Publisher's Hardcover ©2021 | -- |
Grief. Fiction.
Anxiety. Fiction.
Friendship. Fiction.
Art. Fiction.
Day camps. Fiction.
Camps. Fiction.
Family life. Fiction.
Tess' best friend, Collete, has died in an accident, and Tess in sister of Frankie, the protagonist of Tornado Brain (2020) beyond bereft. Though devastated, she has gone with her family to their cabin in Wyoming for vacation. There she is enrolled in art camp, where she meets a cute boy named Izzy; it's an instant crush for both of them. Meanwhile, strange things begin happening to Tess. She develops a preternatural fear of an animal-crossing overpass on the road to their cabin; she attracts a stalker, an elderly man who wears a yellow scarf just like the man in a ghost story Tess had told Colette; and, well, there's more. Tess wonders, is Colette haunting her? At the same time, she keeps hearing a vicious, intimidating voice in her head that is always putting her down. Patrick's cleverly plotted tale is a mash-up of mystery and summer romance that makes for an agreeable companion to Tornado Brain, and it can also be read and enjoyed independently.
Horn Book (Sun Aug 01 00:00:00 CDT 2021)Tessa, thirteen, is spending the summer in a small town in Wyoming, staying with her aunt, uncle, and cousins and going to art camp. Right from the get-go she is thrown into an eerie situation in which elements from a campfire ghost story she once invented to amuse her friend Colette seem to be playing out in the real world. The mystery and tragedy of Colette's recent death in an accident; Tessa's struggles with anxiety; middle-grade staples such as the mean girl and the sullen, more sophisticated cousin; and the sheer shivery fun of an urban legend commingle in a highly readable, convincing, and gripping narrative. This is a companion volume to Tornado Brain (rev. 9/20), a novel told from the point of view of Tessa's twin sister, Frankie (who reappears here). Together the tales create a rich stereo effect as we combine Frankie's take on the world -- that of a young woman on the autism spectrum -- with Tessa's somewhat more typical but still particular and detailed perspective. However, the story also works effectively as a standalone narrative, as author Patrick is adept at neatly filling in backstory. Crisp dialogue, subtle characterization, a sprinkling of romance, liberal handfuls of humor, and clever mystery plotting add up to a very satisfying read. Sarah Ellis
Kirkus ReviewsTess, whose BFF, Colette, died accidentally in Tornado Brain (2020), is severely afflicted with grief and guilt.The 13-year-old has returned with her cousins' family to a cabin in Wyoming where she, her twin sister, and Colette spent an idyllic summer the previous year. But with her friend gone just two and a half months, her pain is palpable. Complicating matters is the fact that her loving mother provides far more attention to Tess' twin, Frankie, who is on the autism spectrum. Tess, a talented artist, has enrolled in a summer art camp where she is befriended by a boy called Izzy. At first he has no idea what's causing her intense suffering, but he's both supportive and kind. That's far less true of fellow camper Jackie, who's had a crush on Izzy for years and will do anything to undermine Tess. The mostly White cast is richly depicted, but it's Tess' believable, disabling grief that is the focus: Convinced that an angry and accusing Colette may be haunting her, Tess' thoughts are constantly interrupted by a cruel inner voice, and she responds by biting her fingernails and cuticles, leaving her fingers raw and bleeding. With help from her supportive aunt, Izzy, and even imperturbable Frankie, by summer's end Tess makes tentative steps toward healing, progress that readers will welcome.An engaging tale of grief and the power of friendship. (Fiction. 10-14)
School Library Journal (Tue Jun 01 00:00:00 CDT 2021)Gr 4 Up-Patrick's sequel to Tornado Brain , an intimate look into the world of a neurodivergent teen, shifts the focus to Frankie's sister Tess, who is struggling with anxiety after the death of her best friend. Attending art camp in Wyoming just a few months after the tragic event, Tess battles "Mean Me," the voice that tells her that she cannot do enough or be enough, and focuses her attention on her hands; she constantly tears and bites at her nails and cuticles. She can no longer draw, a skill that used to give her comfort. Tess finds herself shuffled between various groups of people trying to help. Her cousins and aunt and uncle delicately try to help her process her grief, and the townie art club kids welcome her with ease and understanding; both entities wind up giving her back a piece of herself that she thought was lost. Patrick provides a unique look into the world of a grief-stricken kid trying to stay above water. She intertwines mystery, realistic fiction, romance, and social-emotional issues with aplomb, creating a lovely and therapeutic story. Readers may recognize and sympathize feelings of standing in someone's shadow and feeling lost, unable to ask for help. Tess is cued as white. VERDICT A suggested purchase for upper elementary and middle school libraries. Educators may want to use the book for group reads centered on coping with grief, trauma, and anxiety. Patrick weaves an authentic tale of a young girl with a sensitive heart who endures life's hardships. Rachel Joiner, Advent Episcopal Sch., Bessemer, AL
ALA Booklist (Sat May 01 00:00:00 CDT 2021)
Horn Book (Sun Aug 01 00:00:00 CDT 2021)
Kirkus Reviews
School Library Journal (Tue Jun 01 00:00:00 CDT 2021)
Chapter 1
Almost one year later, I returned to the cabin in Wyoming. It looked and smelled exactly the same, but everything was different.
Colette had been dead for two and a half months.
"Keep it moving," Kennedy said in her Boston accent, so it sounded like mah-ving to me. She bumped my shoulder with her duffel bag, trying to get around me in the cramped cabin entryway. "God, cousin, you're like a rock in a river." Rivah.
"Sorry," I murmured, my vocal cords hardly working, taking a step toward the bench that had dirty hiking boots lined up under it, but not setting down my own bag. I'd been pretty much silent during the two-hour solo plane ride from Washington to Salt Lake City and the four-hour rental car ride with my relatives from Salt Lake City to Pinedale.
Frankie had refused to come back, so that meant my mom and her boyfriend, Charles, stayed home, too. I'd been given a choice: go alone--with my Boston relatives, of course--or spend the summer at home.
Here, I'd go to art camp with strangers and try not to annoy my cousin.
There, I'd see the world moving on without Colette firsthand.
That hadn't really been a choice to me.
"I'll carry your bag up, Tess," Uncle Bran said, appearing behind me. "I know you don't like the stairs."
I was very aware of the weight being lifted off my right shoulder as Bran took the bag. I felt like it'd been keeping me from floating away. I sort of wanted it back.
"Thanks," I said weakly. He was already halfway up.
Aunt Maureen tiptoed through the door with five-year-old Kane sleeping in her arms. She lovingly smiled at me before walking down the hallway to put Kane in bed.
"Tess?"
Now Aunt Maureen was standing by the old compact fridge, without Kane, looking at me expectantly. I guess I'd zoned out; who knows for how long.
"Sorry, what?" I asked.
"I asked if you wanted something to drink."
She and Uncle Bran didn't have Boston accents, since they weren't raised there; only their kids did. It was kind of weird.
Aunt Maureen waited patiently for me to answer. I thought about how she was a slightly younger, more put-together version of my mom. Her short-sleeved blue button-down shirt and tan shorts somehow weren't even wrinkled from traveling all day. But my mom had waved me goodbye this morning in dirty sweats and a messy bun.
"I'll get some water," I said.
"I'll get it for you," Aunt Maureen said, motioning me over. "Take a seat."
The round table could fit four people comfortably or six if you didn't mind squishing in. I sat down on one of the outdated chairs. The plastic tablecloth felt sticky even though it was clean. I reached for a faded wooden lemon from the bowl in the center.
Last time I was here, Colette sat across from me. She tried to juggle these lemons. I wonder if she was the last person to touch this.
Aunt Maureen set down my water.
"Are you doing okay?"
Don't ask me that, I thought. It makes it worse.
I nodded because talking would make me cry. I felt like crying anyway. I picked up the glass and tried to wash away the lump in my throat.
Uncle Bran and Kennedy thunked down the stairs, across the room, and out the back door.
"Why doesn't she have to help unload the car?" Kennedy asked her dad. I heard her through the screen door.
"She's been through hell," Uncle Bran said. "I think you can manage some kindness for--"
Aunt Maureen shut the inside door.
"Want to go lie down until dinner?"
I didn't want to do anything. "Sure."
I stood up, and Aunt Maureen pulled me into a tight hug.
"Oh, Tessy Bear, you've had a hard time of it, but things will get better. Day by day, it'll get better."
So many adults had said to me: It'll get better.
No, it won't, I thought.
Aunt Maureen released me, and I went upstairs, not feeling as terrified of the stairs this time. I walked up the center and barely held on, numb.
In the bunk-room doorway, I looked from right to left at the full-size bed Kennedy had claimed, the two sets of bunk beds on the far wall, and the queen bed to my left. Maybe I should have picked a different place to sleep, but I didn't. I kicked off my shoes, crawled onto the queen bed and under the covers, and snuggled into my spot near the wall, leaving space for someone who wasn't here anymore.
I closed my eyes, thinking of the kids at school. Colette's family. My family.
How did you just keep going?
How did you joke around, signing each other's yearbooks, at the end of a seventh-grade year that Colette didn't finish?
How did you sell the house where she lived?
How do you laugh now when I feel like laughter is a foreign language?
How do you get out of bed without making deals with yourself?
How is Earth even still turning?
"You have an owie."
Startled, I opened my eyes to find my youngest cousin, Kane, next to the bed. I felt out of it, like I'd fallen asleep. His dark blond hair was wild from his own nap. He was looking at my left hand, where the cuticles on three fingers were coated in crusted, dried blood. I'd gotten really good at hiding my hands in pockets or long shirtsleeves after the nail biting had gotten so much worse.
Good job, loser, you're freaking out a little kid.
"That's a bad owie," Kane pointed out again.
"Yeah," I said, tucking my hands under the covers.
"Does it hurt?" he asked with huge, concerned eyes.
He was asking about my hand, but I felt the question in my heart. "Yeah, it does," I said quietly, which made the tears come. They always came eventually.
Kane reached over and wiped my cheeks dry with his miniature thumbs. "It's okay to cry when you have an owie or just anytime you feel sad."
"Thanks, Kane," I said, so surprised by the gesture that I stopped crying. I wasn't used to being around kids who were younger than me. I didn't have my babysitting certificate yet. Colette and I had been planning to do that together at the end of the summer.
"Okay and Mommy says you have to come to eat your hamburger now please." Kane stared at me for three seconds, then added, "Okay, Teth, you have to get up now Mommy says please. We are having hamburgers and do you like ketchup?"
"I do," I said, sitting up and throwing off the covers.
I followed Kane to the landing. Before he started down, he took my hand and looked up at me with his big eyes and long eyelashes.
"We're going downstairs now," he said bravely, taking a deep breath, then the first step off the landing. "You don't have to be scared. Just hold on tight and go slow."
"Okay, thanks, Kane," I said, getting choked up again.
"Ketchup is icky," he said as we stepped. "I like plain hamburgers. We can still be friends, though, because everyone has their own 'pinions and that's okay. 'Cept my 'pinion is ketchup is very bad and my 'pinion is your 'pinion is wrong."
"Okay," I said.
"Okay," he said.
Me and my little cousin made it down the steps. And then we ate hamburgers.
Excerpted from Paper Heart by Cat Patrick
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
In this companion to Tornado Brain, a moving tale of loss and healing comes full circle.
Tess has always understood her role in her family. She is supposed to be the "okay" one. The one no one has to worry about. But all Tess does is worry, constantly picking at her fingers every time a new worry arises. Still grieving her best friend's death, she is consumed by the fear that everything was her fault and her sadness that Colette is never coming back. Worse still, it seems like everyone else has found a way to move on, even her twin sister Frankie. When her mom decides a change of location might do her good, Tess finds herself on an airplane bound for her aunt's house in small town Wyoming and a summer vacation attending art camp.
Tess thinks she might never be able to move on from losing Colette but her quirky but determined cousin Kennedy and new friend Izzy are determined to help. When Tess becomes convinced that Colette's ghost might be haunting her, Kennedy and Izzy find new ways for Tess to make peace with the past and finally let go of the grief that has been haunting her heart.