The Robber Girl
The Robber Girl
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Publisher's Hardcover ©2021--
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Candlewick Press
Annotation: Part literary mystery, part magical tour de force—an incantatory novel of fierce beauty, lyricism, and originality from ... more
Genre: [Mystery fiction]
 
Reviews: 4
Catalog Number: #300310
Format: Publisher's Hardcover
Publisher: Candlewick Press
Copyright Date: 2021
Edition Date: 2021 Release Date: 09/14/21
Pages: 404 pages
ISBN: 0-7636-6956-3
ISBN 13: 978-0-7636-6956-0
Dewey: Fic
LCCN: 2021946439
Dimensions: 23 cm
Language: English
Reviews:
Starred Review for Kirkus Reviews

Robber Girl, raised by the thieving Gentlemen, knows better than to become tame.When Gentleman Jack is arrested, the Judge takes the girl into his home. She's wild: She bites, she can't read, and she doesn't know how to eat properly. And though the girl has an Affliction making it harder for her to speak to humans, she talks with her dagger, which scolds her endlessly. The Judge insists that she go to school ("school is a taming thing," says the dagger). The Judge encourages her to name herself, and she chooses Starling ("what a terrible name," says the dagger). The Judge has an astonishing dollhouse that was built for his recently deceased daughter, and Starling gets a quest from the affectionate dolls ("stop talking to the dolls!" yells the dagger). In a setting just slightly sideways from the 19th-century American frontier, it's never entirely clear what's the imagination of an almost-feral robber girl and what are the workings of a world where allegory and reality intertwine. Though the prose is symbolically laden, it's never purple, and as Starling learns about good, kind people, her growing empathy is drawn in the gaps. The fantastical touches lend a beautiful unreality, although they also create an unfortunate connection between disfigurement and sin. All characters are White or light skinned.Gorgeously written, with ferocious emotion in the caesuras of a sparse, unreliable narrative. (Fabulism. 11-14)

Horn Book (Sun Aug 01 00:00:00 CDT 2021)

Robber Girl only remembers the life she's lived with outlaw Gentleman Jack, who rescued her when she was abandoned at age four. Or so he says. Now she's eleven, a "wild" britches-wearing girl with a coarse voice that doesn't work properly and a constant dialogue with her beloved dagger running through her mind. Then, in a failed robbery, Gentleman Jack lands in jail, and she's taken to live with the very judge who caught him. Robber Girl now becomes Starling, surprised by but adapting to the "tame" ways of affection, respect, comfort, and domestic order that she finds with the judge and his wife. Always, though, she remains compelled to free Gentleman Jack; when she does, she finds not just herself but also her past. This novel fairly glitters with the intelligent intricacy of its plot, language, and themes, all of which are intimately joined, refracted, and intensified through Billingsley's imagery -- the dagger, a dollhouse, a songbird. Starling's narrative voice is direct yet full of wonder; the depth of her confusion and pain (as we ultimately realize) revealed with gentleness and compassion. Bringing together elements of magic, religion, and the Wild West frontier, Billingsley's (The Folk Keeper, rev. 11/99; Chime, rev. 3/11) story allows Starling, hidden even from her own self, to speak her perceptions, the lucidity of her inner life, with startling, poetic force. Deirdre F. Baker

Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)

Robber Girl, raised by the thieving Gentlemen, knows better than to become tame.When Gentleman Jack is arrested, the Judge takes the girl into his home. She's wild: She bites, she can't read, and she doesn't know how to eat properly. And though the girl has an Affliction making it harder for her to speak to humans, she talks with her dagger, which scolds her endlessly. The Judge insists that she go to school ("school is a taming thing," says the dagger). The Judge encourages her to name herself, and she chooses Starling ("what a terrible name," says the dagger). The Judge has an astonishing dollhouse that was built for his recently deceased daughter, and Starling gets a quest from the affectionate dolls ("stop talking to the dolls!" yells the dagger). In a setting just slightly sideways from the 19th-century American frontier, it's never entirely clear what's the imagination of an almost-feral robber girl and what are the workings of a world where allegory and reality intertwine. Though the prose is symbolically laden, it's never purple, and as Starling learns about good, kind people, her growing empathy is drawn in the gaps. The fantastical touches lend a beautiful unreality, although they also create an unfortunate connection between disfigurement and sin. All characters are White or light skinned.Gorgeously written, with ferocious emotion in the caesuras of a sparse, unreliable narrative. (Fabulism. 11-14)

Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)

Five years before the events of Billingsley-s (Chime) fantasy-tinged western, ivory-skinned Robber Girl, 10, who can-t speak unless spoken to, was abandoned by her mother. She doesn-t remember her name or past-just that Gentleman Jack Royal rescued her and gave her the dagger with which she psychically converses. Per Jack, once they stick up a gold-laden stagecoach, he-ll give her a new name and a home; as it turns out, however, their intended target is a trap for Jack, who is wanted for murder. After Jack is arrested, Robber Girl moves in with Judge and Mrs. del Salto in Blue Roses-a town favored by the boon-granting celestial goddess for which it is named. Mrs. del Salto balks at Robber Girl-s arrival-the woman still grieves the two children she lost to smallpox, and Robber Girl doesn-t want to betray Jack by becoming -tame--but both come to realize that the town-s patron deity works in mysterious ways. Robber Girl-s lively, lyrical first-person narration lightens Billingsley-s plot, which sensitively explores topics such as trauma, healing, and gratitude. Arguments with the hyper-literal dagger inject humor, the poignant mystery surrounding Robber Girl-s pre-Jack life imparts drive, and a subplot involving an enchanted dollhouse adds heart. All characters are cued white. Ages 10-14. (Sept.)

Reviewing Agencies: - Find Other Reviewed Titles
Starred Review for Kirkus Reviews
Horn Book (Sun Aug 01 00:00:00 CDT 2021)
Kirkus Reviews (Fri Oct 04 00:00:00 CDT 2024)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)
Word Count: 114,532
Reading Level: 4.8
Interest Level: 5-9
Accelerated Reader: reading level: 4.8 / points: 17.0 / quiz: 515416 / grade: Middle Grades
Day Zero

A dagger is meant for stabbing. It is meant for killing. A dagger has two sharp edges and goes down to a point. If you have a good dagger, the blade is made of iron mixed with carbon. If there's no carbon, it will be too soft. If there's too much carbon, it will be too brittle.
   I had a good dagger. A robber girl needs a good dagger.
 "I'm the best dagger," said the dagger.
 "You're the best dagger," I said.
   We matched each other, my dagger and I. We were not too soft, we were not too brittle. I hadn't stabbed anyone yet, but I would. The dagger had stabbed lots of people.
 "More than you can count," said the dagger.
 "Not more." I could count as high as there were numbers. I could count as low as there were numbers. I could count down to zero.
   Yesterday had been Day One. Today was Day Zero. The important part of Day Zero had already started. We'd left the hideout and were riding through the ravine. The path tilted up, the cliffs leaned in on us. Here the horses had to walk in a single line. Later we would have to be quiet, but not yet. Stones went rattling down the path. Hoofbeats and stone falls echoed between the cliffs. The stone was gray, but later, when we had to be quiet, the stone would be pink. It was a long way up to the top of the world, where the stone turned pink.
   Here the world was small, the stone walls pressing at us, breathing their damp ancient breath. First in line was Gentleman Jack. He was always first, the ribbons fluttering from his horse's mane, the yellow gloves on his hands.
   Primrose. That was the color of Gentleman Jack's gloves.
   I came next. Yellow ribbons fluttered from my pinto's mane, but they were regular yellow, not primrose. Primrose was just for Gentleman Jack.
   Then came Rough Ricky. No gloves, no ribbons. Just the web of scars on his hands and face. We always came first: Gentleman Jack, then me, then Rough Ricky. The rest of the Gentlemen came behind us, but the three of us were always first.
 "And me," said the dagger. "Don't forget about me!"
   I would never forget about the dagger.
 "I have the sharpest point," said the dagger. "I have two edges, sharp as death."
   The dagger was sharp, I was sharp. Together we were sharp, together we were wild.
   Soon the ravine would end and the Plains would begin. In the middle of the Plains rose the Indigo Heart, where there would be gullies to leap and mountains to climb. There would be a thousand-thousand tons of pink stone. That's what I'd been waiting for. Today I'd use the dagger. Today I'd get my name.
 
   We threaded the horses through the three great stones that hid the ravine. Here the world burst upon us, a sea of yellowed grass poking through the snow, and in the distance, the earth shrugging its shoulders into the mountains of the Indigo Heart. When you stay in the ravine all winter, you begin to think that's all there is--the cliffs, the cave, the river. It's easy to forget that the ravine is buried in the Plains, like a hollow egg.
   Today I'd get a house.
 "It's not really your house," said the dagger.
   Today I'd get a grandmother.
 "She's not really your grandmother," said the dagger.
   Gentleman Jack, Rough Ricky, and I still rode first, but now we had enough room to fan ourselves into an arrowhead, with Gentleman Jack making the point. The rest of the Gentlemen rode single file behind. They made the shaft of the arrow.
   The wind shrieked across the Plains. It smelled of cold and snow. The wind was fast, and we were fast, but we didn't shriek. We were practicing to be quiet. Ahead rose the mountains, pink above the tree line but dark with indigo trees below.
   Nothing could go wrong, not on Day Zero. Day Zero was Now. At last I'd arrived at Now. Now was a yellow ribbon in a pony's mane. Now was a cascade of lace at Gentleman Jack's wrists. Now was a pair of primrose gloves, with the letters GJR embroidered on the cuffs. Now was the glint of a ruby in Gentleman Jack's ear.
   Nothing could go wrong, not when Gentleman Jack, Rough Ricky, and I made the head of the arrow.
   I knew we were close when we reached the railroad tracks. It was funny how you couldn't see the Indigo Heart as well when you got close. You couldn't see the mountains, pink against the sky. All you could see were the indigo trees and, minutes later, the red clay road that circled the Heart.
 "There's iron in the clay." The dagger knew everything about metal. "That's why it's red."
   The Indigo Heart was just the way Gentleman Jack had described.
 "Iron is magnetic," said the dagger.
   The dagger was magnetic, too, which meant it would feel the pull of the road. I wasn't expecting to feel it, but I did, just a little tug when we leapt upon the clay.
 "There's a bit of iron in blood," said the dagger.
   It was like the tug of sleep when it was time to wake up. You could break the tug but you didn't want to.
 "Magnets are not like sleep," said the dagger.
   It would be faster and easier to take the road that went winging up the mountain, but it wasn't safe: someone might see us.
   We leapt up the embankment, onto the mountainside. Here, among the indigo trees, the horses slowed, crunching over indigo needles and aspen leaves and pockets of snow. It was winter in the Indigo Heart. The birds were silent; there was just the sound of crunching. The horses wound through the indigos, sidestepped jabs of rock punching through the earth. Above, a hawk sailed in descending spires.
 "Watch where we're going!" said the dagger.
   The dagger meant both of us had to watch. The dagger was in the sheath at my waist, and it was also in my head. But it could only see what I saw, so if I wasn't watching, it couldn't watch, either.
 "We have to remember where we're going," said the dagger. "If something goes wrong, we have to get back to the hideout."
   I couldn't remember a time the dagger wasn't in my head, six inches of carbon and iron, reminding me to be wild. If I ever wished for taming things, like more food or a heavier coat, it would press at my thoughts, cool and sharp. Together we had a blade that cut on both sides. Together we had a spear-point tip.
   Together we were wild.

Excerpted from The Robber Girl by Franny Billingsley
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Part literary mystery, part magical tour de force—an incantatory novel of fierce beauty, lyricism, and originality from a National Book Award Finalist

A brilliant puzzle of a book from the author of Chime and The Folk Keeper plunges us into the vulnerable psyche of one of the most memorable unreliable narrators to grace the page in decades. The Robber Girl has a good dagger. Its voice in her head is as sharp as its two edges that taper down to a point. Today, the Robber Girl and her dagger will ride with Gentleman Jack into the Indigo Heart to claim the gold that’s rightfully his. But instead of gold, the Robber Girl finds a dollhouse cottage with doorknobs the size of apple seeds. She finds two dolls who give her three tasks, even though she knows that three is too many tasks. The right number of tasks is two, like Grandmother gave to Gentleman Jack: Fetch unto me the mountain’s gold, to build our city fair. Fetch unto me the wingless bird, and I shall make you my heir. The Robber Girl finds what might be a home, but to fight is easier than to trust when you’re a mystery even to yourself and you’re torn between loyalty and love. The Robber Girl is at once achingly real—wise to the nuances of trauma—and loaded with magic, action, and intrigue. Every sentence shines, sharp as a blade, in a beautifully crafted novel about memory, identity, and the power of language to heal and reconstruct our lives.


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