Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)

A picture-book biography in verse highlighting the friendship between John Lewis and the young African American boy whom he inspired.In her signature expressive and soulful style, Pinkney introduces readers to young Tybre Faw, a boy from Tennessee who learns about Sen. Lewis from reading books. Inspired by Lewis' lifelong fight for justice and equal rights, Tybre convinces his grandparents to make a 4-hour drive from their home in Tennessee to Selma, Alabama, where every year Lewis conducts an annual pilgrimage across the Edmund Pettus Bridge in honor of his historic showdown, which helped usher in the Voting Rights Act. There, the two meet and a friendship is sparked. Woven into the narrative is the story of how Lewis, inspired by Dr. Martin Luther King Jr., went on to become a civil rights hero. With deep emotion, Pinkney captures the generational struggle for freedom and takes readers from Dr. King's radio speeches during the Jim Crow era to the Black Lives Matter movement of today. Brown's watercolor-and–quill pen illustrations are striking and larger than life, adding great depth and meaning to the verse. Backmatter includes a statement further describing the relationship between Lewis and Tybre, a timeline of Lewis' life, captioned photographs, and the poem "Invictus" by William Ernest Henley, which Tybre delivered at Lewis' funeral service. (This book was reviewed digitally.)This eloquent tribute is a must-read. (Picture-book biography. 6-10)

ALA Booklist (Thu Apr 28 00:00:00 CDT 2022)

Ten-year-old Tennessean Tybre Faw finds a hero in Congressman John Lewis, a civil rights icon nicknamed "Good Trouble," who worked closely with Martin Luther King Jr. As the anniversary of Bloody Sunday and the commemorative march across the Edmund Pettus Bridge approaches, Faw begs his grandmothers to drive him to Selma. There Lewis shakes Faw's hand and invites the boy to march with him, thus beginning a friendship. Pinkney's lyrical prose recounts the high points of Lewis' (and to some extent King's) life interspersed with details of Faw's interest in history and the particulars of his meetings with Lewis. She emphasizes Lewis' mentoring of Faw (and its parallels to King's mentoring of Lewis), ensuring continuity in the civil rights struggle. Brown's digitally enhanced watercolor-and-ink illustrations focus on the humans depicted, and several compositions reflect published photos of events. Equally strong are the settings (particularly Selma) and subtle details, such as Faw reading Lewis' graphic novel March: Book One (2016). Appended with generous back matter, this makes an inspiring addition to the civil rights canon.

Horn Book (Thu Oct 03 00:00:00 CDT 2024)

What could have been a straightforward story of a boy meeting his idol becomes in Pinkney's (Martin Rising, rev. 3/18; Loretta Little Looks Back, rev. 11/20) skilled hands a tapestry of intertwined stories looking back to the past and forward to the future. Pinkney introduces Tybre Faw, who as a great admirer of civil rights icon John Lewis attends one of the annual marches across the Edmund Pettus Bridge, which leads to a life-changing meeting with Lewis. Interwoven is the parallel story of John Lewis, who as a young man wrote Dr. Martin Luther King a letter, which led to a life-changing meeting, a lifelong friendship, a life's work. And just as, after Dr. King's death, Lewis was left to "carry on Martin's dream for peace. / To stitch the seams / of his legacy," so "legacy's threads" will stitch in Faw's hopes and bright promise. Pinkney's free-verse text skillfully reinforces the connections between Faw and Lewis, using similar language to introduce them ("When you're a kid from / Johnson City, Tennessee... When you're a boy / in Troy, Alabama") or describe galvanizing incidents (Faw reading about Lewis's activism "lights his dream on fire"; Lewis hearing Dr. King's voice on the radio "lit a light in John's heart"). The telescoping nature of the narratives -- starting with Faw and looking back to Lewis and King and thence to "Harriet, Frederick, Sojourner, Du Bois" -- encourages young readers to acknowledge the shoulders of giants each generation stands on and to themselves work toward "a brighter tomorrow." Brown's (Birth of the Cool, rev. 5/19) watercolor and pen art is emotive and introspective, focusing on character and connection rather than on events or action. Appended with a lengthy author's note, a timeline of the life of Rep. John Lewis, photographs, and the text of the poem "Invictus" read by Tybre Faw at Lewis's funeral.

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

A picture-book biography in verse highlighting the friendship between John Lewis and the young African American boy whom he inspired.In her signature expressive and soulful style, Pinkney introduces readers to young Tybre Faw, a boy from Tennessee who learns about Sen. Lewis from reading books. Inspired by Lewis' lifelong fight for justice and equal rights, Tybre convinces his grandparents to make a 4-hour drive from their home in Tennessee to Selma, Alabama, where every year Lewis conducts an annual pilgrimage across the Edmund Pettus Bridge in honor of his historic showdown, which helped usher in the Voting Rights Act. There, the two meet and a friendship is sparked. Woven into the narrative is the story of how Lewis, inspired by Dr. Martin Luther King Jr., went on to become a civil rights hero. With deep emotion, Pinkney captures the generational struggle for freedom and takes readers from Dr. King's radio speeches during the Jim Crow era to the Black Lives Matter movement of today. Brown's watercolor-and–quill pen illustrations are striking and larger than life, adding great depth and meaning to the verse. Backmatter includes a statement further describing the relationship between Lewis and Tybre, a timeline of Lewis' life, captioned photographs, and the poem "Invictus" by William Ernest Henley, which Tybre delivered at Lewis' funeral service. (This book was reviewed digitally.)This eloquent tribute is a must-read. (Picture-book biography. 6-10)