Answering a call to witness, Shusterman offers five original tales of Jews resisting and escaping Nazis with help from miracles, wonders, and legends.Inspired by actual examples of aid and rescue recounted in brief between each story, the author celebrates courage in the face of brutality and terror-beginning with a group of orphaned children in Hamburg narrowly escaping a Nazi roundup through a window in their apartment that becomes a portal to a peaceful world. There are also striking tales of a golem at Auschwitz, resistance fighters freeing a train of captives with help from Baba Yaga and the people of Chelm, and a teenager who wields the staff of Moses to raise a bridge of sunken boats, helping Danish Jews escape across the Øresund strait to Sweden. In a pointed final story, an American child passes back and forth between this time and an alternate present in which the Holocaust never happened, but antisemitic violence is ominously on the rise. Noting the influence of Marvel Comics on his work, Martínez offers clean-lined period scenes of ordinary-looking heroes enduring fear and hardship, and "fighting for justice on every page." Resonating with an earlier acknowledgment that Roma and other minorities also suffered Nazi persecution, Martínez finds common personal ground in his own Tejano family's experiences with white supremacists.Moving examples of the power of culture and folklore to offer help, hope, and inspiration to act. (photo credits, author's notes, illustrator's note, bibliography, note on Hebrew letters) (Graphic fiction. 12-18)

Answering a call to witness, Shusterman offers five original tales of Jews resisting and escaping Nazis with help from miracles, wonders, and legends.Inspired by actual examples of aid and rescue recounted in brief between each story, the author celebrates courage in the face of brutality and terror-beginning with a group of orphaned children in Hamburg narrowly escaping a Nazi roundup through a window in their apartment that becomes a portal to a peaceful world. There are also striking tales of a golem at Auschwitz, resistance fighters freeing a train of captives with help from Baba Yaga and the people of Chelm, and a teenager who wields the staff of Moses to raise a bridge of sunken boats, helping Danish Jews escape across the Øresund strait to Sweden. In a pointed final story, an American child passes back and forth between this time and an alternate present in which the Holocaust never happened, but antisemitic violence is ominously on the rise. Noting the influence of Marvel Comics on his work, Martínez offers clean-lined period scenes of ordinary-looking heroes enduring fear and hardship, and "fighting for justice on every page." Resonating with an earlier acknowledgment that Roma and other minorities also suffered Nazi persecution, Martínez finds common personal ground in his own Tejano family's experiences with white supremacists.Moving examples of the power of culture and folklore to offer help, hope, and inspiration to act. (photo credits, author's notes, illustrator's note, bibliography, note on Hebrew letters) (Graphic fiction. 12-18)