A Lonely Man
A Lonely Man
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Publisher's Hardcover ©2021--
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Farrar, Straus, Giroux
Annotation: "Elegant . . . A superb suspense novel, imbued with moral and narrative complexity and an omnipresent low cloud cover of... more
Genre: [Mystery fiction]
 
Reviews: 3
Catalog Number: #294909
Format: Publisher's Hardcover
Copyright Date: 2021
Edition Date: 2021 Release Date: 05/04/21
Pages: 304 pages
ISBN: 0-374-29844-0
ISBN 13: 978-0-374-29844-9
Dewey: Fic
LCCN: 2020053582
Dimensions: 22 cm
Language: English
Reviews:
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)

Will a man's tales of Russian oligarchs and murders be a blocked writer's salvation or his doom?It's been two years since British writer Power's well-received fiction debut (Mothers: Stories, 2019), and it's been four years since the publication of the debut story collection of his lead character, Robert Prowe (hmm). But Robert is blocked now and well past deadline on his contracted first novel while Power, of course, has delivered his. Robert is living in Berlin with his wife and two daughters when he meets fellow Briton Patrick, a ghostwriter. Their acquaintance grows to something like friendship as Patrick reveals his ties to a Russian millionaire who hired him to write about his rags-to-riches life and how he fell afoul of Putin. The oligarch, who gives Patrick computer files damaging to the Russian ruler, dies mysteriously, and Patrick fears he will be targeted next by the Kremlin's thugs. Robert is skeptical about all this but recognizes good material for the novel he needs to write and so encourages Patrick to keep talking. Then strange things start to happen: A window that's always locked is found open, a friend commits suicide, and on and on. There are familiar questions raised here about how writers get and use material from real life, but what Power does cleverly is make them part of the story's rising suspense, stoking the tension and disconnect between Robert and Patrick and even inserting some novel within the novel as the narrative intermittently shifts into Robert's fictional rendering of Patrick's adventures with the oligarch. Power's understated style abets the tension, creating gaps and unanswered questions that pull the reader along, recalling Hermione Lee's description of Penelope Fitzgerald's prose as "plain, compact, and subtle," leaving "much unsaid."An entertaining literary thriller that traces intrigue from the writer's mind to the latest headlines.

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

Will a man's tales of Russian oligarchs and murders be a blocked writer's salvation or his doom?It's been two years since British writer Power's well-received fiction debut (Mothers: Stories, 2019), and it's been four years since the publication of the debut story collection of his lead character, Robert Prowe (hmm). But Robert is blocked now and well past deadline on his contracted first novel while Power, of course, has delivered his. Robert is living in Berlin with his wife and two daughters when he meets fellow Briton Patrick, a ghostwriter. Their acquaintance grows to something like friendship as Patrick reveals his ties to a Russian millionaire who hired him to write about his rags-to-riches life and how he fell afoul of Putin. The oligarch, who gives Patrick computer files damaging to the Russian ruler, dies mysteriously, and Patrick fears he will be targeted next by the Kremlin's thugs. Robert is skeptical about all this but recognizes good material for the novel he needs to write and so encourages Patrick to keep talking. Then strange things start to happen: A window that's always locked is found open, a friend commits suicide, and on and on. There are familiar questions raised here about how writers get and use material from real life, but what Power does cleverly is make them part of the story's rising suspense, stoking the tension and disconnect between Robert and Patrick and even inserting some novel within the novel as the narrative intermittently shifts into Robert's fictional rendering of Patrick's adventures with the oligarch. Power's understated style abets the tension, creating gaps and unanswered questions that pull the reader along, recalling Hermione Lee's description of Penelope Fitzgerald's prose as "plain, compact, and subtle," leaving "much unsaid."An entertaining literary thriller that traces intrigue from the writer's mind to the latest headlines.

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

In this beguiling literary thriller about the ethics of storytelling, Power (Mothers) examines the plundering tendencies of oligarchs and writers alike. Robert Prowe, an English novelist living in Berlin, strikes up a friendship with fellow writer Patrick Unsworth, who shares an outlandish tale: having been hired to ghostwrite the autobiography of dissident Russian oligarch Sergei Vanyashin and entrusted with compromising information about Putin-s regime, he is now being tracked by Russian agents. Moreover, Vanyashin and various figures in his circle have died under suspicious circumstances. Robert can-t decide if his new acquaintance is lying or -playing out some fantasy,- but decides to use Patrick-s story, without his permission, as the basis for a new novel. Robert-s -twenty-four fucking carat- material comes with a cost, as ominous signs emerge that he and his family could be in danger. For a novel filled with so much trickery, there are some slack sections, for example, when Robert prepares his family-s summer house in Sweden or returns to London for a funeral. Furthermore, the bond between the two men isn-t quite magnetic enough for the reader to feel the sting of the eventual vampiric betrayal. By and large, though, Power maintains an elegant sense of intrigue around the lengths writers will go for a good story. (May)

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review for Kirkus Reviews (Thu Apr 28 00:00:00 CDT 2022)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Reading Level: 6.0
Interest Level: 9+

"Elegant . . . A superb suspense novel, imbued with moral and narrative complexity and an omnipresent low cloud cover of dread." --Maureen Corrigan, The Washington Post Two British men meet by chance in Berlin. Robert is trying and failing to finish his next book while balancing his responsibilities as a husband and father. Patrick, a recent arrival in the city, is secretive about his past, but eventually reveals that he has been ghostwriting the autobiography of a Russian oligarch. The oligarch has turned up dead, and Patrick claims to be a hunted man himself. Although Robert doubts the truth of Patrick's story, it fascinates him, and he thinks it might hold the key to his own foundering novel. Working to gain the other man's trust, Robert draws out the details of Patrick's past while ensnaring himself ever more tightly in what might be either a fantasist's creation or a lethal international plot. Through an elegant existential game of cat and mouse, Chris Power's A Lonely Man depicts an attempt to create art at the cost of empathy. Robert must decide what is his for the taking--and whether some stories are too dangerous to tell.


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