Sons and Lovers
Sons and Lovers
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Penguin
Just the Series: Classics   

Series and Publisher: Classics   

Annotation: A portrait of an artist torn between love for his possessive mother and desire for two young beautiful women.
Genre: [Classics]
 
Reviews: 3
Catalog Number: #277560
Format: Perma-Bound Edition
Special Formats: Inventory Sale Inventory Sale
Common Core/STEAM: Common Core Common Core
Publisher: Penguin
Copyright Date: 2005
Edition Date: 2005 Release Date: 12/06/05
Pages: xiv, 415 pages
ISBN: Publisher: 0-451-53000-4 Perma-Bound: 0-8479-8719-1
ISBN 13: Publisher: 978-0-451-53000-4 Perma-Bound: 978-0-8479-8719-1
Dewey: Fic
LCCN: 2006273739
Dimensions: 18 cm.
Language: English
Reviews:
Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)

When Sons and Lovers was first seen by its reading public in 1913, its publishers had in fact, out of caution and timidity, shortened Lawrence's originally submitted version by about ten percent—cuts that are restored in this new uncensored and uncut&#39;&#39; edition. &lt;p&gt; When Sons and Lovers was first seen by its reading public in 1913, its publishers had in fact, out of caution and timidity, shortened Lawrence&#39;s originally submitted version by about ten percent--cuts that are restored in this newuncensored and uncut'' edition. Complexity of characterization, intensity of characters' confrontations, and sexual frankness are now, say the publishers, as the author intended them. Example: He could smell her faint perfume&#39;&#39; returns to its original,He could smell her faint natural perfume, and it drove him wild with hunger.''</p> "

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Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
Wilson's Fiction Catalog
Wilson's High School Catalog
Bibliography Index/Note: Includes bibliographical references.
Reading Level: 9.0
Interest Level: 9+
'The Bottoms' succeeded to 'Hell Row.' Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that plodded wearily in a circle round a gin. And all over the countryside were these same pits, some of which had been worked in the time of Charles II, the few colliers and the donkeys burrowing down like ants into the earth, making queer mounds and little black places among the corn-fields and the meadows. And the cottages of these coal-miners, in blocks and pairs here and there, together with odd farms and homes of the stockingers, straying over the parish, formed the village of Bestwood.

Then, some sixty years ago, a sudden change took place. The gin-pits were elbowed aside by the large mines of the financiers. The coal and iron field of Nottinghamshire and Derbyshire was discovered. Carston, Waite and Co. appeared. Amid tremendous excitement, Lord Palmerston formally opened the company's first mine at Spinney Park, on the edge of Sherwood Forest.

About this time the notorious Hell Row, which through growing old had acquired an evil reputation, was burned down, and much dirt was cleansed away.
Carston, Waite and Co. found they had struck on a good thing, so, down the valleys of the brooks from Selby and Nuttall, new mines were sunk, until soon there were six pits working. From Nuttall, high up on the sandstone among the woods, the railway ran, past the ruined priory of the Carthusians and past Robin Hood's Well, down to Spinney Park, then on to Minton, a large mine among corn-fields; from Minton across the farmlands of the valleyside to Bunker's Hill, branching off there, and running north to Beggarlee and Selby, that looks over at Crich and the hills of Derbyshire: six mines like black studs on the countryside, linked by a loop of fine chain, the railway.

To accommodate the regiments of miners, Carston, Waite and Co. built the Squares, great quadrangles of dwellings on the hillside of Bestwood, and then, in the brook valley, on the site of Hell Row, they erected the Bottoms.

The Bottoms consisted of six blocks of miners' dwellings, two rows of three, like the dots on a blank-six domino, and twelve houses in a block. This double row of dwellings sat at the foot of the rather sharp slope from Bestwood, and looked out, from the attic windows at least, on the slow climb of the valley towards Selby.

The houses themselves were substantial and very decent. One could walk all round, seeing little front gardens with auriculas and saxifrage in the shadow of the bottom block, sweet-williams and pinks in the sunny top block; seeing neat front windows, little porches, little privet hedges, and dormer windows for the attics. But that was outside; that was the view on to the uninhabited parlours of all the colliers' wives. The dwelling-room, the kitchen, was at the back of the house, facing inward between the blocks, looking at a scrubby back garden, and then at the ash-pits. And between the rows, between the long lines of ash-pits, went the alley, where the children played and the women gossiped and the men smoked. So, the actual conditions of living in the Bottoms, that was so well built and that looked so nice, were quite unsavoury because people must live in the kitchen, and the kitchens opened on to that nasty alley of ash-pits.

Mrs. Morel was not anxious to move into the Bottoms, which was already twelve years old and on the downward path, when she descended to it from Bestwood. But it was the best she could do. Moreover, she had an end house in one of the top blocks, and thus had only one neighbour; on the other side an extra strip of garden. And, having an end house, she enjoyed a kind of aristocracy among the other women of the 'between' houses, because her rent was five shillings and sixpence instead of five shillings a week. But this superiority in station was not much consolation to Mrs. Morel.

She was thirty-one years old, and had been married eight years. A rather small woman, of delicate mould but resolute bearing, she shrank a little from the first contact with the Bottoms women. She came down in the July, and in the September expected her third baby.

Her husband was a miner. They had only been in their new home three weeks when the wakes, or fair, began. Morel, she knew, was sure to make a holiday of it. He went off early on the Monday morning, the day of the fair. The two children were highly excited. William, a boy of seven, fled off immediately after breakfast, to prowl round the wakes ground, leaving Annie, who was only five, to whine all morning to go also. Mrs. Morel did her work. She scarcely knew her neighbours yet, and knew no one with whom to trust the little girl. So she promised to take her to the wakes after dinner.

William appeared at half-past twelve. He was a very active lad, fair-haired, freckled, with a touch of the Dane or Norwegian about him.

'Can I have my dinner, mother?' he cried, rushing in with his cap on. 'Cause it begins at half-past one, the man says so.'

'You can have your dinner as soon as it's done,' replied the mother.

'Isn't it done?' he cried, his blue eyes staring at her in indignation. 'Then I&'m goin' be-out it.'

'You'll do nothing of the sort. It will be done in five minutes. It is only half-past twelve.'

'They'll be beginnin',' the boy half cried, half shouted.

'You won't die if they do,' said the mother. 'Besides, it's only half-past twelve, so you've a full hour.'

The lad began hastily to lay the table, and directly the three sat down. They were eating batter-pudding and jam, when the boy jumped off his chair and stood perfectly still. Some distance away could be heard the first small braying of a merry-go-round, and the tooting of a horn. His face quivered as he looked at his mother.

Excerpted from Sons and Lovers by D. H. Lawrence
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

D. H. Lawrence’s great autobiographical novel paints a provocative portrait of an artist torn between affection for his mother and desire for two beautiful women. Set in the Nottinghamshire coalfields of Lawrence’s own boyhood, the story follows young Paul Morel’s growth into manhood in a British working-class family.

Gertrude Morel, Paul’s puritanical mother, concentrates all her love and attention on Paul, nurturing his talents as a painter. When she muses that he might marry someday and desert her, the attentive son swears he will never leave her. Then Paul falls in love—with not one woman but two—and must eventually choose between them.…


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