maybe a year or two old.
I stop and the dog stops. Looks like he's been caught doing something awful, when I can tell all he really wants is to follow along beside me.
"Here, boy," I say, slapping my thigh.
Dog goes down on his stomach, groveling about in the grass. I laugh and start over toward him. He's got an old worn-out collar on, probably older than he is. Bet it belonged to another dog before him. "C'mon, boy," I say, putting out my hand.
The dog gets up and backs off. He don't even whimper, like he's lost his bark.
Something really hurts inside you when you see a dog cringe like that. You know somebody's been kicking at him. Beating on him, maybe.
"It's okay, boy," I say, coming a little closer, but still he backs off.
So I just take my gun and follow the river. Every so often I look over my shoulder and there he is, the beagle. I stop; he stops. I can see his ribs -- not real bad -- but he isn't plumped out or anything.
There's a broken branch hanging from a limb out over the water, and I'm wondering if I can bring it down with one shot. I raise my gun, and then I think how the sound might scare the dog off. I decide I don't want to shoot my gun much that day.
It's a slow river. You walk beside it, you figure it's not even moving. lf you stop, though, you can see leaves and things going along. Now and then a fish jumps -- big fish. Bass, I think. Dog's still trailing me, tail tucked in. Funny how he don't make a sound.
Finally I sit on a log, put my gun at my feet, and wait. Back down yhe road, the dog sits, too. Sits right in the middle of it, head on his paws.
"Here, boy!" I say again, an pat my knee.
He wiggles just a little, but he don't come.
Maybe it's a she-dog.
"Here, girl!" I say. Dog still don't come.
I decide to wait the dog out, but after three or four minutes on the log, it gets boring and I start off again. So does the beagle.
Don't know where you'd end up if you followed the river all the way. Heard somebody say it curves about, comes back on itself, but if it didn't and I got home after dark, I'd get a good whopping. So I always go as far as the ford, where the river spills across the path, and then I head back.
When I turn around and the dog sees me coming, he goes off into the woods. I figure that's the last I'll see of the beagle, and I get halfway down the road again before I look back. There he is. I stop. He stops. I go. He goes.
And then, hardly thinking on it, I whistle.
It's like pressing a magic button. The beagle comes barreling toward me, legs going lickety-split, long ears flopping, tall sticking up like a flagpole. This time, when I put out my hand, he Iicks all my fingers and jumps up against my leg, making little yelps in his throat. He can't get enough of me, like I'd been saying no all along and now I'd said yes, he could come. It's a he-dog, like I'd thought.
"Hey, boy! You're really somethin' now, ain't you?" I'm laughing as the beagle makes circles around me. I squat down and the dog licks my face, my neck. Where'd he learn to come if you whistled, to hang back if you didn't?
I'm so busy watching the dog I don't even notice it's started to rain. Don't bother me. Don't bother the dog, neither. I'm looking for the place I first saw him. Does he live here? I wonder. Or the house on up the road? Each place we pass I figure he'll stop -- somebody come out and whistle, maybe. But nobody comes out and the dog don't stop. Keeps coming even after we get to the old Shiloh schoolhouse. Even starts across the bridge, tall going like a propeller. He licks my hand every so often to make sure I'm still there -- mouth open like he's smiling. Heissmiling.
Once he follows me across the bridge, through, and on past the gristmill, I start to worry. Looks like he's fixing to follow me all the way to our house. I'm in trouble enough coming home with my clothes wet. My ma's mama died of pneumonia, and we don't ever get the chance to forget it. And now I got a dog with me, and we were never allowed to have pets.
If you can't afford to feed 'em and take 'em to the vet when they're sick, you've no right taking 'em in, Ma says, which is true enough.
I don't say a word to the beagle the rest of' the way home, hoping he'll turn at some point and go back. The dog keeps coming.
I get to the front stoop and say, "Go home, boy." And then I feel my heart squeeze up the way he stops smiling, sticks his tail between his legs again, and slinks off. He goes as far as the sycamore tree, lies down in the wet grass, head on his paws.
"Whose dog is that?" Ma asks when I come in.
I shrug. "Just followed me, is all."
"Where'd it pick up with you?" Dad asks.
"Up in Shiloh, across the bridge," I say.
"On the road by the river? Bet that's Judd Travers's beagle," says Dad. "He got himself another hunting dog a few weeks back."
"Judd got him a hunting dog, how come he don't treat him right?" I ask.
"How you know he don't?"
"Way the dog acts. Scared to pee, almost," I say.
Ma gives me a look.
"Don't seem to me he's got any marks on him," Dad says, studying him from our window.
Don't have to mark a dog to hurt him, I'm thinking.
"Just don't pay him any attention and he'll go away," Dad says.
"And get out of those wet clothes," Ma tells me. "You want to follow your grandma Slater to the grave?"
I change clothes, then sit down and turn on the TV, which only has two channels. On Sunday afternoons, it's preaching and baseball. I watch baseball for an hour. Then I get up and sneak to the window. Ma knows what I'm about.
"That Shiloh dog still out there?" she asks.
I nod. He's looking at me. He sees me there at the window and his tall starts to thump. I name him Shiloh.
Excerpted from Shiloh by Phyllis Reynolds Naylor
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Marty will do anything to save his new friend Shiloh in this Newbery Medal–winning novel from Phillis Reynolds Naylor.
When Marty Preston comes across a young beagle in the hills behind his home, it's love at first sight—and also big trouble. It turns out the dog, which Marty names Shiloh, belongs to Judd Travers, who drinks too much and has a gun—and abuses his dogs. So when Shiloh runs away from Judd to Marty, Marty just has to hide him and protect him from Judd. But Marty's secret becomes too big for him to keep to himself, and it exposes his entire family to Judd's anger. How far will Marty have to go to make Shiloh his?
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