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Stutterers. Fiction.
Stuttering. Fiction.
Racism. Fiction.
Friendship. Fiction.
Middle school students. Fiction.
Confidence. Fiction.
Spokane (Wash.). Fiction.
Frazier, author of the Cleo Edison books, switches gears and transports middle-grade readers to 1950s Spokane, delivering a unique slice of local Black history. Melvin Robinson would give anything to have a strong voice that works exactly how he wants (like when talking to his crush, Millie Takazawa), but he can't seem to overcome his stutter. Unfortunately, the anxiety of starting high school exacerbates his speech impediment, making him a target for bullies. Enter Lenny Carini, a sax-playing Jewish kid who is confident, persuasive, and determined to be Melvin's best friend. They accomplish great things together ough, as the story progresses, Melvin, who is Black, realizes that racial discrimination exists insidiously in his community. He and his friends work to overcome prejudices that create roadblocks for people of color. The story weaves actual events and locations into the plot e murder of Emmett Till, the Harlem Club, Rosa Parks' visit to Spokane ilding effective historical context. Frazier authentically represents the experiences of the Robinsons and their community, with tight, warm relationships and realistic situations. Highly recommended!
Horn Book (Sun Aug 01 00:00:00 CDT 2021)As freshman year at predominantly white Cleveland High in 1955 Spokane, Washington, approaches, Melvin Robinson lives in his siblings' shadows: eldest brother Chuck, accomplished quarterback; older sister Marian, homecoming queen contender; and younger sister Maisy, who has designs on becoming Spokane's first Black journalist. What does Melvin have? A detested accordion, a pet turtle, and a severe stutter exacerbated by stress. In this vividly drawn work of historical fiction, Frazier launches readers into social issues of the time through her portrayal of the friendship between Melvin and Lenny, a Jewish boy who lives above a jazz club and uses his mother's maiden name (Carini rather than Friedman) to avoid discrimination; Melvin's crush on Millie, a Japanese American classmate whose parents refuse to discuss their internment during WWII; and historical events such as Emmett Till's murder. Melvin's authentic narration reveals a teen who is finding his voice and using it to speak out against racism and discrimination. When Melvin and Lenny win first place performing as the Swingin' Saxoccordions on a local TV variety show, Melvin gains confidence for such greater challenges as introducing Rosa Parks at an NAACP gathering. An author's note reveals that Frazier drew many elements of this compelling story from her family's own life. Michelle H. Martin
Kirkus ReviewsAn African American teen struggles with a stutter in 1950s Spokane, Washington."Mmmmmy nuh-nuh-name is Mmmmmelvin." Starting high school is an anxiety-provoking milestone for anyone, but for Melvin Robinson, his stutter makes it that much worse. He wants a strong, smooth "he-man voice" so that he can actually say what he is thinking, especially to his crush, Millie Takazawa. But the stress of high school, where he is one of only two Black kids in his class, is making his stutter worse, and the class bully is taking every opportunity to put him down. Melvin does make a friend: saxophone-playing Lenny, a nonstop talker who lives above the Black-owned but nevertheless segregated Harlem Club and encourages Melvin to be himself. When Lenny suggests they try out for the local TV variety show with Melvin playing his accordion and Lenny on the sax, Melvin must decide if he is mighty enough to show everyone who he really is. Through a multicultural cast of characters-Lenny is Jewish, Millie is Japanese American, and Melvin and his family are Black-author Frazier explores the depth of racism everywhere and the tightknit community bonds necessary for surviving it. Infused with specificity-it's inspired by Frazier's family's real-life experiences integrating a White neighborhood in Spokane in the 1940s and '50s-it deftly explores universal themes.A gentle historical novel about finding your voice. (author's note) (Historical fiction. 8-12)
Publishers Weekly (Fri Oct 06 00:00:00 CDT 2023)In this richly layered historical novel set in 1955 Spokane, Wash., Frazier (
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Kirkus Reviews
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Golden Kite Award Finalist
Washington State Book Award Winner
Junior Library Guild Gold Standard
Notable Social Studies Reading List
CCBC Choices
Melvin Robinson wants a strong, smooth, He-Man voice that lets him say what he wants, when he wants—especially to his crush Millie Takazawa, and Gary Ratliff, who constantly puts him down. But the thought of starting high school is only making his stutter worse.
And Melvin’s growing awareness that racism is everywhere—not just in the South where a boy his age has been brutally killed by two white men, but also in his own hometown of Spokane—is making him realize that he can’t mutely stand by.
His new friend Lenny, a fast-talking, sax-playing Jewish boy, who lives above the town’s infamous (and segregated) Harlem Club, encourages Melvin to take some risks—to invite Millie to Homecoming and even audition for a local TV variety show. When they play music together, Melvin almost feels like he’s talking, no words required. But there are times when one needs to speak up.
When his moment comes, can Melvin be as mighty on the outside as he actually is on the inside?
P R A I S E
★ “This powerful novel weaves strong characters into the tapestry of civil rights, treatment of people with disabilities, fallout fear from the war, and ever-changing cultural shifts that defined the 1950s.”
—School Library Journal (starred)
★ “A well-constructed and movingly told story of a thoughtful Black boy making his place in his family and in 1950s America.”
—Publishers Weekly (starred)
“A gentle historical novel about finding your voice.”
—Kirkus
“Sundee Frazier once again flexes her masterful expertise in understanding the human heart, and the insurmountable will and capacity we have to press forward and persevere triumphantly.”
—Kirkus Prize-winner Derrick Barnes
“One of those rare books I found myself reading more slowly as I got to the final pages. I didn’t want it to end.”
—Newbery Award-winner Christopher Paul Curtis