ALA Booklist (Wed Apr 01 00:00:00 CDT 2020)

When a group of families rent a robber-baron mansion by a lake for the summer, the teens, including Eve, Millet's (Fight No More, 2018) preternaturally compassionate and responsible narrator, separate themselves from their parents, caricatures of selfishness pursuing inebriation and other indulgences as the latest enactments of their failure to face facts about the imperiled world they've helped create. Eve is a steadfast guardian for her sweet, smart, animal-loving little brother, Jack, the moral compass in this increasingly horrifying climate-change fable as raging storms batter the old house and flood waters rise. With the scenarios in a children's bible surging to life, Jack believes he has broken the code: God equals nature; Jesus equals science. The young people, the true adults, shelter on a farm on higher ground, but their parents need their help, then vicious men with guns on the hunt for food invade. As bewitching, unflinching, wry, and profoundly attuned to the state of the planet as ever, supremely gifted Millet tells a commanding and wrenching tale of cataclysmic change and what it will take to survive.

Kirkus Reviews

A group of children are forced to fend for themselves in the face of rising sea levels, worsening storms, and willfully ignorant parents.This somber novel by Millet (Fight No More, 2018, etc.) is a Lord of the Flies–style tale with a climate-fiction twist. Evie, the narrator, is one of a group of kids and teenagers spending a summer with their parents at a lakeside rental mansion that's pitched as a vacation retreat but increasingly feels like a bulwark against increasingly intense weather on the coasts. The parents' chief activity involves stockpiling alcohol, leaving their children to explore the area. When a massive storm hits, the parents double down on self-medicating ("during the night the older generation had dosed itself with Ecstasy") while the kids explore further, ultimately arriving at a farm that's well stocked, at least for a while. The novel takes some time to find its footing, introducing a host of characters who are initially difficult to differentiate, but it ultimately settles on Evie and her rising fury at the grown-ups' incapacity to rise to a challenge and her younger brother, Jack, who's become increasingly obsessed with a Bible he's received and whether it can serve as a climate change survival handbook. (At one point he attempts to gather up animals, Noah-like.) Millet's allegorical messages are simple: The next generation will have to clean up (or endure) the climate mess prior ones created, and any notion that we can simply spend our way to higher ground is a delusion. Millet presses that last point in the novel's latter pages as the brief peace of the farm is disrupted in often horrific fashion. In the process, Jack's Bible plays an allegorical role too: Can we maintain civilization as we know it when the world descends into Old Testament–style chaos?A bleak and righteously angry tale determined to challenge our rationalizations about climate change.

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Millet follows up Sweet Lamb of Heaven with a lean, ironic allegory of climate change and biblical comeuppance. A group of friends, successful -artsy and educated types,- plan an -offensively long reunion- at a summer house -built by robber barons in the 19th century,- somewhere on the East Coast. They bring along their children, ranging in age from prepubescent to 17, who devise inventive ways to ignore them. With the young teenage narrator, Evie, Millet perfectly captures the blend of indifference and scorn with which the teenagers view their boozy parents, emblematic of humanity-s dithering in the face of environmental catastrophe: -They didn-t do well with long-term warnings. Even medium-term.- After a massive storm interrupts the summer idyll and brings looting and riots to New York and Boston, the parents lose themselves to booze and cocaine and the children flee with a menagerie of rescued animals, seeking refuge at a farmhouse. This lurid section, in which they are besieged by armed raiders searching for food, is shaky, and allusions to biblical tales such as Noah-s Ark and the Ten Commandments feel facile, but the novel regains its footing once parents and children reunite, with the children calling the shots. Millet-s look at intergenerational strife falls short of her best work. (May)