Changes and Chances
Changes and Chances
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Publisher's Hardcover ©1992--
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Ivan R. Dee Publications
Annotation: Psychologically acute without cant or dogma, Stanley Middleton puts before us another episode of a Human Comedy controlled and measured a la Trollope.
 
Reviews: 1
Catalog Number: #283073
Format: Publisher's Hardcover
Copyright Date: 1992
Edition Date: 1992 Release Date: 09/01/92
ISBN: 1-561-31004-2
ISBN 13: 978-1-561-31004-3
Dewey: 823
Language: English
Reviews:
Kirkus Reviews

Middleton, author of some 30 novels, here offers a sturdy, penetrating study of a man who doesn&#39;t seem to consider consequences&#39;&#39; and of the women who surround him, notably his housekeeper/lover. &lt;p&gt; Middleton, author of some 30 novels, here offers a sturdy, penetrating study of a man whodoesn't seem to consider consequences'' and of the women who surround him, notably his housekeeper/lover. Adrian Hillier, a ne'er-do-well who inherited a fortune and now patronizes the arts, especially a small theater, finds what pleasure he can in casual affairs. His housekeeper, Elsie Mead, also his lover, prepared herself every morning, unconsciously, for her employer&#39;s assault.&#39;&#39; Then Hillier hires teenager Peter Fowler--the son, it turns out, of Alice Fowler, Hillier&#39;s former lover, who&#39;s now married to a man fretting over a long-promised promotion by Top Fare, a grocery chain where Hillier has connections. On that framework, Middleton builds a stately comedy of manners. Hillier unsuccessfully puts the moves on Alice, who in turn becomes good friends with Mrs. Mead (I regret nearly all my life''). And things begin to fall apart for Hillier: His&#39;&#39; theater decides to abandon classical drama for popular farce and musicals, whereupon Hillier resigns and takes sick; Elsie meets poet Stephen Youlgrave, who takes to Elsie, many years his junior, and proposes; Elsie, whose first husband was an older man and a suicide, accepts and--now promised though still Hillier&#39;s housekeeper--refuses Hillier&#39;s advances. Meanwhile, Alice works on Hillier until he helps her husband attain the promised promotion. By the wedding scene and its denouement, everyone ends up relatively happy, even Hillier:There are always women. That keeps me from despair.'' Vintage workaday Middleton, neither surprising nor spectacular, but carefully built and realized--a book that also manages, via poet Youlgrave, to speculate at length on the uses of art: ``...poetry has more than a straightforward commercial exchange in view.''</p> "

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Kirkus Reviews

Adrian Hiller is monied, cultivated, somewhat neurotic, and used to getting what he wants when he wants it. The local theater is dependent on his money, and, at this point, on his taste and judgement. His housekeeper, Elsie Mead, has become his lover because he meant to have it that way--even as, twenty or so years ago, he seduced Alice Fowler, a girl still in college, in a manner somewhat more forceful than seductive. But the "changes and chances" mentioned in the Book of Common Prayer are indeed man's fate in this earthly existence. The theater group decides that it wants to do popular things rather than the classics, ancient and modern; Adrian makes a dignified speech, and resigns--and takes to his bed. Then Adrian's friend, Stephen Youlgrave, a poet in his seventies, asks Elsie to marry him, and she agrees. And Alice Fowler, whose teenage son works part time for Adrian and whose husband works for the large corporation in which Adrian is a principal shareholder, declines to be seduced again. Changes and chances. Psychologically acute without cant or dogma, seeing a little deeper into life without apparent effort, quietly noting the details of daily living and finding drama in them, Stanley Middleton puts before us another episode of the Human Comedy, controlled and measured a la Trollope.


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